Wow! Such a good movie.

Charming and brutal

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Currently sitting at a perfect 100 percent score on rotten tomatoes, this is a film noir martial arts film, about the Japanese blind swordsman known as Zatoichi. He cannot see, but has heightened senses of hearing and touch, which allows him to (reluctantly) kick massive amounts of ass. I say reluctantly because he would rather earn his way by fleecing criminals, and by working as a masseur, he resorts to violent swordplay only when necessary, as the last resort.The film moves at a slower pace than one might expect in a martial arts film, but that only serves to add depth to the character, and build mood and atmosphere. Beautiful looking black and white photography, some indoor and nighttime scenes shot in high contrast, and with some interesting composure and composition, as thin branches frame its climactic fight, filmed with completely stationary cameras, and without much editing.

"Zatôichi Monogatari" aka. "The Tale of Zatoichi" (1962) is the fantastic start to the longest and most famous series of Samurai films, the wonderful "Zatôichi" series about the eponymous blind swordsman, gambler and masseur impersonated by the great Shintarô Katsu. Katsu is one of my personal favorite actors, and I am equally an admirer of the brilliant director he often worked with, the great Kenji Misumi. This first film in the series, as well as several more to come, was directed by Misumi, in my opinion one of the greatest Japanese directors of all-time. My personal favorite films by Misumi will always be the brilliant "Kozure Okami" (aka. "Lone Wolf And Cub") films (1972-1974) starring Shintaro Katsu's equally great brother Tomisaburo Wakayama (four out of the six films were directed by Misumi), as well as the outrageous Samurai-Exploitation classic "Hanzo The Razor - Sword Of Justice" (OT: "Goyôkiba") starring Katsu himself. It was the "Zatôichi" films, however, that made Misumi a known director and brought Katsu to stardom, and the series has long obtained an enormous cult-status. In total, Katsu played the role of Zatoichi in 26 films as well as in a 100-episode TV-series that ran between 1974 and 1979. Misumi directed six of the films, as well as many episodes of the series.The reasons why the Zatôichi franchise enjoys such an enormous cult-status are numerous, but I will stick to the most important ones. The eponymous hero, Zatôichi must be the most likable character ever in cinema to work as a hired sword. Zatôichi, a blind masseur, has obtained his sword skills because he was tired of being looked down upon by others, as usual for blind people in Feudal Japan. Due to his excellent sword-skills, he makes a good living as a hired swordsman. His senses of smell and hearing are as excellent as his swordsmanship, which makes him one of the most powerful swordsmen. Even so, Zatôichi is a kind, gentle and humorous man by nature, who will rather solve problems otherwise than having to kill someone. Shintaro Katsu is brilliant in the role of his life, and I cannot imagine for anyone else to fit the role like Katsu did. Cult-filmmaker Takeshi Kitano (of whom I am a great fan) took a new turn on the role in 2003 - Katsu had passed away in 1997 - and did so greatly. Yet, to me, the only true Zatoichi will always be Shintaro Katsu. This first film in the series is one of only two that were filmed in black and white, and it already epitomizes what makes the brilliance of the series. "Zatôichi Monogatari" mixes Smurai Action with Comedy, Drama and philosophical elements. The film begins with the crafty Zatôichi, who tricks a bunch of fellow gamblers into underestimating him... The film marks the beginning to a great and highly successful series that may not be missed by any lover of Japanese cinema. I had seen several other "Zatôichi" films with Katsu, as well as the 2003 film with (and by) Kitano before seeing this one. The action is great in this first film, but it is the plot that outweighs the fighting by far. Overall, "Zatôichi Monogatari" is a great little piece of cult-cinema and everybody even remotely interested in Japanese films must see it.

This Zatoichi movie was the first in the long series. As I had seen MOST of the movies before I saw this film, I think my expectations were a bit too high. This is not to say that this is a bad movie--it certainly is not. However, it seems only average when compared with the others. Also, a few scenes were later repeated and so there weren't that many surprises. One scene in particular, where he is gambling and "accidentally" drops the dice OUTSIDE the cup when he is gambling (i.e., every seeing person there sees whether or not the dice are odds or evens before they bet--so it's an apparent "sure thing") has been used at least three times in his movies. Plus, this isn't exactly one of the better scenes, because it makes Ichi look like a cheater and not the defender of the friendless (as he's usually portrayed). Still, it's a solid film throughout.FYI--if you pay attention, you'll notice that in many scenes Ichi has a shaved head, while in others he has very substantial stubble. Due to editing errors, his hair length goes back and forth during the course of the movie!

I DID like this, the first of the series of blind swordsman movies. Ichi doesn't draw his sword for the first half of the movie; moreover, he seems a lot more bitter than in later movies. This being said, it was an excellent movie.Others have described this movie well, so, I will only add something that I noticed while watching the scene of Ichi fishing with the ailing samurai. What made the scene so compelling was not what was said, but, the effective use of silence between them. The pauses in dialog were masterful, especially the long lull at the end of the sequence. It reminded me of some of Kurosawa's work.I recommend this movie, not as the first Zatoichi that you see; but, rather as something to experience after a few of the more exciting movies...after you've developed a relationship with the character.