Death Becomes Her

July. 30,1992      PG-13
Rating:
6.6
Trailer Synopsis Cast

Madeline is married to Ernest, who was once arch-rival Helen's fiance. After recovering from a mental breakdown, Helen vows to kill Madeline and steal back Ernest. Unfortunately for everyone, the introduction of a magic potion causes things to be a great deal more complicated than a mere murder plot.

Goldie Hawn as  Helen Sharp
Bruce Willis as  Dr. Ernest Menville
Meryl Streep as  Madeline Ashton Menville
Isabella Rossellini as  Lisle von Rhuman
Ian Ogilvy as  Chagall
Adam Storke as  Dakota
Nancy Fish as  Rose
Alaina Reed Hall as  Psychologist
Michelle Johnson as  Anna
Mary Ellen Trainor as  Vivian Adams

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Reviews

TinsHeadline
1992/07/30

Touches You

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Actuakers
1992/07/31

One of my all time favorites.

... more
Lucybespro
1992/08/01

It is a performances centric movie

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Usamah Harvey
1992/08/02

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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landfather
1992/08/03

The special effects in this movie are beyond spectacular. They're seamless and really make ones jaw drop. Plus, Bruce Willis is hilarious in this. He leaves me with the impression that he had nothing but fun making this film. The double take he does at the opened gun cabinet is absolutely priceless. I've seen this film at least a dozen times and I watch it every time it comes on just because of how fun it is. I see something new in it each time I watch.

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Realrockerhalloween
1992/08/04

Death becomes her is an enchanting take that takes you into the hilarious life's of three vain, narcissistic Californians who all strive for different goals in their lives.Meryl Steep have an Oscar worthy performance as Madeline Aston who's biggest fear is lose her name and youth. When a witch gives her the chance for eternal life she good on board no matter the consequences.Goldie Hawn never looked better and plays the equally dashing Helen looking for revenge in a similar style to episodes of tales from the crypt.All the performances were top notch and with a script this good you couldn't lose no matter how it was cut.What makes it once and a life time film is that the talent that draw you in and make you feel sympathy for a life time wasted on petty life problems that could be solved in a psychiatrist's office in fifteen minutes. In one way or another they are made victims of themselves instead of trying to be happy with who they are.Another warning is at what price are we willing to pay for beauty. Money, our families or your soul? What seems like a dream come true can become an absolute nightmare. Almost like a caution against cosmetic surgery which rights your face and changes the natural form.This isn't really for the regular joes looking a quick laugh. Its set up in macabre dark ways that happen in rotation and I won't spoil for you here. But its worth the price of admission.It will be the most fun you had in ages.

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GertrudeStern
1992/08/05

Let me start by saying: Bruce Willis, Goldie Hawn, MERYL STREEP. And not just any Meryl Streep, but Meryl Streep playing the part of a washed-up, husband-grubbing actress, which is obviously such a stretch for her that viewers are treated to stunning feats of dramatic fitness. Bruce Willis also impresses in an uncharacteristic role for him -- an alcoholic former plastic surgeon who can't get out from under the thumb of the women in his life.Turns campy and morbid, Death Becomes Her has that Jawbreaker, Drop Dead Gorgeous vibe, but centers on middle aged adults grappling with their imminent decay. Oh, and there's magic.If you're jonesing for slapstick-y dark comedy, this will totally work for you. There are tons of role reversals, undead she-devils and jokes about corpses. The visual effects seemed pretty whatever to me, but I guess they garnered an Academy Award (in '92), so what do I know?

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ersinkdotcom
1992/08/06

A star-studded cast headed up by Bruce Willis, Goldie Hawn, and Meryl Streep all give elegantly wicked performances based on a story by Martin Donovan ("The Courtship of Eddie's Father") and David Koepp ("Jurassic Park," "Panic Room").In "Death Becomes Her," two narcissistic arch rivals (Mery Streep and Goldie Hawn) discover the ultimate accessory – a potion that will keep them forever young – when they meet a mysterious enchantress (Isabella Rossellini) with deep ties to the Hollywood elite. But they get more than they bargained for when their newfound beauty only intensifies their vanity and rivalry.Bruce Willis is absolutely perfect playing against his typecast at a time when he was known as a raging action hero ready to take out anyone who crosses him or his family. Here he's a whimpering mess being led around by two women who take advantage of and mentally and verbally abuse him. Goldie Hawn and Meryl Streep are delightfully wicked as the two self-centered women who seek eternal life and servitude from Willis's character.Director Robert Zemeckis captures the black comedy of "Death Becomes Her" and blends it with a shot of social commentary to give it more depth. Cinematographer Dean Cundey pulls us into the movie through his use of modern Gothic settings and wonderfully moody lighting. All his hard work truly gives the movie a noir feeling that somehow still works even in color.If you look at the special visual effects through your 2016 glasses they appear dated. However, I remember seeing this movie when it came out 24 years ago and being visually dumbfounded by it. Industrial, Light, and Magic did an incredible job once again pushing the boundaries of their craft to a whole new level with "Death Becomes Her."The movie is rated PG-13 for some nudity and off-color humor. The only nudity is a shot of Isabella Rossellini's body double from the back showing her rear. There are quite a few cleavage shots here and there as well. "Death Becomes Her" also has profanity, alcohol drinking, and comic violence. "Death Becomes Her" is one of those films that stands the test of time when it comes to its dark humor and cautionary narrative. Sure, the primitive special visual effects stick out like a sore thumb at times when looking at it now. It's still a really enjoyable and entertaining film that explores the trappings of vanity, the dangers of chasing youth, and being afraid of growing old.

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