The Misplaced World

May. 07,2015      
Rating:
5.5
Trailer Synopsis Cast

By chance Paul Kromberger discovers on the internet a photograph of the US opera diva Caterina Fabiani who is the spitting image of Evelyn, his dead wife. His unease and growing sense of alarm are transferred to his daughter, Sophie. Filled with curiosity, she leaves Germany and journeys across the Atlantic to make contact with this stranger.

Barbara Sukowa as  Caterina Fabiani / Evelyn Kromberger
Katja Riemann as  Sophie
Matthias Habich as  Paul Kromberger
Gunnar Möller as  Ralf Kromberger
Robert Seeliger as  Philip
Tom Beck as  Florian
Rüdiger Vogler as  Sergej Orlov
August Zirner as  Georg
Karin Dor as  Rosa
Anton Algrang as  

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Reviews

Phonearl
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Good start, but then it gets ruined

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TrueHello
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Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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2015/05/09

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

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2015/05/10

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Horst in Translation ([email protected])
2015/05/11

"Die abhandene Welt" is a German drama movie from spring 2015, so this one is two years old now. With Katja Riemann, Karin Dor, Barbara Sukowa and Matthias Habich, it features a quartet of actors who can, without a doubt, be called among the most known from their age group and generation here in Germany. Dor hasn't much screen time at all and this fits with her being pretty much retired now. Sukowa and Habich have more, but the sole lead actress in here is Katja Riemann. I must say I have been pretty harsh on Riemann and Sukowa in other films and I still believe that they both are incredibly overrated, but I can say in Riemann's favor here that she had some solid moments as well (especially early on with Habich) going with the sequences of blatant overacting that she always has. Cannot say the same about Sukowa, she is as bad as usual. But she has sucked a lot in other MvT films as well, so that's not a surprise at all.The film is basically a story of a woman traveling to the United States too find her mother of whom she thought she had died a long time ago. This film has many many problems in terms of realism. There is way too much coincidence in here to make it look like a really authentic story to be honest. Add to that the weak moments of acting and the extremely pretentious execution in terms of the script, then you know what a mess you have here. von Trotta has not made a convincing film anymore since she stopped working with Schlöndorff and that was decades ago. Admittedly you need to state in her favor that several of her works sucked because of terrible Sukowa performance in the center of these. Now to be more specific about this one here: I could have done without the embarrassing wedding planner parts. Plus they should have left the music out completely. It was executed shoddily, even if Riemann is not the worst singer, not a particularly good one either though. I guess if they had completely focused on the core plot I mentioned very early in my review and kept out all the insignificant and pretentious stuff, then this could have been a pretty solid film at 70 minutes instead of 100. With "pretentious", I am also referring to the English-language talk by Sukowa's character, a recurring theme in MvT's works that always seems like a truly desperate attempt to give her movies international significance, to get them known outside of the German market too. Besides that, it's the usual. People often complain about weak depictions of female characters in film, but von Trotta's works are a perfect example of the other way around. Men exist only to be fools basically or to drool over the strong powerful female characters in these movies and this one here is no exception, even if Habich at times elevated the sub-par material. Let me end this review with an anecdote that summarizes the quality here in a solid manner. Karin Dor's last work before this film was a Rosamunde Pilcher film and this one here is pretty much on the same level as its attempts at relevance, depth and true meaning never work out. Thumbs down from me. Don't watch "The Misplaced World".

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kosmasp
2015/05/12

Family dramas can and mostly are exhausting. That doesn't mean they are not good. But that also doesn't mean they always have to be spectacular. Sometimes they just sort of flow along. The story is solid enough here, the acting lacks at crucial moments though. It's not that the movie loses its drive, but it seems to lose focus from time to time, which makes it harder to feel for the characters involved.Having said that, overall it's a solid effort. A movie that could play as one of those TV movie (drama) of the week and fit right in. You will feel for and with the two female leads to a certain extent, maybe engage more with one of them, than the other. Whatever the case, this is not light entertainment, so be aware of that

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