The Hunchback of Paris

December. 12,1959      
Rating:
6.9
Trailer Synopsis Cast

Duke Philippe de Nevers is an influential and popular man who is married to a beautiful wife called Aurore. His rival Philippe de Gonzague hates him enough to organise an attempt on him. The Duke is accompagnied by Henri de Lagardère when de Gonzague's henchmen altogether attack him. Lagardère cannot save his friend because the both of them are hopelessly outnumbered. He has to escape in order to save the Duke's daughter and swears revenge. Together with his old buddy Passepoil he raises the little girl in Spain. At the same time he returns frequently to France where he detects confronts his friend's murderers and puts them to the sword one by one until only their former leader is left. Finally he discovers that Philippe de Gonzague is the man for whom he is looking.

Jean Marais as  Henri de Lagardère
Bourvil as  Passepoil
Sabine Sesselmann as  Aurore de Nevers / Isabelle de Caylus
François Chaumette as  Philippe de Gonzague
Jean Le Poulain as  Peyrolles
Hubert Noël as  Philippe de Nevers
Paulette Dubost as  Dame Marthe
Alexandre Rignault as  L'aubergiste
Georges Douking as  Le marquis de Caylus
Annie Anderson as  Une invitée au bal

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Reviews

Lancoor
1959/12/12

A very feeble attempt at affirmatie action

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Lidia Draper
1959/12/13

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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Portia Hilton
1959/12/14

Blistering performances.

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Logan
1959/12/15

By the time the dramatic fireworks start popping off, each one feels earned.

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Myriam Nys
1959/12/16

Some movies want to tell you a story. "Le Bossu" does not fall into that category : it clearly was made because it represented a safe financial investment and because it worked as a star vehicle for Bourvil and Marais. Technically speaking this is a well-made movie with slick direction, high production values and some fun performances, but it lacks drive and conviction. At times it's like watching enormously expensive paint dry.The central romance, between a hot-blooded yet decent knight-errant and his lovely young ward, has always struck me as unpleasantly inappropriate. It carries disquieting undertones of incest or pedophilia, even when the movie goes out of its way to indicate that the knight-errant never treated the girl with anything less than the most courteous benevolence. Bourvil provides the necessary comic relief while Marais does well as the said knight-errant. What a strange life Marais must have had : in his private life he was gay, while he earned his money by portraying he-man heroes of the "Step back, you villainous cur ! Would you dare to annoy a young lady of good family ?" variety. Paul Féval's source novel is better : it has far more wit, bite, fire and imagination, masterfully evoking a world of court intrigues, financial capers and swashbuckling adventures. Still, it is so clearly a "cape and dagger" novel that its appeal will be limited to people who, like me, enjoy the genre. (One gets born - or not - with this trait, one does not acquire it. It is purely genetic, like the ability to digest milk at an adult age.) Fun tip : the movie's story involves a baby girl of noble blood, growing up in anonimity. At the end of the movie the girl has become a charming beauty, about three or four years younger than her mother.

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Ross
1959/12/17

I love this original story and although it's frustrating I can't find a version of the book and the writer's son's sequels in English, I am ploughing through them in French which I expect any purist would tell me is what I should do anyway, and I've become an enthusiast for this engaging hero.Whilst I greatly enjoyed the delightful movie version with Daniel Auteuil which is how I first discovered Henri de Lagardere, I think this Jean Marais version is really the best - it keeps to the original better re storyline, and the script allows Marais to act Lagardere as he should be - swashbuckling and dynamic and already well known in Paris rather than Auteuil's lower key less sophisticated version. I also enjoyed the recent French TV series.

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writers_reign
1959/12/18

This is, of course, a much-filmed story like Robin Hood etc and each generation will have its favourite version. In my case I found the best thing about it was the colour and I advise potential viewers to avoid travelling to the cinema by bus lest they drive a hole through the plot. Jean Marais is no Errol Flynn or even, nearer to home, Gerard Philippe, who made a memorable Fanfan La Tulipe and given Marais' status as long-time lover of Jean Cocteau it may not be inappropriate to describe him as a swishbuckler. Bourvil is on hand to provide comic relief but the best you can give this is that it passes the time more or less painlessly.

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dbdumonteil
1959/12/19

A new version in the late nineties was released featuring Daniel Auteuil as the hero;it was entertaining but the actor was overshadowed by Lucchini's portrayal of the wicked cousin.In the 1960 version,,there's not such a problem.Jean Marais was par excellence the swashbuckler hero and ,like in "le capitan" ,Bourvil provides the movie with good comic reliefs.Marais is as convincing playing a dashing knight,fighting for a girl's name and fortune as he is pretending he is a hunchback.André Hunebelle,often despised by the intellectuals made entertaining stuff which today's children (and their parents) can still enjoy.

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