Very well executed

Best movie ever!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

One of the best movies of the year! Incredible from the beginning to the end.

On watching this film, I was amazed at how media perception can mould a persons opinion of a celebrity. Karen Carpenter was a carefree, but very unconfident young lady, whose wonderful voice helped her and her brother Richard to soar the charts with wonderful songs. As with all celebrities of today, they were often criticised about their music as well as their looks, styles, etc. THis had a huge effect on Karen who raged a battle against her eating and drastically lost weight, which eventually caused her death. This heart felt film was not initially something which I would have thought of watching. But on starting to view it, then I was hooked. In the same way that the Tina Turner story does, then this film enlightens you and allows you to see into the young performers life. The acting was superb and even after nearly 20 years after it was made, then the directional and the dialogue are still entertaining.I would recommend this to anyone who hasn't yet watched it. It is amazingly accurate and emotionally charged.

Her heavenly voice was stilled much too soon, but Karen Carpenter gave the world some beautiful music along the way. Karen's melodious voice burst through the middle-of-the road arrangements that her brother, Richard, and the record producers tossed her way. Even many of the songs, a few written by Richard, were moon-in-June type selections; yet Karen rose above the fluff and soared with her own special style of singing. Karen's situation is similar in many ways to that of Jackie Wilson, a performer much admired by the King himself, Elvis. Jackie Wilson's producers surrounded him with syrupy strings, bland choral backing, and at times popcorn lyrics, but he was able to break free from these musical shackles by effectively using his magnificent voice and style.Since Richard supervised this official biography of his sister, we believe what we see. The psychologist who confronts the family with Karen's eating disorder makes it plan where the problems lay. Richard was the big brother looking after his little sister, sometimes to the detriment of his own career. The family was overprotective of the baby sister to the point of virtually controlling her life and smothering her with their domination. The producers bring it all home by choosing Nurse Ratched to play Karen's mother, who thinks giving Quaaludes to her son is not the same as hooking him on drugs. If you are a Carpenters fan, then you'll love the soundtrack to the film. All the good stuff is here, sung by Karen herself. Cynthia Gibb makes the viewer believe that she is Karen Carpenter. She not only looks the part but lip-syncs perfectly. How she appears to lose so much weight during the film is amazing. Mitchell Anderson portrays Richard Carpenter just as effectively. He too has the looks and gives the viewer a sense of seeking his own stardom without getting in his sister's way. He seems content being in Karen's shadow.The imagery of the drums adds effect to the drama by indicating that they were Karen's security blanket (that term is even used). Once she emerges from the drums to take center stage, she is indeed on the top of the world, a place where she feels uncomfortable and vulnerable. Her super stardom, added to the stress already present in her life, led to her fall, which was truly a loss for all of us.

I've become a big fan of the Carpenters, and I didn't really enjoy this movie.I feel it focused far too much on her anorexia and didn't let her true personality shine through. I wasn't overly fond of Cynthia Gibb's portrayal; especially knowing she decided Karen's anorexia was suicide, which it clearly wasn't. Although her family was not big on hugs and kisses, I thought the movie portrayed Agnes (their mother) as being terrible.I did find a few scenes to be harrowing in a way, such as where she sees herself in a mirror that seems to distort her and make her look heavier; I thought the metaphor (so-to-speak) there was rather effective. When the family is playing pool and discussing her divorce and she breaks down and Richard is shocked when he comforts her and feels her frail body was pretty moving (which is probably the wrong word) as well.Overall, I feel they needed to bring out her more bubbly, quirky side--her genuine personality. Even as the focus of the film, there really wasn't a point that caused one to understand what would lead her to anorexia (though of course no one can really know), and almost made it seem baseless. The film was more poor-singer-with-anorexia than Karen Carpenter's story, in my opinion.I would assume that they changed her husband's name/profession and all because they couldn't get his permission to actually include him (there were some bad terms there), but that whole aspect was inaccurate with the changes. On this note, I can't recall the movie bringing out her longing for a family and kids, which greatly prevailed in her life and explains her whirlwind romance and quick marriage to her husband.On the whole, it ends up as a low-budget made-for-TV movie that just isn't very high quality and can be disappointing if you're a hardcore fan who is hoping to see beyond Karen's disease. I feel that such a legend deserves/deserved a better film as a tribute to an amazing person and an awesome voice.

The same fate which befell Brian Wilson and the Beach Boys was bestowed upon Karen Carpenter and her brother Richard.How to negotiate and balance super-successful careers with normal, healthy lives? Although this pattern's been repeated time and again, it's still tough when it happens to young, "green," people coping with "pro" pressures.Had Karen remained "hidden" behind that trap set, instead of being "exposed" out front (where everyone could see how "pudgy and plump" she was) things might have gone better. It was no accident that she protested leaving those drums ("That's where I belong . . .") for that may well have been her true place.As soon as she stepped to the front mike and solo spot, things began to change--for the worst. However, neither management nor peers realized the great price she'd have to pay, until too late.This biopic has good casting, and a sumptuously beautiful soundtrack, with Karen's (and Richard's) vocal and instrumental ringing out with their greatest hits (including the ravishing "The Masquerade").The film does omit their college period (c. '66-'70) at California State University at Long Beach, and the subsequent inclusion of their vocal director from CSULB, Frank Pooler, who greatly enhanced their tour work.It also avoided dramatizing the death of Karen, making the mood less sorrowful, and ending on a more optimistic note with her mother's expressing her love for Karen. So, another story of the high price of fame, and a touching memorial to the life and times of The Carpenters.