Slow pace in the most part of the movie.

Sick Product of a Sick System

To all those who have watched it: I hope you enjoyed it as much as I do.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Well, at least compared to the two Matt Helm flicks immediately preceding it. After a couple of pretty big missteps, the series returns to the fine form of the first film, The Silencers. This is in no doubt very much due to the return of that film's director, Phil Karlson of Walking Tall fame.While the budget was obviously reduced for this one, it may have helped the pacing, which is not bogged down by cumbersome set pieces and elaborate gadgets. From the time Helm first arrives at Contini's château, the movie races breezily along helped by well choreographed (by Bruce Lee!)fight scenes in place of the earlier movies' overblown hovercraft chases, runaway spaceships and the like. Additionally, this is the only one of the 4 Helm movies where the main villain's death doesn't seem anti-climatic. The soundtrack is great and absolutely helps to keep things moving along as well.This cast is most enjoyable, with Nigel Green stealing the show while stealing the gold. He delivers many of the best lines in the movie, nay the series. Nancy Kwan and Elke Sommer are excellent as a couple of deadly femme fatales and Tina Louise is rescued from Gilligan's island just in time to give Helm his first lead. Sharon Tate showed a proclivity for comedy that was so deft and popular with movie goers that she was supposed to reprise her role in the never to be made The Ravagers. Also notable was the film debut of a little known martial arts expert named Chuck Norris. Dino himself seems to be enjoying the proceedings this time around and is a little more energetic. MacDonald, Helm's boss, is now being played by John Larch and actually takes part in some of the action.In conclusion, this is one tight, exciting and truly funny (without being silly) little movie, at least by Dean Martin Matt Helm standards. It's too bad this was the last in line, because it could have served as the action comedy template going forward.

....but not necessarily the best. That title still goes to "Murderers' Row", in my opinion. "The Wrecking Crew" is probably the best-produced of the series (then again, after the embarrassing climactic chase of "The Ambushers", the only way was up), and in Elke Sommer it has the sexiest bad girl since Daliah Lavi of "The Silencers". It also has the second best villain in the sophisticated Nigel Green (re-teaming with Sommer after "Deadlier Than The Male") - Karl Malden remains the best. But director Phil Karlson makes the same mistake as in "The Silencers" - he lets several scenes play out too long. However, my biggest problem with this movie has to do with Sharon Tate. Not with the actress - who is beautiful, likable and energetic - but with her character. She is very inconsistently written, alternating between clumsy and competent, sometimes in the same scene. And what's worse, Matt Helm is obnoxiously condescending towards her - I much preferred his equal partnership with Janice Rule in "The Ambushers". This film has gained some fame for having Bruce Lee involved in the staging of the fight scenes: truth be told, they are still quite ungraceful, though at least Dean Martin has added more kicks to his repertoire. My favorite scene is easily the fight between major babes Sharon Tate and Nancy Kwan - unfortunately it is spoiled by a few too many interruptions. ** out of 4.

I'm not familiar with the other movies in the Matt Helm series but this is all I need to watch.Sharon Tate plays an MI5 agent posing as a clumsy Danish tour guide, Freya Carlson, who is to work with Helm. Tate stated at the beginning of her career that she wanted to do light comedy and "The Wrecking Crew" proved that that genre was indeed a perfect fit for her. This movie is the highlight of her all too brief acting career and my heart aches to think of what could have been.Dean Martin's acting skills left a lot to be desired but he and Tate had great on screen chemistry. The rest of the cast reads like a Who's Who of Hollywood during its second (and last) Golden Age: Nancy Kwan, Elke Sommer, Nigel Green, Tina Louise (of "Gilligan's Island" in her small role of Lola Medina), among others. You have to remind yourself to close your mouth during the opening credits.I'm in love with the 60's fashion and music and the fact that we get to see more of Sharon Tate (whereas the rest of her movies, with the exception of "The 13 Chairs" a/k/a "12+1," are primarily small roles where you don't get to see or hear her much).Good stuff.

If Matt Helm is the world's last hope in recovering one billion in stolen gold, then we're in big trouble. The aging Dean Martin is pathetic as a Bond-esquire government agent that women somehow (?) find irresistible, even those who aren't trying to use him in some way. Austin Powers (Austin Powers: International Man of Mystery) is most often compared to James Bond, but he's clearly more like this version of Matt Helm than he ever was to 007. Like Austin Powers, Helm's cover is that of an international fashion photographer/playboy. He is, in reality, only slightly sexier than Don Knotts character in "The Love God?". He seems on the edge of sobriety throughout the film, and in the scenes where he's up close and personal with his lovely co-stars, I couldn't help wondering if they were fighting the urge to throw up from his rank cigarette-booze breath! Talk about suffering for your Art! I probably feel the worst for the other actors in the film, because the whole project could have been better than it was. Yes, it was a parody of the secret-agent genre of the 1960s that peaked several years earlier, but I guess the picture is so disappointing because it seems to be built instead around the person of Dean Martin, and his real life image as that of a heavy drinking swinger. Please, I'm not completely disregarding his acting ability, because he did in fact make some pretty good movies before this one. I liked him in the films he did with Jerry Lewis, but Martin just seems to be taking it way too easy in this one, and not really even trying. Perhaps when you're an established "star", you don't have to. The legendary Bruce Lee choreographed the fight scenes in "The Wrecking Crew", but I can't imagine him bragging too much about it. Tina Louise (Gilligan's Island) goes through the same kind of seductress routine she worked so hard to perfect with Bob Denver all those years on the "uncharted desert isle", and is as lovely as she ever was. Elke Sommer is convincing as a menacing moll, but Nancy Kwan is forgettable as a stereotyped Asian. I've seen that Chuck Norris was in the film as well, but I've never been able to spot him. Nigel Green is just plain annoying as the "Count" who's responsible for stealing the gold. Just try counting the number of times he says "schedule". Aaargh! He comes off as a poofy, snobby aristocrat. Alright, maybe that's how he was supposed to be. Goofs: Although the film supposedly takes place in Denmark, everyone, including the cops who drive Ford automobiles, speak English with no accent whatsoever! There are a few shots near the beginning of Matt Helm driving through a Danish city, but that's it! The driving scenes with Matt Helm and Freya Carlson are obviously California. The scenes involving the train may be Europe, but I'm not sure. I'm in Germany now and have been in Europe for the past 4 years, and I have seen many areas that resemble the terrain in those shots. At various times in the film, characters watch video screens to see the train speed through the countryside…how? Has the evil Count placed cameras along the track? Does he have tiny flying robots equipped with cameras to follow the train? I guess I'm looking too deep. The most glaring blunder has got to involve the astro-turf used in several shots to make the outside of the Count's estate. Matt Helm throws an exploding hanky (????) at a door seconds before he dives over a hedge onto the "grass". As he hits the grass, it compresses because of the extensive padding beneath, and a large area of the astro-turf kicks up. Come on, editor (Maury Winetrobe). And now, Sharon Tate…she is probably the one reason to watch this film. She plays Freya Carlson, and got the most screen time in this film than in any other of her previous works. The only other movie she made after this one was called "12 + 1" in which she also had a major role. Sharon Tate was beautiful. She also came across as a very sincere actress in all of her roles, but "The Wrecking Crew" gave her the chance to be more that just a pretty face. She had said in an interview early in her career that she knew she could never do Shakespeare, but would like to try light comedy. She went on to say that she realized that comedy was very difficult because "you have to be so serious". I'm so glad that Sharon got the opportunity to do both this and "12 + 1" before her life was taken. She proved that she did in fact have very real potential as a comedic actress. Sharon really shines every time she's on the screen, and I really came away feeling like I had a much better concept of what she must have been like as a person than from any of her other films. Why on earth the director had in a red wig is beyond me. She had such beautiful blonde hair at that time in her life. I highly recommend this film to any fan of Sharon Tate. 8 out of 10 because of her.