Evil king Praximedes convinces superhero Atlas to fight for him, but Atlas eventually sees the king's true nature and turns against him.
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Purely Joyful Movie!
It's fun, it's light, [but] it has a hard time when its tries to get heavy.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
The worst Italian sword & sandal saga surpasses low-budget producer & director Roger Corman's period knock-off "Atlas" with a towering Michael Forest as the eponymous muscle-man in a colorful red short skirt. So many things are so horribly wrong about this lackluster epic that it makes you wonder what possessed Corman to shoot it in the first place. Okay, the scenic Grecian splendor is a big plus, but little else is as comparable. The high and tight 1960s' haircuts along with those pencil-thin mustaches do little to evoke authenticity. Forrest just doesn't cut it as the titular strongman. Mind you, he is tall, but he doesn't look like a weightlifter. The only bright spot in this dreadful mess is Frank Wolff, who went on to make a name for himself in Spaghetti westerns. Wolff chews the scenery with relish, and he is fun to watch. Nobody else matches his gusto. Nothing else about this abysmal outing is remotely memorable. Although I cannot tolerate this cardboard peplum, I love those English-dubbed spectacles with Steve Reeves, Mark Forrest, Gordon Scott, Gordon Mitchell, and Alan Steel. Altogether, "Atlas" qualifies as dreary from fade-in to fadeout. Everything about it has potboiler written all over it. For the record, ruthless city-state tyrant Praximedes (Frank Wolff of "Once Upon a Time in the West") has laid siege to King Telektos' city for months without success. The two leaders decide to select champions to represent them in the arena, and the victor will win the day. Predictably, Atlas tops his opponent in a fight that has little grit. When the villainous insists that Atlas kill King Telektos' champion, our noble hero relents and allows him to live. Eventually, Atlas figures out that he fought for the wrong guy. Clocking in at 79 minutes, "Atlas" must be one of Corman's worst that he'd love to forget. Perhaps a widescreen version instead of this severely cropped full-frame rendition would at least yielded more panoramic views of Greece.
As much as I am a fan of Michael Forest from Star Trek, The Outer Limits,to name a few - this movie is an absolute farce. Frank Wolf who up to this point is really a 3rd rate actor, is the lead bad guy in this movie that plays out like a high school play with just a handful of extras. 1st blunder is when they announce that the wrestling match will begin when the trumpets blow. The trouble is that the horns are never heard. The Wardrobe Designer must have been on break with Barbara Morris wearing shorts that look like she should be on the set of Beach Blanket Bingo and not a Greek sword and sandal movie. The story line is very poor and really makes no sense. Soupy Sales could have played the lead baddie with the same results.
Playing the title role of Atlas and certainly having the physique for it is Michael Forest best known for playing the God Apollo on Star Trek prime. He gets himself involved in a civil war where one army is besieging a city state.When a single combat winner take all duel is arranged the besieger goes out to look for a champion and just by coincidence the Olympic Games are being held. Frank Wolff finds Michael Forest and he will face Christos Exarchos the prince of the city. When Forest beats Exarchos but doesn't kill him, Wolff should have thought right then and there that this will mean trouble for him.Roger Corman produced Atlas. It was his attempt to make a Peplum, sand and scandal less than an epic. The European players stroll rather listlessly through the film. But Frank Wolff, God Bless him is having a whale of time playing Proximades the tyrant who shows pieces of what Peter Ustinov did with Nero in Quo Vadis and later on Christopher Plummer in the Fall Of The Roman Empire. Wolff is so infectiously evil, he makes a mediocre film worth watching.
... that is, if you dig flicks that involve men wearing really high cut "togas" that look more like skirts. The battle scenes are absolutely laughable, with lots of shots of shields being hit by things (occasionally the wooden swords), and lots of guys who throw spears really poorly at their crew-cut Greek rivals. The charges just sort of slow in front of enemy lines, once even to turn around and change a formation four feet from the "battle line." Some of the editing looks like it may have been done by a deranged chimp, and that's just for the important dialogue scenes. There are a few shots where the camera literally gets knocked out of place. A final word of warning: the director took full advantage of shot width, so if you are unfortunate enough to watch this on tv, several scenes will have half of the speakers cut off at the edge of the screen. If you need something to MST3K, come and get it!