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Melinda Clarke stars as the latex-clad Candy, a beautiful bank robber hiding out at a desert gas station run by nuns while awaiting her boyfriend's release from prison. After being exposed to a falling piece of alien meteorite, Candy grows an extremely long homicidal tongue with a taste for human flesh, while her pet poodles--who have also been exposed--transform into flamboyant drag queens.
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Must See Movie...
If you don't like this, we can't be friends.
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
An odd one, this. Following in the footsteps of other recent Spanish flicks like ACCION MUTANTE and DAY OF THE BEAST, KILLER TONGUE strives for all out comedy of the Troma variety. There are many strange things in this film which you'll see and then afterwards wish you didn't see. It's definitely unique, but whether it's good or not is another question...All of the elements required for a cult film are here. Perverse sex? Check. Gory violence? Check. Cheesy special effects? Check. Poodles who transform into annoying transvestites? Check (okay, maybe not the last one). Unfortunately, as is nearly always the case these days, much of the comedy in this film just isn't funny, and not a lot really happens until the last twenty minutes or so. It's just people walking/driving about in the desert, which isn't really that interesting. This feels like the idea of a killer tongue was invented first by some drunk, and then a plot loosely constructed around it. Which is a shame, as the potential was there for it to be something interesting.The cast, too, are wasted in useless roles. Everybody shouts at each other and acts in an offbeat way, but this isn't what I'd call acting of any sort. Another shame, because there are quite a few cult/exploitation actors and actresses involved. Firstly, the heroine, Melinda Clarke, more familiar to red-blooded males for her piercing eyes (amongst other things) in RETURN OF THE LIVING DEAD 3, here looking a lot like a goth. Her performance is at best poor. The male lead, Jason Durr, is uniformly bland, and manages to survive despite being shot, stabbed in the chest, and having many other injuries inflicted upon him. Plenty of scope for some wisecracks a la Bruce Willis but it came to nothing.Ed Tudor-Pole turns up too, although for what reason I can't quite say - perhaps to up the ante in terms of weirdness. Then there's Doug Bradley, who's never really been in anything good apart from the HELLRAISER series (he played Pinhead), which is yet another shame as he's quite an interesting actor. It turns out, then, that the most memorable actor in the show is in fact Robert Englund, who steals every scene he's in as a sadistic prison officer. Englund's acting is completely over the top, appropriate for the tone of this film, and frankly he's a delight. It's just a shame that his role isn't bigger. With Englund and Bradley involved, the film was begging for some 'Freddy vs. Pinhead' in jokes, but we get none.The special effects won awards but it's hard to see why. The only impressive thing is that they were achieved on quite a low budget, but the mixture of CGI and rubber is easy to spot. It's difficult to see who would like this film. Most of the characters are obnoxious. There's a lot of crudity (aiming for a teen audience perhaps?). The gore isn't plentiful enough to make the film a hit, like BRAINDEAD, yet despite all this the film never becomes an all out comedy. Perhaps if your idea of a good time is watching an actress run around in a PVC suit, then this film is for you, but otherwise give it a miss. I'm sure there are more important things to do. The only good thing about this film? I only had to pay a couple of quid for it, in the January sales.
In his calculated bid for cult status, director Alberto Sciamma makes Killer Tongue as weird and wacky as possible, throwing in such outlandish ingredients as a talking extraterrestrial tongue that inhabits the mouth of a female bank robber, a group of poodles transformed into drag queens, a nun given a sexy make-over by the aforementioned poodle people, a fascistic wig-wearing prison guard with a pet dove, and all manner of bloody deaths including lots of full body explosions; the result is a predictably garish, gaudy, gory and extremely camp exercise in cartoonish excess (think John Waters' films/Earth Girls Are Easy/Priscilla, Queen of the Desert mixed with any other outrageous nonsense that crosses your mind), but it is one that frequently falls flat on its outlandish ass, not just by being dreadfully unfunny and extremely irritating at times, but for simply for trying TOO hard.The cast, clearly believing that this film would become a favourite with the B-movie crowd, thus immortalising them in the pantheon of cult cinema, put in embarrassingly OTT performances, desperately trying to inject a manic sense of fun into proceedings but failing spectacularly. Robert Englund is particularly cringe-worthy in his role as the jack-booted guard who leers at photos of hunky men in the john, but everyone else gives him a good run for his money. Meanwhile, Sciamma ladles on almost every vulgar and ostentatious camp cliché possible, only drawing the line at delivering a musical number involving gay dwarfs in sequined tutus and a troupe of fire-breathing gimps.About the only people who deserve any praise for this mess are Bob Keen and his Image Animation team, who don't let the inanity of the whole project prevent them from providing some impressive animatronic tongue effects and quite a bit of nice splatter.
This has to be one of the most outrageously stupid movies I have ever seen in my entire life. Just when I think I have seen the stupidest scene in history, along comes an even dumber and more bizarre scene. I think the transvestite poodles did it for me, or better yet, her talking tongue...or perhaps the guy getting the virgin mother statue mounted to a jeep windshield caught in his throat. Decisions, decisions...
Maybe I set my self up for a fall by believing the mini-hype around 'The Killer Tongue', but whatever the reason I found this movie for the most part to be tedious, and generally unfunny. It's equal parts early Almodovar and Peter Jackson without being as inventive or entertaining as either. It also reminded me in places of the underrated 'Accion Mutante', another zany Spanish sci fi comedy, though it was nowhere near as good. The premise of this movie is promising but the execution fails to realize its comic and surreal potential. Melinda Clarke ('Spawn') shows a lot more screen appeal than the mundane script she has to work with, and is easily the best thing about this. Genre fans will also get a kick out of seeing "Freddy" (Robert Englund) and "Pinhead" (Doug Bradley). Personally I was more chuffed to see Eddie Tudor-Pole, a guy who knows the answer to "Who Killed Bambi?".
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