Did you people see the same film I saw?

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Story: It's very simple but honestly that is fine.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

In 1160, in the Heiji Era, Lord Kiyomori (Koreya Senda) travels with his court to the Temple of Itsukushima and his Sanjo Castle is invaded by two other lords, in a coup d'etat. The loyal samurai Moritoh Enda (Kazuo Hasegawa) asks the court lady Kesa (Machiko Kyô) to pose of the lord's sister to create a diversion while the lord's real sister and his father flee in the middle of the people. Then Moritoh travels to meet Lord Kiyomon and fights with him to defeat the enemies and the coup fails. Lord Kiyomon rewards the warriors that helped him and when he asks Moritoh what he wishes, he requests to marry Kesa. The lord grants his wish but soon he learns that Kesa is married with Wataru Watanabe (Isao Yamagata), a samurai from the imperial guard. Moritoh harasses Kesa and threatens her, promising to kill her husband, her aunt and her if she does not marry him. Kesa's decision leads the trio to a tragic fate."Jigokumon" is a Japanese classic released in Brazil by the best Brazilian distributor on a totally restored version on DVD. The dramatic story of love, obsession and tragedy is developed in slow pace and has great performances and stunning cinematography with wonderful colors and camera angles. The tragic conclusion based on the code of honor of Moritoh that will live in disgrace is frustrating for Westerns that would prefer the conclusion with a decapitation or seppuku (harakiri) instead. My vote is eight.Title (Brazil): "Portal do Inferno" ("Gate of the Hell")

Despite my love for Japanese films, I felt very underwhelmed by this picture. The plot was interesting (about a man who MUST have a married woman and demands her hand when he is offered ANY reward for his service to the Shogun), and the color cinematography is great BUT overall, the film felt a little too sterile--as if the actors were over-restrained in their performance. This is really a shame, as despite a great ending and an interesting premise, just doesn't elevate itself to greatness. I gave my videotape to a friend and asked his opinion and he, too, felt the film was a bit dull and sterile at times. This seemed to be an attempt to make a great film that just needed more polish to raise it above mediocrity.

In Gate of Hell, a samurai is rewarded for his courage with anything he desires, but what he desires is the wife of another samurai. Gate of Hell was one of the most popular Japanese imports of the 1954-55 American film season and winner of two Academy Awards and the Cannes Grand Prize. I first saw it as a teenager and was captivated by its gorgeous color and beautiful cinematography.According to Jasper Sharp of Japan Cult Cinema, "Still today the film looks as stunning as ever, with its opening battle scenes partially shrouded behind billowing veils and banners, and the majestic flight of the troops from the burning imperial palace providing some of the most remarkable images, as well such memorable set pieces as a horse race and Moritoh's tense night time confrontation with Wataru and Kesa at the film's climax".Appearing around the same time Akira Kurosawa's Rashomon (1950), Kimisaburo Yoshimura's The Tale of Genji (Genji Monogatari, 1952), and Kenji Mizoguchi's Ugetsu (Ugetsu Monogatari, 1953), Kinugasa's film is part of what is often termed The Golden Age of Japanese Cinema. Adapted from a play by the twentieth century writer Kan Kikuchi, based on a story from the Heian period (794-1185) - the same era in which Rashomon and The Tale of Genji are set - Kinugasa's film opens in the midst of the spectacular battle of the Heiji War.A revolt against the Emperor has been put down and Moritoh (Kasuo Hasegawa), a brave warrior is granted any wish he desires. Moritoh asks for the hand of Kesa (Machiko Kyo) but this request proves impossible to grant, since Lady Kesa is already married to Wataru (Isao Yamagata). Moritoh refuses to take no for an answer and becomes obsessed with obtaining Kesa as his wife, even if it means threatening the life of her husband to achieve his ends.This film held my interest but I found the plot predictable and the acting exaggerated (Moritoh looks more ridiculous than frightening). According to Sharp, "Kinugasa himself was fully aware of his picture's dramatic weaknesses, and blamed intervention from his producer, an under-developed script, and a rushed working schedule due to a release date fixed in advance".Perhaps this could have been a truly great film, but, to me, it is simply a very good film that falls short.

Being a fan of the "Samurai" genre, I was taken in by this film. I actually found this video at the local library. The visuals are wonderful, sword-play is very realistic, acting is excellent. The plot comes on strong, but becomes very predictable by the end. Still, worth checking out.