Ghost

July. 13,1990      PG-13
Rating:
7.1
Trailer Synopsis Cast

Even though Sam Wheat, the successful investment counsellor, still finds it difficult to express his deeper feelings for her after all these years, his young potter girlfriend, Molly Jensen, is the love of his life. However, a curious case of a systematic discrepancy will prepare the ground for a hideous urban homicide in one of Manhattan's dark alleys, trapping, seemingly forever, the unfortunate deceased's immortal soul in the realm of the mortals. With the condemned spirit unable to interact with the physical world--and as Molly's life, too, is in grave danger--Sam will have to turn to the spiritual medium, Oda Mae Brown, to warn and protect her. Can Oda and the ghost settle the unfinished business in time?

Patrick Swayze as  Sam Wheat
Demi Moore as  Molly Jensen
Whoopi Goldberg as  Oda Mae Brown
Tony Goldwyn as  Carl Bruner
Vincent Schiavelli as  Subway Ghost
Rick Aviles as  Willie Lopez
Martina Deignan as  Rose
Rick Kleber as  Mover
Phil Leeds as  Emergency Room Ghost
Armelia McQueen as  Oda Mae's Sister

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Reviews

Exoticalot
1990/07/13

People are voting emotionally.

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Verity Robins
1990/07/14

Great movie. Not sure what people expected but I found it highly entertaining.

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Philippa
1990/07/15

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Janis
1990/07/16

One of the most extraordinary films you will see this year. Take that as you want.

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merelyaninnuendo
1990/07/17

GhostAn interesting idea to project a concept that is clearly dark into a suave romance and good old drama with great music and moments which reminds you of the old romantic novels that plays its major part on the metaphorical emotions.

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jacobjohntaylor1
1990/07/18

This is one the best movies I have seen. It has a great story line. It also has great acting. It also has great special effects. It is scary at time. It is scarier then The silences of lambs could ever be. 7 is a good ratting. But this is such a great movie that 7 is underrating it. This is not a 7. This is a 10. If you like ghost stories you should see this movie. If is a great movie. See it see it see it see it see it see it see it see it. It is one of the best fantasy film I have seen. It is scarier then the 2010 remake of A Nightmare on elm street could ever be. This is scarier then the 2009 reboot of Friday the 13th could ever be. See this movie. It a great movie. It has a great soundtrack.

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Filipe Neto
1990/07/19

This ultra-romantic film addresses two main themes: the power of love and the afterlife. The title may deceive, make us think that is another horror film about hauntings. Well ... it's about ghosts but does not scare anyone. The script is based on the sudden death of Sam and in his attempts to contact his wife, now widow, and warn her about a deadly danger lurking around her. Simple but effective, the script works well, plays with a universal belief, shared by millions of people, places deep questions and earned for its author, Bruce Joel Rubin, an Oscar for Best Original Screenplay.The main roles are played by Patrick Swayze and Demi Moore, two experienced actors who don't have disappointed the public, providing us with very good performances. They have created a good visual chemistry, which helps to enhance the romantic mood of the film. Compelling is the performance of Whoopi Goldberg, one of the most striking of her career. She gave life to a funny medium that starts to be a fraud. The film also features several innovative special effects, for the time, and look good on the screen.

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calvinnme
1990/07/20

I have to admit that Demi Moore as artist Molly and Patrick Swayze as Sam, an investment banker, had great chemistry. This was extremely popular when it came out in 1990, even winning an academy award for Whoopi Goldberg, whose career had been on a downturn up to that point.Sam and Molly have a great life in New York City. She is an up and coming artist, he is doing well at his investment banking job. They turn part of a run down building into a yuppie paradise loft apartment. But Sam has a problem expressing his love verbally. And then Sam and Molly are mugged by a common street criminal one night while walking home. Sam is shot and killed while defending Molly, and suddenly finds himself outside of his own body. Nobody can hear him. Nobody can see him. But he can converse with other "ghosts" that he finds. He hangs out in his old apartment to be near Molly, and then something happens that makes him think his murder was not a coincidence. The guy who killed him lets himself into his apartment with a key and begins looking for something in particular. He is obviously not there to steal the television. And from there the murder mystery begins.I still salute this movie for one inventive turn - the most unlikely protagonist ally in film history - Whoopi Goldberg as a fake psychic who turns out to be the only person who can hear Sam. She is rude, crude, at times greedy, somewhat racist and very mouthy and with a rap sheet a mile long for bunco artistry. But she does end up helping Sam, although he spends all night at her bedside singing "I'm Henry VIII I am" to get her to cooperate. However, you will like her, in part because she is so real and believable.The philosophical questions I mentioned? I guess the biggest question raised is who is a "good" person worthy of heaven and who is a "bad" person worthy of hell? Are there mitigating circumstances? The film has both of Sam's murderers going to hell. Were they BOTH that bad? One of the killers seemed like he might have been a good person until greed tempted him to the point that he got in over his head for some quick money. He was like Fred C. Dobbs in "Treasure of the Sierra Madre" without the gold mine and the endless Mexican desert. And what about Sam? He kills two people , at first attacking them to defend others - and it has got to be scary being chased and beat up by something you can't see - but he seems to have fun scaring them to the point of frenzy. I mean, what did he think was going to happen in each case? Yet he seems surprised when they end up dead at his hands in what could be considered self defense taken to the point of revenge. Yet he goes to heaven. Maybe the scale of eternal reward doesn't weigh acts performed after death? Ponderous.This one might seem cheesy at points, especially the pottery making/lovemaking scene, but I think it still holds up over time. I'd recommend it.

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