Self-important, over-dramatic, uninspired.

Let's be realistic.

An action-packed slog

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

***SPOILERS*** Picked off by a Communist Chinese sniper USMC Let. Earl Toland, Charles Quinlivan, as he's about to go under turns over command of his squad to the green and inexperienced in leading men into combat Sgt. Eddie Towler,Sidney Poitier. The thing that ticks off the men that Sgt. Towers is now in charge of is not that he's green and inexperienced but that he's black! And it's now up to Sgt. Towers, who didn't want the job anyway, to lead them out of the wilderness, or Communist North Korea, and across the 38th parallel before the Chinese Communist and their North Korean allies make mince meat out of all of them!Under Sgt. Towers' command and leadership the men in his unit capture a key position, a farm house, that's the only place where a battalion of some 1,000 retreating US Marines can make it to safety and link up with UN forces to the south preventing them from being massacred by the Communist forces. It's that position that Sgt. Towers is determined to hold to the last man grenade and round of ammunition even if he ends up being killed by one of his fellow Marines in doing it!As the Communist Chinese key in on Sgt. Towers position tensions beings to build up between him an the Marines under his command. Sgt. Kincaid, Alan Ladd, who felt that he being in the Corps for 11 years was passed over in favor of Sgt. Towers never lets him forget about it. Still Kincaid knows that by bickering with each other will only give the surrounding Communist Chinese the advantage in overrunning the farm house and reluctantly takes orders from him. It's the racist Pvt. Bracken, Paul Richards, who never lets up in letting Sgt. Towers know where to stay in his place ,the back of the bus or squad, that really gets under Sgt.Towers' black skin.The both racist as well as horny Pvt. Bracken really goes over the top when after getting good and drunk on Korean home made wine attempts to rape Eurasian, half French and half Oriental, woman of the house Maya, Ann Maria Lynch. It's then that Sgt. Towers who tried to tolerate him, for the both good and safety of the Marine unit, lost his cool and not only worked Bracken over but almost has him shot for undisciplined and un-US Marine Corps conduct! The Communist Chinese using human wave assault tactics slowly ground down the Marines defending the farmhouse and it's now up to Sgt. Towers to make the faithful decision to either abundant the farm house and leave the 1,000 US Marines who need it to brake through commie lines to their fate or die defending it!The Chinese Communists bringing in their big guns, tanks and amour units, for a final breakthrough has both Sgt. Towers and Kincaid try to disable the lead tank with Molotov cocktails, they by then ran out of grenades, with Kincaid ending up almost roasted alive in the fighting! Needing an immediate blood transfusion as well as leg amputation to save his life Kincaid is saved by both the skillful surgery, his in fact first amputation, of medic Pvt. Wade, Glenn Corbett, and Sgt. Towers who donated at least three pints of blood-O positive-to keep Kincaid from going under just like Let. Toland did earlier in the movie.***SPOILERS*** With what now looked like the end for Sgt. Towers and his Marines with the Chinese Communist troops making a major assault on the farm house the US Calvary or USAF finally comes to their rescue. As the US Air Force saber jets start blasting the Chinese Reds to bits an elated Sgt. Towers going along with them, as ground support, picks them off one by one, sniper style, with his sub-machine-gun as they try to run for cover! P.S The movie also has the then Heavyweight Champion of the World Ingemar Johansson as recently naturalized American citizen and Swedish immigrant GI Torgil. Despite his being the champ in real life Johansson instead of fighting was seen in the film mostly singing Swedish folk songs to keep the men in his Marine unit entertained!

A film I had never heard of. Halliwell's film guide says a marine patrol in Korea is commanded by a black man and the racial tension take precedence over fighting the enemy.Simple-minded, parsimoniously budgeted war melodrama.Sidney Poitier is the Sergeant who is given command by the Lieutenant as he is dying.Alan Ladd is the most experienced but has no stripes. The first part of the film is setting the scene and they end up defending a house against faceless enemy who they machine gun and grenade by the score.Alan Ladd gets his leg crushed by a tank and they save him The patrol hold out long enough for them to be saved by their own side.Not much of a film and not one that you would bother seeing again. They spent too little on the story. It was a pity the great Shane ( Alan Ladd) was reduced to this. He rode off in the sunset after saving the town form the baddies just to end up being banal on a snow covered hill side in Korea.Sidney Poitier was rehearsing for his tough put upon black man roles.What do they call you boy ? They call me MISTER Tibbs !

This is one of the few Korean War movies I have seen; I usually stick to my WW2 interests. Sidney Poitier stars as a black Sergeant amongst a platoon of whites. When the unit is ambushed, Poitier is the only noncom that survives. He must lead the survivors to a strategic farmhouse and hold it against overwhelming enemy forces. To complicate matters, he faces off with a more experienced Private (Alan Ladd) and a bigot (Paul Richards) as he tries to keep the men from mutinying. This movie does a fair job at commenting on racism. Although Sidney Poitier always answers challenges to his authority by threatening to kill whoever gets in his way, he plays the part quite passionately. This was an early film to take a serious look at racism; it's a bit clumsy but makes a good early effort.The supporting cast is good as well; they are given plenty of slow scenes to make them seem like real people rather than just faceless soldiers. They include singer James Darren; political satirist Mort Sahl; Ingemar Johanssen as a Swedish immigrant; Glenn Corbett as the kindly medic; as well as a Navajo Indian (Mario Alcalde) and the typical scared, green kid. The battle scenes are pretty well done but aren't too original. They usually involve hordes of Red Army troops rushing the farmhouse and the Americans dispatching them with grenades and small arms fire. As for complaints: I didn't think the tune "The Saints Go Marching On" at all fit the bleak mood of the movie. The cinematography shows of some pretty awesome snowscapes, but looks nothing like Korea. The continuity tends to jump around during the middle portion of the movie as well -- characters will be out in a foxhole one moment and the next they'll be inside the farmhouse chattering away. The ending was somewhat unsatisfying as well. All in all, a pretty decent Korean War flick, most notable for the young cast of stars-to-be and it's well-meaning efforts to deal with the huge problem racism in the early 1960s.

1960 was an in-between year. Between Eisenhower and Kennedy. Between the Beats and the Hippies. Between Elvis and Fabian. Between Korea and Vietnam. And in that in-between year, there was a grab bag of rehashed styles in fashion and music. The 1920's were "in" for a while and remakes of "Smoke Gets in Your Eyes" and "When the Saints Go Marching In" became contemporary hits in 1960. "All the Young Men" is a grab-bag of a movie, apparently written by a committee composed of agents and accountants, which tossed in music, themes, topics, scenes, and personalities designed to appeal to the movie audience of 1960. To try to understand the film from any other historical or logical or artistic or symbolic perspective would be an exercise in futility. In 1960 we had has-beens Alan Ladd ("Shane") and Richard Davalos ("East of Eden") marching along the Korean countryside with breaking-the-color- barrier Sidney Portier, topical night club comic Mort Sahl, new face Glenn Corbett, and teen heart throb James Darren all to the tune of "The Saints" which, as mentioned, was an old song during the Korean War but a re-vamped hit in 1960. So, although the portrayed drama was of the Korean war of the early 1950's, "All the Young Men" is really a kind of filmed time capsule of 1960 America. As such, it is a combination piece of nostalgia, a reminder that 1960 really was a pretty "dumb" time in America, and a kind of scary reminder that in 1960 America was living in blissful ignorance of the horror and chaos that was to befall in a few years in the form of a presidential assassination, counter-culture struggles, and an eleven year quagmire in Vietnam.