Sick Product of a Sick System

Good movie but grossly overrated

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

In this most riveting and powerful drama, two young actresses Josephine Japy and Lou de Laage give quite the brilliant performances. Japy portrays Charlie, a sensitive 17-year-old asthmatic, who appears to be well adjusted with her peers at a French high school, despite her parents having continual marital discord. However, when a new student Sarah (de Laage) enters her class, Charlie becomes enamored with Sarah's seemingly carefree and worldly ways, and they quickly become close friends.Soon though, Sarah begins to play "mind games" with Charlie and "toys" with her emotions, but despite this, Charlie becomes more and more obsessed with Sarah. One night, she follows Sarah home and learns some dark secrets that Sarah has been hiding from the world. When Charlie reveals to Sarah what she discovered, Sarah threatens to kill her if she ever tells anyone, and also begins a campaign of bullying and intimidation against Charlie, who shuts down emotionally, and refuses to discuss it with anyone, including her own mother (Isabelle Carre). The tension will get nearly unbearable until the film culminates in a most shocking and tragic finale.Actress and filmmaker Melanie Laurent most capably directs here, and co- wrote the sharp script with Julien Lambroschini, based on a novel by Anne-Sophie Brasme.Overall, led by the two terrific lead performances, I found this movie to be an emotional powerhouse, which stayed with me well after it was over.

I saw this movie yesterday night. It was a complete surprise for me in many aspects. First, the movie itself accomplish a very delicate and important subject, relationships, in a very original and simple way, the movie let the actors actually be the movie, and after watching it you realize it couldn't have been other way when you speak of something so important and complex; so I have to mention the outstanding performance of everyone there as well, but especially of Joséphine Japy and Lou de Laâge they where simply amazing. Joséphine Japy, I think this woman shows a talent I honestly have never seen before. A must see.

You may remember Mélanie Laurent from her wonderful performance in Quentin Tarantino's 2009 nazi revenge fantasy, Inglorious Basterds. In that film she portrays the lone survivor of a Jewish family who was slaughtered by the Nazis. She ultimately gets her revenge in a stunning scene that takes place in a movie theater with a home movie playing – her laughing face being projected onto the screen – as the Nazis meet their demise in a bloody malaise she had a hand in orchestrating. Laurent has moved behind the camera for Breathe (her feature length debut) and it's no exaggeration when I say that this film is even more powerful than the one her character in Inglorious Basterds created. Starring Joséphine Japy as Charlie, a high school senior who sparks up a hazardous friendship with the new girl in school, Sarah (played by Lou de Laâge). Charlie's parents relationship can be described as tumultuous and, at times, downright abusive, with her timid mother (Isabelle Carré) always being on the receiving end. This behavior has spilled over into Charlie's world, affecting her view of her own parents as well as the way she seeks out companionship amongst her peers. And while this could all have played out like a hammy "very special episode" of prime time television, instead we get an excellent character study of complex personalities coming together and tearing each other apart.Breathe is, above all, a story about toxic relationships and it handles that issue with the care and seriousness it deserves. Charlie and Sarah's friendship is based on uneven ground with Sarah always having an upper hand. She's a villain, for sure, but there's more to her character than an unexplained desire to cause pain. She's a victim, just as Charlie's mother is a victim, just as Charlie herself is a victim to Sarah's own behavior. These people are different sides of the same coin and Breathe subtly illustrates how this pattern of abuse and submissiveness is learned and passed down from generation to generation. It's beautifully devastating once you see the paths these characters are intent on walking down become clearer and clearer.I can't recall a single film that has been able to so vividly capture the experience of adolescent friendship gone sour the way Breathe does. At several points I caught myself actually having to slow my own breathing down as I had gotten so worked up over what was playing out on the screen. This film brings you back to adolescence and the heartbreak that comes when friendships fall apart and betrayal becomes something real rather than just a thing you read in books and see in movies. This is due in part to Laurent's beautiful directing, framing shots to perfectly reflect Charlie's isolation from everyone but Sarah, blurring the edges of her life and solely focusing on the object of her desire. But the true verisimilitude of Breathe comes from its two lead performances.Japy and de Laâge are just outstanding in their respective roles. Breathe wouldn't be able to pack such a powerful punch without the presence these two actresses bring to the film; they are so genuine in the skin of these characters that it's hard to believe you're not watching these events unfold as a member of their inner circle. These are two breakout performances occurring at once in the same film and for that, Breathe is really something you have to experience for yourself.

A painfully delicious or deliciously painful, as you wish, to describe this poignant, gripping drama written and directed by women. I love females' films, far deeper than those made by men. At least, most of them. In this movie, you can think of LA VIE D'ADELE. The destructive friendship relation between two Young women. A depressing tale of love and destruction. I can't say anything else, except that the actresses - I don't speak of Isabelle Carré - are totally unknown to me. But that doesn't prevent the characterization to be powerful, excellent. Not for all audiences, because so dark, with an ending that may wipe you out. I highly recommend this women's film. I love women's films, where no guys - or nearly none - have to interfere with. But I assure you that I also crave for brutal men's tales, with no gals at all... The mix up between the two of them sometimes annoys me.