The film makes a home in your brain and the only cure is to see it again.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Alright, this is probably the first ever review I write. What's wrong with the writers of this movie? In what universe an unidentified woman dies in a modern hospital and the police doesn't get involved? Especially when her baby survives! They would surely demand any personal items, such as her purse and diary. And even if they didn't... What nurse/midwife would hold on to it instead of giving it to the police, and start instead playing detective? Going around poking at the russian mob nonetheless... And since we are talking about impossible, how unlikely is that the dying underage mother went into that pharmacy right when she was about to give birth and then lost consciouceness and never recovered, with never a chance to give her name or any information. This is beyond absurd. The rest of the movie is not horrible, I am half an hour in, but the plot hole is simply grinding my gears so much that I had to vent.

Eastern Promises has been praise as one of David Cronenberg's finest films, for several reasons. Although the film is well acted by it's leads, and the scenery is wonderful, the overall storyline and plot of the film tends to lag and is not as intriguing or entertaining as many make it out to be. Eastern Promise is quite short in running time which in this case there could have been more time to develop other plot points. The main criticism of this film is that the storyline is not intriguing and it is very predictable. And rather boring and bland at times. We understand what will occur throughout, and the suspense is very non- existent. No twists or key points which make the viewers wanted more. The acting is well thought out as Cronenberg is prime with Viggo Mortensen for another collaboration, and Naomi Watts delivers her role thoughtfully. Very few scenes of strong violence, and it is very far and in between. The violence occurs only quickly and is not as stable and throughout or unexpecting as it could have been.

In some ways the spiritual successor to David Cronenberg's previous film 'A History Of Violence', 'Eastern Promises' deals with themes of violence, family, loyalty, betrayal and deceit. This sub-text is handled subtly, despite being rich and begging to be unravelled; it never becomes heavy-handed or detracts from the overall enjoyment of the film. Indeed, both Cronenberg and Steven Knight (the writer) ask questions that are never answered: either because the film wants you to decide, or because a definitive answer is literally impossible. The film lingers with you long after it is over, and a genuinely unexpected surprise makes you want to watch it all over again with fresh eyes.The movie is incredibly realistic, accurately portraying both London's Russian mob and the violent acts they commit. Speaking of which, the violence - while infrequent - is shocking and grizzly: it isn't exaggerated or understated, filmed in an expert manner which makes you almost feel as though you're the one being attacked. A gruelling fight scene later in the film proves this, allowing you to feel like you are really there. You're never sure what is going to happen; characters often hide their true intentions and none of them are ever given a safety net. The performances here are all top-notch, particularly that of Viggo Mortenson and Armin Mueller-Stahl - the former playing a 'driver' for the mob, always inching closer to becoming part of the family, and the latter playing the leader. Mortenson is especially impressive, perfectly carrying himself and speaking with a convincing accent - you could easily mistake him for actually being Russian. All of the accents are pretty good, although Vincent Cassel does sound decidedly French, and no-one gives a bad or unconvincing performance.The story as a whole is pretty small in scope, beginning with the audience in place of Naomi Watts' character - only seeing glimpses of the mob from the outside - before we slowly change perspectives to follow Viggo Mortenson's character - who works his way into the family, and brings the viewer with him. I was compelled throughout the narrative and, though it seemed to loose focus somewhat, thought that it concluded naturally. The ending doesn't truly feel like an ending, with life seeming to continue. Not much has actually changed, though things have been revealed and characters have certainly gone through their arcs. I think that the film ends when it does because the audience has transferred back to following Watts' character and the final scene is the last time she encounters the strange world of the mob. It also wraps up the story involving the baby, who is essentially the driving force of the movie.'Eastern Promises' is a film that lingers on long after the credits have rolled, one that leaves an after-taste which makes it hard to resist revisiting. It becomes infinitely more complex after the first viewing alone. Each character is well-written, with hidden motives and personality traits seamlessly woven into their every action: almost all of them act a certain way to mask their true intentions or desires, and these are hinted at through brilliant acting and an amazing script. The direction is fantastic too, with smooth camera work that effortlessly frames all of the action and several hidden long takes. No cut feels jarring, and at no point was I pulled out of the story to be reminded it is only a film; it had me hooked from beginning to end. Even though it sometimes seems to be going nowhere, after the first viewing everything falls into place.I think this is a very good movie, one that is perhaps underrated and not talked about nearly enough, that features an excellent cast and lead performance; it is expertly written and directed perfectly. 7/10.

So refreshing to see a mob thriller that doesn't look like a celluloid version of GQ magazine. Obviously Vincent Cassel is excellent, and it's worth remembering Naomi Watts was a very good actress before that Diana film all but destroyed her career… but it's Viggo Mortensen who has the hardest job, playing the strong, silent, misfit anti-hero, but somehow manages to avoid being a massive cliché. And the Turkish Baths scene... Right, when I'm swimming in the sea I sometimes get the feeling that there's a shark swimming about underneath. Of course, there isn't... but that fear was even greater when I happened to be on a nudist beach one year - gentlemen, I'm sure you can understand that! Anyway, I've never seen a hero seem more vulnerable in a fight scene than this one...Watts gets bonus points for a decent English accent.yetanotherfilmreviewblog.tumblr.com