I love this movie so much

the audience applauded

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The best films of this genre always show a path and provide a takeaway for being a better person.

Have been a lifelong fan of animation for as long as can be remembered, with Disney and Looney Tunes being my earliest exposures. Loved it from an early age, actually love and appreciate it even more now with broader knowledge and taste, encompassing many directors, animation styles and studios of many countries.'The Breadwinner' first came to my attention when it was nominated for the Best Animated Feature Oscar, losing out to Pixar's 'Coco' (another amazing film that is slightly preferred by me). Can totally understand the appeal and award attention with it being one of the most deserving nominees in generally one of recent years' better award seasons, 'The Breadwinner' is a stunning and truly accomplished film, so much more than entertainment. It is one of the year's most emotional and unique films and no other film has moved me as much as 'The Breadwinner' did in some time now.For one thing, 'The Breadwinner' looks stunning. Being rich in detail and atmospheric, as well as beautifully drawn. The ambient sound has much authenticity, which thrills and makes one feel they are there in the setting without being intrusive. The writing is genuine and sincere, like the rest of the film, with an unfussy and never dumbed down or preachy approach to facing harsh realities and adversity in a way that feels realistic.Loved the storytelling and really along with the emotion it is 'The Breadwinner's' biggest strengths. It is always captivating, has a lot of emotional impact, made me feel and has something that not many films this year had, soul. It tackles serious and heavy themes that one does not usually see in an animated film and deals with them gently and sincerely yet with full impact. It is intelligent and in some ways educational, and what could have easily been heavy-handed isn't (especially the political element). The characterisation has depth and interest, with a lead character that is instantly relatable due to her spirit, innocence and willpower. The voices also endear and the ending compels. In summary, simply fantastic and a must watch. 10/10 Bethany Cox

The point of "A little Princess" in my opinion, is to sustain the idea of childhood innocence as what it should be. Children should be children and enjoy their innocence ... in a perfect world. But Parvana, this Little Princess with all its innocence, is sadly stuck on the real world, and she is forced to take all her courage and all her mental and physical strength to survive the reality that many countries in the Middle East are suffering. It is an animated film that wants to be friendly to small ones and to grown ups, that which presents us with an extremely important message, while at the same time providing us with an excellent cinematographic creation. And yes... this film should have won the Oscar. RAISE YOUR WORDS, NOT YOUR VOICE. IT IS RAIN THAT MAKES THE FLOWERS GROW, NOT THUNDER.

From the same studio that made Song of the Sea, and from executive producer Angelina Jolie, Mark Kermode was giving this great praise, saying he had seen about three times, and it did look and sound interesting, so I went to see it at the cinema. Basically set in 2001, in Kabul, Afghanistan, while it is under the control of the Taliban, eleven-year-old Parvana (Saara Chaudry) helps her father Nurullah (Ali Badshah), who lost one of his legs during The Soviet-Afghan War, with selling goods in the market. Nurullah is unjustly arrested after Idrees (Noorin Gulamgaus), a volatile young member of the Taliban, thinks he insulted him, leaving Parvana's family without an adult male relative, her elder brother Sulayman died years ago. Parvana, her mother Fattema (Laara Sadiq), her elder sister Soraya (Shaista Latif) and her baby brother Zaki (Lily Erlinghauser) are not allowed to go out without a male relative, so they have no means to support the family. After Parvana tries unsuccessfully to procure food going out as a girl, she decides to dress as a boy and pretend to be Nurullah's nephew, "Aatish" (meaning "fire") to support the family. During the time she is doing this, she often entertains her baby brother telling the story of a young man on a journey to defeat the evil Elephant King and help his village. The ploy works, Parvana is able to get food and money, and she befriend Shauzia (Soma Chhaya), another young girl dressing as a boy to support her family. On Shauza's advice, Parvana goes to the prison where her father is being held to try to bribe the guards into letting her see him, but this plan fails, Parvana is driven away. She starts saving money for a larger bribe, working hard labour jobs with Shauzia, who is saving up to get away from her abusive father, meanwhile Fattema is forced to write to a relative in Mazar, offering Soraya up for marriage in exchange for shelter and protection. Parvana also meets Razaq, who was with Idrees when her father was arrested; he is illiterate and pays her to read a letter, it says that his wife Hawla was killed, he befriends her and continues to meet with her so that she can teach him to read and write. Parvana and Shauzia take a job, Idrees is there and recognizes Parvana, he tries her as they both flee, they manage to hide and Idrees is abruptly called away to fight in the War of Afghanistan. Parvana returns home, Fattema pleads with her to stop the dangerous ploy, her relatives have accepted Soraya and will be collecting them the day after next, she agrees on the condition that she visits her father in prison to tell him where they will be living. Parvana says a tearful goodbye to Shauzia, promising they will meet again in 20 years from then, but the cousin expected arrives early and forces them to leave without Parvana, as the war is starting, and roads will be blocked. Fattema eventually stands up to her cousin, refusing to let him take them further, and he leaves the family stranded in the road. Parvana arrives at the prison, where she finds Razaq, after she reveals she is Nurullah's daughter, he tells her he will retrieve her father, as the prison clearing out of the weaker prisoners who cannot fight, some being executed. A terrified Parvana gathers her courage to stay by finishing the story of the boy, who she turns into Sulayman, who is revealed to have died when a land mine exploded. Razaq is attacked while rescuing the weak Nurullah, he is wounded, but the father and daughter are reunited, Parvana takes Nurullah away, where they will soon reunite with the rest of the family. This is an accomplished example that the animation genre can be so much more than entertainment, the story is not one I could see being done in live action, the colourful hand drawn animation is superb, the young lead character is the emotional draw, and the film is not afraid to tackle hard subjects as gently as possible, a compelling and inspired animated drama. It was nominated the Oscar for Best Animated Feature Film, and it was nominated the Golden Globe for Best Motion Picture - Animated. Very good!

It's a beautiful movie i've liked the story and the criticism of war it's a good one