Nine 1/2 Weeks

February. 21,1986      R
Rating:
5.9
Trailer Synopsis Cast

An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.

Mickey Rourke as  John
Kim Basinger as  Elizabeth
Margaret Whitton as  Molly
David Margulies as  Harvey
Christine Baranski as  Thea
Karen Young as  Sue
Dwight Weist as  Farnsworth
Roderick Cook as  Sinclair - the Critic
Victor Truro as  Gallery Client
Justine Johnston as  Bedding Saleswoman

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Reviews

Hellen
1986/02/21

I like the storyline of this show,it attract me so much

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Evengyny
1986/02/22

Thanks for the memories!

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Vashirdfel
1986/02/23

Simply A Masterpiece

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Stevecorp
1986/02/24

Don't listen to the negative reviews

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Bill George
1986/02/25

This film has been unfairly slated by people who were perhaps expecting something else. Re-watching it 30(!) years on, I notice above all the beauty of Kim Basinger, above all when she is apparently not trying to be beautiful. The range of expression she can bring to a scene just by looking is amazing; her hair often seems to have been brushed by a dog's claws, but there is something in her eyes which can take your breathe away. Mickey Rourke is above all effective as a guy who is willing to take risks and wants the woman to do the same, and I'm sure if I was a woman I would find him irresistible in this role ...A much-maligned film which deserves re-evaluation as a masterpiece of its kind. 1 point off because it seems a little too afraid of the censor at times ...

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margielove
1986/02/26

This film is worth watching just for the 2 stunning main characters - Basinger and Rourke - Basinger for her incredible figure (she never looked better in her suits/high heels) and John for his chisseled features. Of course Basinger's acting is also impeccable, although I believe that Rourke does brooding /introspective better than he does happy. I have to say that the sexual games do seem to come across as a little one-sided - always Rourke directing a game for Basinger - and not the other way. It would have been interesting to see a role reversal on occasion.This film has been compared to 'Last Tango' and the obvious similarity is that Brando and Rourke only open up about their personal lives at the end - and ONLY when Maria and Kim - DON'T want to know ,are not interested and are in fact ready to leave. Very interesting that Rourke says 'I love you' AFTER Basinger has left and the door is closed. (I have also seen Rourke in 'The Wrestler' and was wondering why he did not get an Oscar for that film and '9 1/2'. Probably due to him being not mainstream enough for Hollywood.) Margaret Reines.

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inioi
1986/02/27

Back in 1986, this film is ahead of his time .... and still is.It's a different and realistic look to relationships. Adrian Lyne's expertise is revealed in every shot. Sensual and full of detail, the film goes beyond the eroticism, or whether if it is about domination or not. Apart from persistent sexual references, the film centers (in a subliminal way) into the inner world of Liz. It is easy to identify with her, thanks to the importance given to gestures, looks, emotional reactions, her private life when she is alone, ... all this (and more) makes the movie has an introspective approach.Adrian Lyne has the ability to turn a banal situation into something beautiful and interestingIt is a portrait of a woman wanting to experience and let herself go, but also very sensitive and able to empathize. This can be seen in her interaction with the painter, who is an artist largely disconnected from the world, living in his house in the country. When she goes to visit him to remind him his appointment with the exhibition of his paintings, she sees and understands that it is a man who lives in another reality. This is confirmed and creates a parallel in the painting exhibition, when Liz is already broken because of her relationship with John, she sees and empathizes with the painter who is totally lost and baffled at the art gallery exhibition.I do not want to get into analyze what happens to the relationship between main characters (although actually it's quite simple) because like many of the films in which there is shown or suggested sex, we should try to see a little further.8/10

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SnoopyStyle
1986/02/28

Elizabeth McGraw (Kim Basinger) works in a SoHo art gallery in the hustle and bustle of NYC. She is taken with confident Wall Street trader John Gray (Mickey Rourke). They begin a torrid sexual affair lasting nine and a half weeks. He's a commanding presence and she feels herself breaking new boundaries. Her best friend goes out with her ex.At least, this is better than 50 Shades. Mickey Rourke is simply a superior actor especially at this time period. He exudes the over-confidence of his character. Kim Basinger is beautiful and also very enchanting. The movie develops the world of New York. It's fun, a little wild and very alluring. The cinematography is beautiful. The food eating lit by the fridge light looks sexy and beautiful. At the end of the day, this is a pretty thin story. Despite the nice acting, there is not much more here than an erotica. The montages are beautiful but shows the lack of drama. Also the controlling nature of John Gray can be taken as misogynistic and very off-putting.

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