Sorry, this movie sucks

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Blistering performances.

This movie has an interesting narrative structure with a co-ed pair of middle-aged detectives (Emanuelle Devos, Gilbert Melki) investigating the murder of young male. This is skillfully cut together with the parallel flashback narrative of the young victim (Cyril Descoeurs) and his relationship with a fresh-faced teenage girl (Nina Meurisse). Their relationship starts out sweet and innocent, but he is a bisexual hustler, who in turn gets her involved in paid sexual encounters with various "respectable" but sleazy middle-age men in various generic-looking hotel rooms. The narrative structure is quite effective, even if the present-day narrative with mismatched male and female cops--who are both very attractive, yet strangely both single, and who have a sexual tension between them you could cut with a knife--is an extremely tiresome cliché from pretty much every police procedural movie and TV show you see these days. The OTHER narrative with the young couple works much better.Cyril Descoeurs' character in a lesser movie would undoubtedly be portrayed as an evil "suitcase pimp"-type, leading an innocent girl astray. It always strikes me as very dishonest and unrealistic to portray a female this age as a wide-eyed innocent while a boy about the same age is portrayed as mustache-twirling villain. The boy here engages in paid sex along with the girl and he obviously genuinely cares about her (at one point he violently beats a sleazy middle-age client who abuses her). It also helps that we know from the beginning that HE at least is ultimately going to wind up a victim.Nina Meurisse is a real revelation. She has an appealing girl-next-door wholesome look to her and is very talented, yet is clearly not afraid to take on a role that involves sex and nudity in every other scene. This movie kind of reminded me of the recent Francois Ozon misfire "Young and Beautiful". But the "teenage" girl in that looked suspiciously like a gorgeous fashion model (which the actress actually was) and her character simply did not have any particularly good reason to be engaging in prostitution. This is much, much more believable, and its largely thanks to the performance of Meurisse. I don't want to oversell this movie, which is not exactly startling original, and is really only serviceable at an artistic filmmaking level. But I did enjoy it, largely because of the two young actors.

I suppose I'm hypocritical in that I would happily watch a porn film, but unnecessary sex scenes and nudity in more mainstream movies annoy me.The 'it was central to the plot' argument hardly ever holds up. But here it does. By recent standards, where it seems almost anything can be shown, the sex scenes in Complices are by no means explicit, but nonetheless the situations are still quite shocking.Without those scenes though, there's no film. We needed to see what went on between Vincent, Rebecca and the others, unpleasant as it may have seemed to us.My only gripe is that Rebecca's willingness to turn to the dark side seemed a bit sudden, although I understand her motivation.A sad but gripping love story, wonderfully acted and cleverly told.

The body of a young man is found floating on a river near Lyon. Herve and Karine, a team of the local police detectives, arrive at the scene. It is not clear to them as to what caused his death. They immediately begin their investigation. At the same time, another narrative, involving Vincent, the victim of the crime, is shown paralleling it to the work the police are trying to conduct.Vincent, it turns out, is a male hustler. He meets his male costumers through a porn site on the web. His encounters are not cheap, two hundred Euros a session. His clients tend to be men of a certain age, wanting to engage the good looking Vincent and make him the center of their fantasies. Vincent operates out of hotel rooms, mainly. He goes to 'cybercafes' to chat with prospective 'johns'. One day he meets Rebecca, a girl that appears to be out of his league. In a bold move, she gives him her phone. This encounter will have a profound effect on their relationship and in the crime at the heart of the story.In contrast with the bond that Vincent and Rebecca form, there is the one involving the detective team of Herve and Karine. Even though there is no hint there is anything but a good working relationship between them, both are seen sharing moments playing table tennis, or even using the communal showers of their police precinct, or just plain relaxing with a meal. Vincent and Rebecca begin a torrid love affair at his trailer park-like mobile home. Vincent has lied to her about his profession, but it does not take long for her to find out what he really does as Karine follows Vincent to one of the hotels where he has just had a sexual encounter with a man. It will not take too long for Vincent to convince Karine to participate with him in other sexual acts that will end in tragedy.Director Frederic Mermoud cleverly interlaces the actual investigation of the murder being investigated with the actual depiction of what really happened and how it led to the horrible crime in the story. In fact, Mr. Mermoud, who co-wrote the screenplay with Pascal Arnold, has a surprise for the audience that might not be too realistic in the viewer's eyes in the way he handles Rebecca's involvement in Vincent's death. What the director achieved was first rate all around acting in a film that involves the viewer from the start. Gilbert Malki appears as Herve, the detective in the story. He was equally matched by Emmanuelle Devos who gives an understated performance as Karine. Cyris Descours is also terrific as Vincent, and Nina Meurisse makes the best out of her Rebecca the young woman that gets involved with a man out of her league to terrible consequences. Beautifully photographed by Thomas Hardmeier, and with a music score by Gregorie Hetzel, the film showcases a brand new talent, Frederic Mermoud, whose next film will be eagerly awaited.

We begin with sexy Cyril Descours (as Vincent Bouvier) being fished out of a French river. An apparent murder victim, Mr. Descours was strangled and beaten. The nineteen-year-old is discovered to have been a prostitute, by lonely investigating officers Gilbert Melki (as Hervé Cagan) and Emmanuelle Devos (as Karine Mangin). As the middle-aged couple try to solve his murder, we see the drama unfold in flashbacks.. .We meet Descours in a cybercafé, likely arranging to meet a new trick on his Internet sex site. When a recent picture is requested, Descours asks a nearby moon-faced high school student Nina Meurisse (as Rebecca Legendre) to snap the shot. Smitten with Descours, Ms. Meurisse leaves her number with the handsome young hustler, and receives his call. Soon, they are a genuine couple. At first, Descours tells his young girlfriend he is a real estate businessman... well, at least he didn't claim to be the Duke of Cumberland...Descours is actually a prostitute catering to older men. Moreover, his only other long-term sexual relationship has apparently been with handsome young pimp Jeremy Kapone (as Thomas Moraizini). When Meurisse learns the truth, relationships change… Also known as "Accomplices" on the "Sundance" circuit, this is quite an engrossing, modern drama. This is mainly due to the fine direction given by Frédéric Mermoud, who cross-cuts well with editor Sarah Anderson and the crew. The performances elicited are very impressive. On the downside, there isn't much new ground being broken. "Complices" succeeds in the way it treads familiar territory with an illusion of originality.Helping is the less flashy subplot involving Mr. Melki and Ms. Devos; they balance the younger couple by never actually getting off in the same way, and are thus made interesting on their own. There is also a good amount of nudity; some of the simulated sex is odd, but you can figure out what is supposed to be happening. It is interesting, and arguably regrettable, that the two "killers" who emerge during the story are treated very differently. Watch it. Think about it.******* Complices (8/9/09) Frederic Mermoud ~ Cyril Descours, Nina Meurisse, Gilbert Melki, Emmanuelle Devos