That was an excellent one.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

This movie feels like it was made purely to piss off people who want good shows

For anyone who remembers the Warner Brothers television series Sugarfoot that starred Will Hutchins now having seen the Randolph Scott western from Warner Brothers of the same name, I can state categorically that they have only one thing in common. The theme from Sugarfoot the TV series I recognized immediately as the opening credits rolled. Other than that, there is nothing in common.In fact I've never heard the expression Sugarfoot. I've heard tenderfoot and that's what Scott is. He's a Confederate war veteran going west to maybe establish a freighting business. As the opening scenes show he and a future rival Raymond Massey just don't like each other and resolve to stay out of each other's way, but as the movie unfolds that proves impossible.Although Raymond Massey has done many a villainous role and some of them in westerns, he's not quite right as a gunslinger outlaw. A year later Massey co-starred with Randolph Scott in Carson City and he was much better cast in that film.For a Sugarfoot/tenderfoot Scott is a fast learner though something of a fathead in regard to his code of southern chivalry. By the end of the film he's pretty handy with a six shooter.Adele Jergens plays the saloon entertainer that Scott and Massey are after and Arthur Hunnicutt and Hank Worden make colorful sidekicks. Not the best Randolph Scott western from the post World War II era, but for his legion of fans good enough.

When I was about ten years old and already had a passion for westerns, I used to pass in front of Cine Bandeirantes in São Paulo, a popular movie theater, and look for the posters of the coming attractions. When it was a western I used to hope that it would be restricted only up to ten years old. But that was not the case with "Sugarfoot" the Brazilian title being "Talhado em Granito", which was restricted up to fourteen. And I craved to see this film. Seeing it now, makes me aware one more time of how we change and the times change. This is a routine Scott western,which starts quite well as the characters are introduced. Most remarkable is Adele Jergens as Reva, a saloon singer with a strong personality. She does an excellent musical number about a guy she meets and thinks will order wine, but asks for two beers instead and for her to pay the bill. Raymond Massey, the villain and Scott arrive at the same time in Prescott, Arizona and each will go his own way on different sides of the law. Scott becomes friendly with S.Z. Sakall,( less of a caricature than in most of his films), and starts earning enough money to make a living and get married to Reva, but Massey is there to spoil his plans.The plot gets a bit too fast moving from about half of the film and I had to go back on the DVD to be able to understand. If you would take all the Scott westerns (leave the Boettichers out, they are all great) this one would be average

Randolph Scott stars as Jackson Redan, a former confederate officer who moves to Prescott, Arizona to start a fresh new life. But even as he makes new friends he is blighted by an old adversary and forced to take up his guns once again.Sugarfoot the film is not to be confused with the TV Western series of the same name that ran from 1957-1961, tho a big connection does come with Arthur Hunnicutt who stars in both. Also featuring Adele Jergens, Raymond Massey, S.Z. Sakall, & Hank Worden, it seems to be a little known Oater in the considerable career of genre legend Scott. It's directed by Edwin L. Marin who collaborated with Scott on 7 other movies, cinematography is by Wilfred M. Cline {Vasquez Rocks Natural Area Park, California} and the score is provided by Max Steiner.Adapted by Russell S. Hughes from a novel by Clarence Budington Kelland, Sugarfoot runs at just 80 minutes and is the kind of no nonsense Western that was rife in the 1950s. It plays out a simple story with the minimum of fuss, throws in some solid punch and gun play, and lets Randy Scott carry the movie on his elegantly chiselled shoulders. There's some disappointment with Massey's villain turn not having enough to do and certainly the romance with the perky Jergens is a touch too formulaic. But with Scott perfect as the gentleman having to get a bit dark of mind, and Hunnicutt on splendid side-kick form, the negatives are but mere specks on an otherwise decent Western mound. 6.5/10

Another grand western with Randolph Scott which has him playing a naive southerner who rides into the town of Prescott, Arizona, and soon makes friends as well as enemies. He is soon given a chance to make some dinero by helping S.k Sakall( wonderful as ever here) to purchase merchandise. He also is pitted against the villain Raymond Massey and there is a grand conflict. One of the memorable scenes is the one where Massey has to contend with injuns and Scott and Arthur Hunnicutt. Another memorable scene is when Scott and Hunnicutt tie the sidekick villain and threaten to let a rattler bite him. This western is my favourite Scott western, mainly because every time i watch it it cheers me up. Its one of those films that bring me out of my sad moods. Its the music, the song, the action, the dialogue and Randolph Scott. Classic!!!!!!!