Very well executed

Best movie of this year hands down!

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It’s sentimental, ridiculously long and only occasionally funny

Difficult to enjoy a movie in which the "hero " is a vicious killer whose dream is achieved by murder, corruption and the devastating effects of gambling addiction. SPOILER: The terrible outcome of such methods is shown as not the result of justice but ultimately blind love. But it's a true story so that's life! Otherwise, a well-produced movie.

I happened across this movie somehow and wondered why I had never heard of it. After watching I understand more than I want to.In the age of Martin Scorsese you have Warren Beatty hamming it up like it's still the 1930s and subject matter about as gritty as baby powder. They changed Bugsy from a monster (real life) to a weirdo with a temper (hollywood). It lacks most things you'd associate with a gangster film and instead focuses on Siegel's romantic life and his dreams of building a gangster's paradise in the Nevada desert. Ben Kingsley gives what has to be the worst performance in his career as Meyer Lansky. Most of the actors here seem puzzled about their character's motivations, so their performances come off as one-note (Annette Benning either being annoyed, happy or screaming in every scene) but Kingsley just puts on a goofy accent and phones it in.Overall it's very boring. By the end I was cheering when Bugsy was killed, not because he was a bad guy, but because something was finally happening on screen

This is an exciting tale of how Bugsy Siegel started Las Vegas . As New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A violent and tough Siegel (Warren Beatty) doesn't hesitate to kill or maim anyone crossing him . Bugsy meets George Raft (Joe Mantegna) while is making a film (it is ¨Manpower¨ which co-starred Edward G. Robinson) and the scene being shot where George gets into a bar fight and hands a broken chair to an actress really does appear in the actual movie . In L.A. the life , the motion pictures , and most of all a second-range actress named Virginia Hill (Annette Bening) detain him while his wife (Wendy Phillips) wait back home . Then a journey to a run-down gambling joint at a spot in the desert gives him his big idea , the Hotel Flamingo construction .Enjoyable film based on the famous mobster that contains drama , real events , thrills and lots of violence . The picture relies heavily on the relationship between Bugsy and his lover Virginia Hill , and about the luxurious Hotel Flamingo building in Las Vegas . Nice acting from protagonist duo as Warren Beatty playing the sharp-dressing womaniser with a foul temper and Annete Bening as the strong-willed actress . After working on this film, Warren Beatty and Annette Bening were married . They'd met several years before when she auditioned for another Beatty production ; they met again when she was seriously considered for the role of Tess Trueheart in Dick Tracy . This is one of three movies released in 1991 that featured Bugsy Siegel as a character , the other two were ¨The Marrying Man¨ and ¨Mobsters¨ . Good production design by Dennis Gassner , most of the Las Vegas scenes of the Flamingo construction were filmed near Palm Desert and La Quinta, California, where a full-sized replica of the Flamingo was built . Emotive and sensitive musical score by the great Ennio Morricone . Colorful and evocative cinematography by Allen Daviau . The picture was professionally directed by Barry Levinson .The flick was well based on real deeds , these are the followings : During adolescence, Siegel befriended Meyer Lansky (Ben Kingsley) , who was forming a small crew whose criminal activities expanded to include gambling and car theft . In 1930, Lansky and Siegel built close ties to Charles "Lucky" Luciano and Frank Costello (Caridi), both future bosses of the Genovese (Carrara) crime family. Bootlegger Siegel was also associated with Albert "Mad Hatter" Anastasia. Siegel was also heavily involved in bootlegging operations in various cities . During the so-called Castellammarese War in 1930-1931, they fought the gang of Sal Maranzano ; Siegel reputedly had a hand in Maranzano's murder and later in the formation of Murder , Inc . Lansky and Siegel assisted with Luciano's (Bill Graham) brief alliance with Dutch Schultz and killed rival loan sharks Amberg . In 1937, the East Coast mob sent Siegel to California to develop syndicate gambling rackets with Los Angeles mobster Jack Dragna (Richard C Sarafian) . Once in L.A. , Siegel recruited gang boss Mickey Cohen (Harvey Keitel) as his lieutenant. Siegel used syndicate money to set up a national wire service to help the East Coast mob quicken their returns . With the aid of actor friend George Raft (Joe Mantegna) , Siegel gained entry into Hollywood's inner circle . Siegel soon started an affair with Virginia Hill . The Alabama-born Hill lived in a mansion in Beverly Hills that she rented from Metropolitan Opera baritone Lawrence Tibbett . Siegel, Whitey Krakow, and two other gang members killed Harry "Big Greenie" Greenberg (Elliot Gould) . Greenberg had become a police informant, and Louis "Lepke" Buchalter, boss of Murder, Inc., ordered his killing. Siegel was arrested and tried for the Greenberg murder. Whitey Krakower was killed before he could face trial. Siegel was acquitted on the Greenberg murder, but his reputation was in ruins.

Can anything new be added to the seemingly endless cycle of big screen gangster movies? Maybe not, judging by this lavish, overlong tribute to mobster Ben 'Bugsy' Siegal. In a role perhaps written with Warren Beatty in mind, the title character is presented as a charming, vain, lecherous wannabe actor with a weakness for Hollywood glamour, which if true would make this film his dream come true. Typical for director Barry Levinson it's a big, glossy production, well cast with reliable talent and tailor made for Oscar consideration, with plenty of domestic melodrama and backstage romance, plus a memorable, histrionic death scene for its star. The script by James Toback opens strong, but fatally softens Siegal's lethal character (after only one frightening temper tantrum) by concentrating more on the underworld myth of the man who 'discovered' Las Vegas. Even more damaging is the heavy-handed comedy, which drags the film away from its subject into something uncomfortably close to parody.