Chan is asked by a young, wealthy lady to take her sick brother to a particular doctor in order to be cured. To reach this doctor, Chan and a handful of travelling companions must pass through bandit-infested wild country. They meet and kung-fu-fight several gangs of thugs along the way.
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Best movie ever!
To all those who have watched it: I hope you enjoyed it as much as I do.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
MAGNIFICENT BODYGUARDS, released in 1978, is one of the handful of films that Jackie made during his 'Lo Wei' period, a series of low budget films either produced or directed by Wei in the mid-to-late '70s that are often seen as having interchangeable plots and less than impressive direction. The good news is that the martial arts choreography was co-handled by Jackie in this film, so at least we're in for some quality fighting.Things open in the thick of action as we witness a long-haired Jackie fighting off a gang of pole-wielding warriors. It turns out that this is his way of applying for a job! Jackie is Ting Chung, dubbed "the world's fastest boxer", and he's quickly employed by the mysterious Lady Nan to act as a bodyguard for herself and her sick brother (who is confined to a sedan chair) as they cross through the bandit-ridden Stormy Mountains to reach a distant city. Jackie picks some hired help from the townsfolk and also chooses an additional bodyguard for the expedition, a deaf tanner played by the film's second kung fu star, Bruce Liang.The rest of the film chronicles the adventures of the party as it set offs through the Stormy Mountains. First stop is a ghost town inhabited by a strange old woman and two rival fighters – the God of Darts and Tsang, whose catchphrase is "I'll skin you alive!". In Tsang we have the film's third and final kung fu star, James Tien, and he quickly joins Lady Nan's party on its journey through the mountains. Soon the travellers are fighting with the various bandit chiefs in the vicinity, including the Scholar – a man who dresses in pink, wields a fan as a weapon and has a small box on his head (?), Lady Liu, the Old Wolf and the Fake Monk.There's an engaging interlude as the three bodyguards seek refuge inside a booby-trapped Shaolin Temple only to be attacked by bloodthirsty monks, deafening bells, and poison gas, and a little respite at the Peace Hotel. Finally the party is ambushed by every bandit in the region and trapped in a valley. Jackie sneaks out to find help, but is double-crossed and taken to the palace of the mountain ruler, Lord Chu. Once there, the others join him, there's a twist as the identity of Lady Nan's "brother" is revealed, and all hell breaks loose in a final massacre as Jackie and his buddies fight for survival.The one unique thing about this particular film is that it was made in 3D, a process by which objects were seen to 'pop' out of the screen when viewing a special print with supplied glasses at the cinema. Two of the 'biggest' 3D films of the era were JAWS 3D and Friday the 13th Part III, but MAGNIFICENT BODYGUARDS came first, approximately five years before. Essentially, the viewer will notice that many different things seem to jut out at the screen as they watch the film. These include poles flying out of the screen, swords slashing towards the viewer, pots flying toward the camera, and even freeze-frame shots of snakes at one point. Of course there are also plenty of fists and feet hurled toward the viewer and, in my favourite effect, polystyrene rocks smash down into the camera – the most effective 3D moment in the whole film! One of the notable things about MAGNIFICENT BODYGUARDS is that Jackie shares the limelight with two other action stars of the period. Bruce Liang was a popular Bruce Lee impersonator who appeared in many rip-offs and he proves to be pretty nimble in his fight scenes, using lots of strong leg work. Meanwhile, James Tien was always something of an under-appreciated actor – probably because he was a lot older than the co-stars in his films – but he does very well here as a tough, sword-wielding warrior. It goes without saying that Jackie shines in the various action scenes and the focus is on his hand-to-hand combat throughout.The film has a general feeling of weirdness to it that is not helped by the inclusion of some music from STAR WARS – some Chinese films were notorious for their disregard of international copyright laws. A jolly song pops up as the heroes trek through the mountains and is quite amusing. However, the almost complete lack of humour sets it apart from Jackie's funny later movies and some elements of the story border on the fantastical (I'm thinking of the six-fingered man and the Red Indians). There's also an extremely gruesome moment late in the film in which Jackie tears off a female opponent's face, an effect that comes as a total shock and seems very out of place considering the film's genial tone elsewhere. Still, the final, lengthy three-on-one fight scene is very well staged and helps the viewer to overlook this misjudged gore effect.
Odd, but fascinating and likable early Jackie Chan martial arts vehicle. Well I might just be stretching calling it a vehicle though he's the name seller (outside director Lo Wei), but at times Chan (who plays it cocky, but can back it up) was overshadowed by his co-stars (James Tien and Bruce Liang). Nonetheless the thing that does stand out and this is probably why he doesn't charismatically standout (well not from the crisply choreographed action sequences though) was that the comical elements are played down with a more straight-laced vibe winning out. Lord Ting Chung the fastest fists in the East (Chan) is hired along with some other partners to protect a women and her ill-brother while transporting them through the Stormy Mountains that's infested with robbers. The story might seem basic, but it's anything but. It's quite an eventful plot, which does become somewhat of a mess with its dramatic twists and silly turns. Therefore its busily conceived structure consisting of a variety of characters, situations and challenges lets the pace briskly move through moving from one set-piece to another. Quick, lively and fun sums it up. What more could you ask for. The fluidly diverse martial arts come in spades with flexibility, creativity and exuberance in its flashy and flighty execution of one-on-one or group ambushes. Namely the stirringly long-winded climax, which would come back down to earth with a thud with its abrupt ending (which filled many films of its genre). A novelty that comes to the foreground is that it was obviously made for 3D with its intrusive framing and tricky jolts. I was kind of surprised how much of those occurrences did pop up and another interesting note would be the use of the "Star Wars" theme score for one particular scene. It might not be held up alongside Chan's other efforts, but this raw venture is a neat little kung-fu showcase.
This was one of many Jackie Chan vehicles made around this time when he was not yet a huge star. He had just made "Snake in the Eagle's Shadow", and "Snake and Crane Arts of Shaolin". The mega-hit "Drunken Master" would follow. Unfortunately this doesn't compare well to those.Chan is asked by a young, wealthy lady to take her sick brother to a specialist doctor. To reach him, Chan and a handful of traveling companions must pass through bandit-infested wild country. They encounter and kung-fu-fight several gangs of thugs along the way.Some minor interest is maintained as there's a quest involved, and the group journey through some nice locations. Also, the musical score has a surprising range of dynamics.On the downside, the version I saw was poorly dubbed and the script had a lot of problems. None of the many fight-scenes reach the heights of "Snake in the Eagle's Shadow", "Snake and Crane Arts of Shaolin" or "Drunken Master" (Jackie Chan vehicles made immediately before and after Magnificent Bodyguards). Also, there is a twist near the end which I felt was a cop out and undermined the nature of the film, but by that point I wasn't too bothered anyway.I would recommend this to die-hard Jackie Chan fans only. The casual fan would do well to stick with his 80s and 90s output (with a few exceptions).
I have seen a lot of (bad) chinese, and I am a big fan of Jackie Chan and Jet Li, but this movie is probably the WORSE movie ever made. Let me explain why:1 - The acting is very, very, very bad. The actors in the "nazi" monk scene were laughing during the fight. The fighting scene is very bad.2 - As this movie was shot in 3D you'll see some knives, rocks and even snakes flying over the camera, to create that 3D effect. If you are watching this movie in a TV, this will look silly.3 - The fight scenes are quite bizarre. The make up and the fake blood are very odd. The final fight scene is indoor and outdoor almost at the same time (watch carefully the final fight scene and prepare to laugh with the final "the end" scene) If you want to see this movie, I must say: May the force be with you! You'll need it.
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