It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

One of the most extraordinary films you will see this year. Take that as you want.

Klaus Kinski defined himself in his memories as the reincarnation of Paganini, his obsession for the violin genius made him writes,direct,edit and of course stars along with his wife and son ,this biopic that also was his cinematographic testament ,being the last movie he ever made before his death, and without any doubt the one that better defines his own personality....Based in his own persona and experiences Kinski creates a portrait of Paganini through a succession of images that borders the pornographic, accompanied by the music of the genius, creating moment of pure ecstasy in which music and sex come together as part of the same thing.The film shows a man trapped in himself, who is only able to see the world through his own art.Kinski and Paganini becomes the same person in a desperate journey in the search of love, where they will be saved by most pure love that exist, the love of their own blood.

Note: I thought it would be more in line with the spirit of the film if I capitalised every instance of KLAUS KINSKI's name being used throughout this reviewI have no doubt that this is the most narcissistic film ever to see the inside of a cinema. Even the very title KINSKI Paganini shows a total lack of restraint.It begins with an audience of pretty women frigging themselves senseless as KINSKI lashes at his violin. The whole movie is pretty much a montage of women losing complete control of their senses at the mere thought of KINS--- I mean Paganini. Even eleven year old girls wish they could, for but one second, experience the full thrust of his virility. He even sends sea-animals into a dizzy frenzy of lust- and horses, too. You see two horses going at it early on in the film and I'm sure both of them were secretly thinking of KINSKI. At least that's what he probably wanted us to think.Just like with Dennis Hopper's The Last Movie, whatever plot may have been present whilst shooting was completely torn to shreds in the editing suite. What remains is a lot of strangely pretty shots of KINSKI power-walking through a lush 19th Century Europe or cavorting with buxom underrage actresses inside ornate manor houses. It's mostly shot in a cinéma vérité style. If it weren't for the fact that he's on screen for almost every second of the movie, I wouldn't be surprised if it was KINSKI himself manning the camera. The only time you see shots of anyone else is when a beautiful woman is rubbing herself lustfully, her thoughts occupied by the eponymous scowling Nosferatu with sweaty jet-black hair and a bald patch.Ah, but KINSKI has a more sensitive side, too. Just like that memorable scene in My Best Fiend where he gently plays with a butterfly that's become strangely enamoured of him, we see him care for his exceptionally pretty young son. Although even this relationship seems oddly lusty. The camera-work, well-staged as most of it is, has far too many close- ups. You almost never see any wide shots showing off the beautiful locations. There's absolutely no doubt in my mind at all this is because KINSKI wanted KINSKI to fill up the frame as much as possible. According to his ol' sparring partner Herzy, KINSKI threw a tantrum for not having the opening shot to Aguirre be a close-up of him walking down that misty mountain, instead of the hundreds of people and cattle that we actually saw. Well, he finally got his way.In all likelihood, you'll absolutely loathe this movie. And you'll probably be right to. But there is a strange energy coursing throughout- that of a man at the end of his tether, foreseeing his death, and spending all his remaining lifeblood on this one final work.I believe KLAUS KINSKI may have been an incredibly rare genetic throwback to some transitional Cro-Magnon race. He shows no signs of the tempering of thousands of years of social evolution. He's like some purely physical being. You can tell that by the time this movie was shot, he didn't so much burn the candle at both ends as throw it into the fire and cackle maniacally as it melted. He died two years after this was released. It was the last film he shot in a career that spanned over 130 movies. I can't think of a more fitting way to go out.If you came here as a Paganini fan rather than a KINSKI fan (as if anyone could be a bigger fan of KINSKI than KINSKI himself), you can always just imagine this is a sexy 80-minute music video to some of Paganini's works. The interpretations by Salvatore Accardo are wonderfully performed.

This was one of the worse movies I've ever seen. Poor of ideas, it covers just the maniac but the musician (and actor, too), it's just a soft-core porno that pretends to be poetic. Cameramen seem to be drunk or something all over the time. Music is annoying despite being protagonist. I've seen it in Italian, and Kinski choose not to be dubbed, so Paganini (who was from Genoa where the accent is soft and musical) speaks like a south-Tyrolian at Oktoberfest, pathetic. Stay away from this garbage or you'll lose faith in "fitzcarraldo" Kinksi as actor, and it's a pity, cause when he's directed by someone good, not him, he's great.

Paganini the film by Klaus Kinski is a true work of Art... I think the reviewer before me just flat don't get it, it is far beyond their understanding.... First off Kinski really did capture the personality of the greatest Musician in history Nicolo Paganini... I also think the music in this film is wonderful, the acting is great, the directing is great.. I think one thing that may throw Hollywood fans, is that the film is done for Art reasons not for the all mighty dollar, greed, which is the number one killer of true ART... This film is about MUSIC MUSIC MUSIC.... and I think Kinski did a wonderful job with every angle, Hollyweird has tried their hands at making films about Composers and I think they should leave the Art to the Artist, and the ARTIST here is the passion of Klaus Kinski and the music of Nicolo Paganini.. this is now and will always be one of my favorite films.. if you like true ART and the some of the most amazing music ever written, then get this film you will not be sorry. Bravo for Kinski Paganini.... Curt