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Night of the Devils
April. 10,1973 NRIn this adaptation of Tolstoy's story the Wurdulak, a mentally ill patient known as Nicola flashes back to horrifying experiences that he encountered while driving through the country. Upon damaging his car, Nicola sets out for help, only to meet a mysterious family that lives in total fear of someone or something. This evil force slowly penetrates the household and thrusts each of its members into a frenzy of absolute terror!
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Reviews
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
This film is so real. It treats its characters with so much care and sensitivity.
The acting is good, and the firecracker script has some excellent ideas.
This is a dark and sometimes deeply uncomfortable drama
Based on a book I've never read (Aleksei Tolstoy's The Family of the Vourdalak), Night of the Devils deals with the supernatural creature known as the wurdulac (also spelled wurdalak, vourdalak or verdilak), a type of Eastern European vampire that is compelled to drink the blood of its loved ones, thereby converting the whole family.Lumber importer Nicolas (Gianni Garko) encounters such monsters in a Yugoslavian forest. After pranging his car, he sets off on foot to find help, eventually meeting a family who live in a house in the woods, where he is invited to stay the night. Nicolas is intrigued when his hosts barricade all of the doors and windows at nightfall; he eventually discovers that the family is plagued by a wurdulac that comes a-calling once it is dark.With a very measured pace, this isn't going to be for everyone, but fans of atmospheric Euro-horror will be delighted by the creepy vibe throughout and some genuinely tense moments, the best being Nicola's frantic escape from the woods in his car (attacked by wurdulacs and mocked by ghoulish wurdulac children), and the gripping finalé, which packs a neat downbeat twist.Meanwhile, those who enjoy a spot of gore and nudity will be pleased to know that are some juicy moments of splatter (a woman's face exploding, a beating heart removed from a body, severed fingers, and several bloody stakings, all courtesy of FX man Carlo Rambaldi) and a fair amount of T&A (ravishing Agostina Belli, as Nicola's love interest Sdenka, sheds all for her art, while Teresa Gimpera has her top torn open by one of the vampiric kids).N.B. The wurdulac also appears in Mario Bava's classic horror compendium Black Sabbath, a film I've yet to see (I know, I know... and I call myself a horror fan).
I first saw it on Spanish TV centuries ago. Back then I got into the film during its second half, not knowing what it was about, and at the end I thought it was worth watching. Then many years later I found it in YouTube -the image quality was dreadful, and -as I now can tell- it was a truncated Italian dubbed version. And finally recently I found in the internet a Spanish-speaking version with scenes cut from the one I saw before and with a superb quality image, and I downloaded it. I love the film, and I've been looking for the DVD here in London for months. I couldn't find it anywhere. So I'm keeping my downloaded copy for the time being. The ideal treat for a late rainy Saturday night: I alone in my home, a bottle of Scotch to keep me company for a couple of hours, and this atmospheric chiller.
A great, obscure Italian gem from the 70's, directed by Giorgio Ferroni, "Mill of the Stone Women". It's based on the same story as the "Wurdalack" segment of Mario Bava's "Black Sabbath", and I consider to be about on the same level of the latter. It's much more mean-spirited and darker than Bava's version, and while it may not be as elegant and subtly creepy, this one is quite frightening and suffocatingly atmospheric in it's own right, with some surprisingly haunting and disturbing set pieces. The characters and the story were much better developed, and unlike "Black Sabbath", I actually cared for them. The actors also did a pretty good job, with some solid performances. Still, I thought the violence and nudity came off as gratuitous and were not really necessary, and Carlo Rambaldi's special effects didn't age very well, specially compared to his other works. Nevertheless, Ferroni's stylish direction and Georgio Gaslini's eerie, melancholic score more than make up for it's flaws. I also loved how the film is slow paced, but never gets boring, always keeping the viewers on the edge of their seats.
I've seen this movie many times; I have to say I love this movie because of many reasons : there are scenes that really scare the hell out of me , for example , the witch running through the woods , the animals running , the scenes that create suspense like when Gianni Garko is inside the house and they're all waiting for the grandpa to come back (and we all know something is happening) Gianni Garko is one of the great actors of the 70s ,he's been a guest star in "Space 1999", as well;the movie has got that 70s atmosphere (like in the hospital) mixed with a sense of Hammer Horror , but more low-budget From what I know, the movie was shot near the place I live (North East Italy) close to Slovenja (Yugoslavia, back then) It's less scary after two or three views, but it's a very good movie
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