the audience applauded

Powerful

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Exactly the movie you think it is, but not the movie you want it to be.

The previous reviews prompted me to write. This film has plenty going against it. The least of which is the American accent. This is clearly intended to be seen as a love story but how are these two in love? I don't believe they share anything except sex. When Claude is first stood up his response should have been "oh well, boys will be boys" or "c'est la vie." Instead, you would have thought he'd been left at the alter. He hasn't known him a day! I wanted to like Claude but I just could not relate to how a mature man would become smitten with a boy-toy. I mean what did Brad bring to relationship other than sex. Certainly not witty conversation or a shared love of (fill in the blank). Then there was the paper signing which might have led to some insight into their hearts and minds but that went nowhere. Come on fellow mo's we have got to have higher standards for our movies. Bad Boy Street--yeeesh!

The film opens with various scenes in a nightclub, with the house music cranking. In the following shot, we see one guy waking up a hottie sleeping in the street, and helping get him into bed to sleep it off. Eight minutes goes by before a word is spoken in our film. And then, it's fourteen minutes into the movie before we (and they) find out each other's name. All very mysterious, but sweet. Yann de Monterno is "Claude", a few years older than "Brad", ( Kevin Miranda ), who he brought in from the street. They have breakfast, and promise to meet up for dinner. In pops Catherine, the upstairs neighbor and best friend, who even prepares the dinner for Claude to serve to Brad; i wish I had a neighbor who would do that for me! Then things start to go haywire. Things happen. Good things. Bad things. Misunderstandings. The one flaw in the script here is the inclusion of the writer himself in the story. Claude is asked to do something 59 minutes into the story ( which I would have refused to do ), and that scene really took away from the movie for me. Verow was totally believable in the scene; i just felt the scene didn't belong in the film, as if it were added in later. They could have accomplished the same result, in so many better ways, without that three or four minutes of footage. Aside from that, excellent film. I love the friendship between Catherine and Claude... you can really feel the warmth and caring they have for each other.Written, directed, and even acted by Todd Verow, who seems to be a very prolific writer, director, actor. I'd like to see more of his films if they are available on DVD. The film quality, lighting, sound, and editing are professional-grade, much better than your typical indie film.

This film has a certain innocence that one just doesn't see in films these days. I'm really not sure why or even exactly how to define it, but watching this film make me feel like a kid on the verge of life's discovery. Giddy and excited, pure as the driven snow too. And I think that says pretty much not just how this film affected me but how it was written as though we lived in a new age of innocence in which everyone was untainted with sin. This probably has a lot to do with the individual who made this film and his view of the world, that we are innocent and live in innocence until proved guilty. Happily there is no guilt in this movie - it is all innocent joy, filled with a light hearted zest that makes your head swim. If more films were like this it would be a much better world and who knows perhaps this film is the beginning of a new wave of film that celebrates life rather than denigrates it.

As you can see, I rated this film 9 out of 10, and I would have been happy to rate it a 10 had it not been for two peculiarities. 1. The soundtrack is awful. If only there were some way to tune it out! Deaf people will enjoy this movie much more than their hearing-enabled friends. 2. One of the two main characters is "American". Speaking English in Paris makes clear that he is NOT American. His wiki explains that he's Portuguese. No matter, you'll just never believe his accent is American.The movie is great! What begins as picking up a guy who has passed out in the gutter becomes oh so much more! The Frenchness of the film defies all our American stereotypes. The pacing is slow and cerebral, and the film unravels at something approaching the speed of real life.I won't give away the ending, but let's just say it's pretty courageous.