good back-story, and good acting

Admirable film.

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

This is the best one. However, I will say that these movies never have achieved that sense of wonder and amazement that I feel the books always have. But, when the 2005 version came out, and I watched it, I was FLOORED! The 2005 version is better than all of the BBC TV presentations put together. The 2005 version holds your attention throughout, even in the parts when they are just playing hide-and-seek or talking about Aslan, and has that sense of wonder and amazement correctly portrayed throughout, also. Tom Baker was good as Puddleglum- he gives the best performance! But when I read the book, I pictured him to be, well, to be like he was in the illustration that is in my edition of the Silver Chair- taller and thinner, and smoking his pipe most of the time. But otherwise, Tom Baker is "quite up to snuff". When the queen is bitten by the snake, she does not look very concerned, or very hurt, or very worried about screaming for help, or very worried about dying, for that matter. And I thought Pole would be a lot prettier. In the scene where Puddleglum is "drunk", it was not nearly as funny as it was in the book. In the movie, that scene was humorous. In the book, that scene was laughable, hilarious, and I just about died laughing the first time I read that page in the book, and I just about die laughing every time I read it.

The last post was less than honest in it's claim that CS Lewis did not blatantly make his books Christian books. He is right in claiming that "The book {Silver Chair} does NOT include Aslan's ending line from the film where he says that he also exists in the human world, but that the kids MUST learn his 'other name.'" What this person neglected to say, either through ignorance or dishonesty, is that the line does appear in the books, although it is at the end of "Voyage of the Dawn Treader", not "Silver Chair." While Lewis was fond of saying "What we want is not more little books about Christianity, but more little books by Christians on other subjects -- with their Christianity latent", he didn't often follow his own advice.On the movie, it is a fairly faithful film, but was done in the late 80's released in 90, so it did not, alas, have the benefit of computer graphics. Still, it's well worth watching.

One of the most intriguing and unsettling things about the NARNIA books is the way lifelong bachelor C.S. Lewis tends to portray evil witches not as hideous crones but as stunning and sophisticated young women. Not surprisingly, the most memorable character in this film is the Emerald Witch, portrayed with subtle sensuality and aristocratic charm by regal and dark-eyed Barbara Kellerman. Kellerman's Emerald Witch is a forceful, intelligent, and thoroughly attractive villainess. As the daughter of the White Witch brutally slain by the insufferably pompous do-gooder talking lion Aslan in the first book, the Emerald Witch is not so much a villain as passionate woman bent on revenge. Note her entrance on Ettinsmoor, riding by the side of the dazed and clearly besotted Prince Rilian. While the child actors mumble and screech about their quest, Kellerman underplays her evil intentions, popping off snappy one liners like "What do you hear, what do you say?" Only when alone with Aslan's image staring out at her from a crystal ball does she reveal her true agenda, pulling a Cagney face and sneering, "you . . . dirty cat . . . you killed my mother!" The allusion to Cagney is reinforced later, when she is cornered by Prince Rilian. Instead of dodging his sword point, she grabs the blade and drives it into her own bosom, shrieking "Top of the world, Ma!" exactly like Cagney in WHITE HEAT.

This is much better than the BBC's earlier forays into Narnia, partly due to the book it's based on. It's set in the bare, unpopulated wastes to Narnia's north, so the drab scenery is not a defect. Nor is the absence of extras. Puddleglum, C.S. Lewis's best Narnian creation, is played by Tom Baker, who fits the role as well as anyone on Earth. In general the acting is better in `The Silver Chair' than it was earlier on. Direction is crisper, costumes are more convincing: everything has improved. I have commented harshly on `The Lion, the Witch and the Wardrobe', and most of those comments apply here as well, but never to the same extent. This is actually okay television. Of course, an adaptation of the Narnia books should be much more than that.