Good concept, poorly executed.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Amazing worth wacthing. So good. Biased but well made with many good points.

By the time the dramatic fireworks start popping off, each one feels earned.

At first I thought it would be a nice change-of-pace to see Laura Gemser in something other than a "Black Emanuelle" film, but "Black Cobra" is not really all THAT different from those: lots of nudity, little plot. It's actually pretty tame in terms of sex and violence; its only real claims to infamy are probably two scenes of real animal deaths (a snake being skinned alive and cooked, and a rat being crushed to death and swallowed by another snake). Speaking of snakes and rats, Laura Gemser definitely proves in this film that she's not squeamish, handling them with apparent ease! She's a bit too thin for my tastes here, but her face is magically beautiful. I always enjoy seeing Hong Kong as a film setting, but the story, what little there is, moves sluggishly and the motivation for the first murder is suspect to say the least (if it was jealousy, how could Tinti have known that the snake wouldn't kill the object of his affection instead? If it was just a joke gone wrong, then he's an idiot). Perhaps the biggest surprise in "Black Cobra" is that Jack Palance plays an (eccentric but) non-malicious character! *1/2 out of 4.

Black Cobra is directed by filth king Joe D'amato, edited by fellow trashmeister Bruno Mattei, stars gorgeous Asian sexpot Laura Gemser, and even features future Oscar winner Jack Palance in a key role, and yet despite this massive potential (particularly for deviancy), the film blows it by being thoroughly bland for most of its running time. With a story revolving around poisonous snakes, erotic dancing, and revenge, this could and should have been so much more sleazy.Naturally, the frequent full frontal nudity from Gemser prevented me from switching off in disgust (or rather, lack of disgust), but the soft-core action soon became rather tedious, with Gemser delivering loads of the self gratification and girl on girl action that we can always rely on, but nothing out of the ordinary (I find it hard to believe I'm saying this, but the copious bare flesh actually got boring).Admittedly, there are a couple of scenes that manage to register slightly on the sleazeometer—a rather amusing strip scene in a lesbian bar that gets the clientele frisky, and a live snake being chopped up and fried for lunch—but most of the action falls way short of what I have come to expect from my Italian trash. The biggest cop-out is the finale—Gemser's revenge on the man who killed her lover—that involves the insertion of a cobra up the jacksy, but which is satisfied to simply suggest the nastiness.Strangely, the film is also known as Emanuelle Goes Japanese, despite no character of that name going anywhere near Japan (Gemser's character is called Eva and the film is set entirely in Hong Kong).

I should have known better. I was actually expecting this film to be a combination of mystery, drama and horror. I knew from the box cover that there would be nudity. What I didn't know was that the nudity is the main feature of the movie. The movie has several nude women and many nude scenes. That would be OK if there was at least a stronger plot and a little bit more reason for making this movie other than showing skin. I know this type of film may have it's followers but even if viewed as a skin flick, it's boring and even a bit humorous. It was made in 1976. At that time it may have been exciting but compared to milder, soft porn movies of today, this would have to be classified as very mild, to the point of being almost dull. This movie was just too long for so few meaningful scenes. I can't think of any good reason for watching this film other than to have a nostalgic look at a 70s nudie flick.

If you're like me, you grew up watching late nite softies on Cinemax every Friday nite. If this is the case, then you have definitely heard and probably seen quite a bit of the lovely Laura Gemser. After seeing "BLACK EMANUELLE" many, many moons ago, I became an instant fan and have since viewed several of her films.This particular gem qualifies as one of her lesser known films. Essentially, this is a variation on her Emanuelle role with Jack Palance and a whole lot of snakin' goin' on! Fun stuff most likely, if you are a fan of Gemser.Gemser plays an exotic dancer named Eva. Performing with snakes is her specialty. No, not those kind! Now, you're getting ahead of me!Anywayz... Gemser's real-life husband, Gabrielle Tinti, portrays Jules Carmichael. Jules is an executive of some sort, who persuades his brother Judas (Palance) to visit a nightclub with him to watch one of Eva's nightly performances.Judas loves snakes (No, not those kind!) and his apartment is filled with them. So, along with her beauty, it's natural that Judas would fall for a gal like Eva. He soon arranges to meet and introduce her to his snakey friends. Judas hires Eva to take care of his pets while he is away on business. From here on out, you know the drill... While the cat's away, the mice will play... and dance around naked with the cat's snakes.We soon learn that Eva really digs the lady-lovin' which overrides her tendencies to charm any snake other than the reptile kind. Several nude scenes later, Eva's girlfriend is killed mysteriously and Eva must find out who killed her and why. This is a common filmmaking trait known as a "mild plot motivator". I guess they need to keep things moving along but I, for one, wasn't complaining. I thought the pacing was just fine. Do what you gotta do, Eva. I'm all for it.These are all the details I gathered. Aside from Gemser and the fact that this was one of those "Palance earns a week's pay" performances, I deemed all other plot elements unnecessary and naturally focused on the good parts, of which there are plenty.You cannot go wrong with any film featuring a topless Gemser within the first five minutes, and fully nude around the eight minute mark. It's just a damn fact. Why can't more filmmakers hint on this?"BLACK COBRA" was directed by the masterful eye of Joe D'Amato (Aristide Massaccesi), who would later collaborate on several films with Gemser and eventually go on to a successful career directing real pornos with an entirely different breed of snake.Sadly, Gemser has pretty much left the filmmaking scene and her films no longer play on Cinemax. Most of them have since gone out of print on video here in the States, making them nearly impossible to find.A quick program note: This is a long, long movie! Over four hours in length! Actually, it only clocks in at around 90 minutes, but if you find yourself using the slow-motion and pause feature on your VCR as much as I did, expect to gain an additional 2 1/2 hours of screening time.In closing, I highly recommend this film. A truly uplifting experience! Teachers, show it to your classes today. They'll thank you for it! Trust me. Later kids! -NM.