Rosemary's Baby

June. 12,1968      R
Rating:
8
Trailer Synopsis Cast

A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.

Mia Farrow as  Rosemary Woodhouse
John Cassavetes as  Guy Woodhouse
Ruth Gordon as  Minnie Castevet
Sidney Blackmer as  Roman Castevet
Maurice Evans as  Hutch
Ralph Bellamy as  Dr. Sapirstein
Victoria Vetri as  Terry
Patsy Kelly as  Laura-Louise
Elisha Cook Jr. as  Mr. Nicklas
Charles Grodin as  Dr. Hill

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Reviews

Lovesusti
1968/06/12

The Worst Film Ever

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Hottoceame
1968/06/13

The Age of Commercialism

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Dotsthavesp
1968/06/14

I wanted to but couldn't!

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Sarita Rafferty
1968/06/15

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Red-Barracuda
1968/06/16

This was acclaimed Polish director Roman Polanski's first American movie. It was produced by famed horror director William Castle, who was an odd bed fellow for Polanski but it turned out to be a marriage made in heaven (or hell) as Rosemary's Baby turned out to be one of the films that truly brought the horror genre into the modern age. Like the later film The Stepford Wives (1975), which was also about a woman in a new environment unsure if she is being terrorised by her odd new neighbours, this one was a novel by Ira Levin. Set in super-chic Manhattan, it tells of a young woman who falls pregnant and becomes convinced that her neighbours are a group of Satanists who are trying to control the birth. There's more to it than that but either you know it or you don't need to read it and just see it.Like Polanski's earlier Repulsion (1965) and later The Tenant (1976) this one follows the somewhat specific template which could allow it to be labelled an apartment horror. In all those films the central protagonist finds themselves a prisoner of sorts in their home. In this example the action is shot on location at New York's Dakota Building, which became forever infamous some time later as the place John Lennon was murdered. Polanski conjures up a truly modern type of horror where the absurd seems deeply plausible, where Satanists knit sweaters and appear completely unthreatening on the surface. In fact, aside from a disturbing dream sequence where Satan rapes Rosemary, the chills in this one are all of the subtle variety, with the fear being what is just out of reach and out of sight; felt but not seen. It also naturally plays on the universal fear of childbirth and the subjugation of women; which must have been extra pertinent in the late 60's times of change. Polanski is the key contributor of course but he is assisted massively by the stellar cast. Mia Farrow is thoroughly compelling in the central role as the vulnerable Rosemary who is in every single scene, John Cassavetes is extremely shifty and creepy as her husband who has made a Faustian pact with the Satanists, while Sidney Blackmer and (especially) Ruth Gordon are simply brilliant as the elderly cult leaders.Rosemary's Baby was and remains, a towering entry in the horror genre. It was the film whose success ushered in the trend for big budget satanic themed horror movies throughout the 70's, with both The Exorcist (1973) and the Omen (1976) owing some obvious debt to it. Overall, a brilliant achievement.

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rortrain
1968/06/17

I am giving this movie an 8 because as a movie it is extremely carefully constructed, the acting is superb, it has a very good atmosphere . Roman Polanski put a lot of care to create a good movie. But the problem is to call this movie a horror movie. There are horror elements but they are too weak, too few, The movie is submerged with too much realism for a witchcraft and horror standard, do not forget that this is a movie about witchcraft and the supernatural elements are too weak, the movie sounds more like a drama, too often. The suspenseful atmosphere becomes too weak at times to be called a horror movie.

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HotToastyRag
1968/06/18

After starring in the Peyton Place television series and making all of America believe she was as sweet, innocent, and well-rounded as Allison MacKenzie, Mia Farrow showed an entirely new side of her when she starred in the horror classic Rosemary's Baby. There's an abundance of trivia you can read up on—from how many actresses were up for the part to the infamous divorce papers served to Mia while on the set—which might be even more famous than the film itself.Well, probably not. Rosemary's Baby is incredibly famous, and not just for sullying Mia Farrow's screen innocence. She and her screen husband John Cassavetes move into an apartment and subsequently make friends with their neighbors, Ruth Gordon and Sidney Blackmer. Strange things start happening to the young couple and those around them, but by the time Mia figures it out, it might be too late. . . While there's an arguably slow beginning, you can tell there's a sense of dread in the air, and once the scary parts start, you're buckled in for a non-stop horror fest until the end.If you like horror movies, you might not be very fazed by this one. But keep in mind, in 1968, Rosemary's Baby was a really big deal. For lightweights, like me, you'll be really spooked by this cult favorite. I only sat through this one because I like Mia Farrow so much.Kiddy warning: Obviously, you have control over your own children. However, this is a horror movie and way too scary for kids, Also, there may or may not be a rape scene, so I wouldn't let my kids watch it.

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qmtv
1968/06/19

Boredom! Overrated. Everything is spelled out. Fine actors in a sub par story and direction, overlong film. Music sucked. Garbage ending. Garbage middle. Garbage beginning. Cult film. Excellent promotion.Another cult film disguised as a masterpiece. My first Roman Polanski film and last. I heard about this for years so I sat through this bore-fest, waiting for something to happen. Nothing did.The movie starts with the most disgusting and simple lullaby soundtrack over decent cinematography of Manhattan. Then we get a scene with completely underused Elisha Cook as a building manager showing an apartment to Mr. and Mrs. Woodhouse, John Cassavetes and Mia Farrow. Elisha Cook was a great actor and I will now recommend you to watch Messiah of Evil. Cook is in only one scene in that movie, but it is great. John Cassavetes is also a solid actor and he's been in some decent crime films. Mia Farrow was decent in the film but not great. The problem with the film is not the actors. It's the screenwriter, a guy named Polanski. The dialogue is all just everyday ordinary small talk boring crap for over 2 hours. It's not a horror film. It's Horrible.We meet the old neighbors, who are satin worshiping witches, Ruth Gordon and Sidney Blackmer. These are fine actors. Gordon won the Oscar for her performance. Maurice Herbert Evans plays a friend of the Woodhouses. But could have provided more entertainment if he had the orangutan outfit of Dr. Zaius from Planet of the Apes. Ralph Bellamy is a witch Dr. Abraham Sapirstein, and Charles Grodin as non witch Dr. Hill. All decent actors.Basic story: The Woodhouses move into an apartment next to witches. The witches cut a deal with the husband to help his acting career if the wife has satin's baby. The wife is drugged, impregnated by satin in a funky dream sequence that everyone who loves this pile of crap says is a great and spooky scene. Dr. Zaius tries to help the wife understand what is going on with the strange behavior of the neighbors and husband, but he is soon put under a coma and dies 3 months later. Now, maybe Polansky would show us a quick scene of Farrow visiting Dr. Zaius at the hospital. No, we just hear about his death 3 months later.After Zaius is dead, we find out that he came out of the coma briefly to tell the attendants that he has a book for Farrow. Great stuff right? No. The freaking guy just happens to come out of the coma briefly and thinks about Farrow's well being. They say it can only happen in movies and it did here. Now Farrow knows that there is a conspiracy against her and the baby, and she runs away and finds Dr. Hill, the un-witch doctor. The scene where she explains all the witch stuff to Dr. Hill is Unbelievable, again can only happen in movies. Dr. Hill knows she's nuts, has her lie down in a room and calls her husband and the witch Dr. who come and take her back to the apartment, where she eventually has her devil baby. We get some more boredom where they try to drug her and collect her breast milk to feed the devil baby. We get scenes where she hears the baby crying through the walls. Farrow finds a path to the next door apartment with the witches cult and all the idiots yelling Heil Satin! and she sees a baby crib. We never get to see the devil baby. She spits into her husband's face when he says they can now have normal babies. The baby starts to cry and now she accepts the devil baby. The End.So, is this devil baby the antichrist? Will this baby grow up to destroy the world? Why didn't the witches just impregnate a prostitute or a drugged out bum chick for the devil baby? They mentioned that Rosy was a catholic, was that a prerequisite for the devil to impregnate her? We don't know. We are just brainless movie goers. Who are we to question the great Polansky? FU Polansky! We then get a bonus track of the opening garbage lullaby reminding me that I should have shut it off with the first notes.Rating 1, or F. Complete failure. No suspense. Everything is spelled out. Unlikable boring characters. Disgusting music.Finally, I would like to mention the phenomenon of cult films. Rosemary's Baby has a cult following, people loving it for some reason, maybe pregnant mothers to be, who knows. Alien is another cult film. I hate the film, mainly because the story, characters, dialogue, everything just plain sucks. Alien won the Oscar for special effects, so maybe people love it for the props and sets. Another cult director is Dario Argeno. I hate his film Suspiria, mainly for the amateur story, acting, basically everything. But, it has a cult following, maybe because of all the funky cartoon colors he uses, or that stupid band Goblin making the music. Argento is crap. And his films Plumage and Four Flies are also crap. I also hate Dawn of the Dead. When I saw that years ago I was impressed. But watching it now, I see it as a cartoon amateur acting and story pile of crap. You need to make up your own mind. Please don't be fooled into loving a film because they label it as an art film.Recommended instead: Messiah of Evil, Footprints on the Moon, Last Man on Earth, Night of the Living Dead, White Zombie, All the Colors of the Dark, Don't Torture a Duckling.I skimmed through the IMDb user and critic reviews. Most love this crap as THE BEST HORROR FILM EVER. Nonsense! A handful are awake to this garbage. Click Hated It to see their thoughts.

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