Am I Missing Something?

Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Korea, the late era of Joseon dynasty: Gyu-yeob (Jae-hyeon Jo) is a brutal but skilled warrior who starts tracing a mysterious assassin who has been murdering the King's ministers. Soon clues point to the assassin being Gyu-yeob's old military friend Ji-hwan (Min-su Choi) who he has fond but tragic memories of. What is the truth behind the revolutionary killer and his female assistant Shi-yeong (Bo-kyeong Kim)?As can be expected from a historical epic, the sets, costumes and massive group scenes look authentic and the colours of the cinematography, such as the green forests and blue night scenes are a joy to the eye. Still, it's harder to sink into the world of the film than in, say, Yimou Zhang's masterpiece Hero, largely because of the restless camera-work that would be better suited in an urban modern-day action thriller than a historical warrior epic. The camera spins around the characters, constantly tracks them, shakes as if in the hands of an epileptic and even goes to very blurry slow motion for long periods of time, making the already hectic fight scenes confusing to follow. The calmer, more static shots in the peaceful scenes look very nice though; I wish this approach would have been used more prominently.Technical direction issues aside, the film's writing isn't really among my favourites of the genre either. As Gyu-yeob is such a cold and aloof warrior, it is difficult to relate to him and his emotions about his long-forgotten friendship with Ji-hwan. Now the lengthy flashback scene detailing their time together interrupts the main plot for too long; perhaps a traditional chronological structure or showing smaller flashbacks more evenly would have worked better. The long-haired Ji-hwan is a stylish character though and easily carries the scenes where he is in. The female Shi-yeong receives less attention and her role doesn't come across a very significant one, despite her implied importance to Ji-hwan.In summary, I think Sword in the Moon is a visually good-looking, but not very effectively directed epic in which the nature of friendship is a major theme. A calmer style of presenting the action scenes would have benefited the whole significantly and suited the extravagant, even pompous, music better. I guess the characters could also have been fleshed out better, but in spite of my complaints, the film is not terrible and fans of historical sword epics should find it easily watchable – give it a chance if this type of cinema is your thing.

The tale of two comrades who made different choices and now fight on opposite sides. An expensive and visually exciting movie ruined by a very thin plot and some flashbacks that are difficult to distinguish from present, actual events and the faces of many actors are so similar to a western audience that it might well happen to feel quite confused.Scenery and costumes are very interesting and there are some details in weapons, armors and robes that are very particular, such as the far east small hand weapons, the lamellar cuirasses and the hats of the dignitaries.Blood runs in rivers and beheaded enemies rank in dozens. It is disturbing in the long distance and it is absolutely unnecessary to show all this violence to tell a tale. A film about violence embellished by the choreography, sets and costumes. The plot is irrelevant at the end.

Well, SWORD IN THE MOON finally got a DVD release in Korea, and despite the mostly negative responses I've heard to it, and the suspiciously tardy DVD release, I couldn't help but pick it up - any wu xia film is better than most non-wu xia films in my eyes :D Perhaps low expectations were an advantage, because I was quite pleasantly surprised to find the film pretty enjoyable.An assassin is killing a number of ministers who were involved in a revolution that usurped the throne, and the government's top swordsman is tasked with identifying the culprit. This doesn't take particularly long, but the answer is not one he wanted to hear. Through prolonged flashbacks we learn why, and the history of the swordsman and the assassin, and of the revolution.The film is typically melodramatic for a Korean film, and resolutely serious in tone - no HK style comedy moments to be found here. The story can be a little difficult to follow at first, but all makes sense eventually. The film goes a bit wobbly at the end, but no worse than a Chang Cheh film might do, and for the most part I found it enjoyable. The production values are high, with some good cinematography to capture it. The fight scenes aren't up to the calibre of the better HK wu xia films, but perhaps they're not meant to be - the fights are more "realistic", in that they're less like choreographed dance routines, but there's some wirework and occasional cgi that put the film in "wu xia" mode. The film doesn't have the best cast, unfortunately, with the leads being a tad lacking in charm and occasionally difficult to distinguish from each other. There's a young lady in the film that I don't think I've seen before, but makes the best impression of any of the principle cast - not just because you see her nekkid... or perhaps it is :p The film lacks the charm and grace of the better HK wu xia films, and perhaps the beauty too, but I only wish HK would make them half this good anymore - TWINS EFFECT 2 does not give me hope that *that's* about to happen any time soon, though Tsui Hark surely still has it in him if he can get the funding and cast. SWORD IN THE MOON is not going to go onto my list of favourite wu xia by any means, but it's a whole heap better than ROMANTIC WARRIORS or LEGEND OF THE EVIL LAKE - perhaps better than BICHUNMOO too, though I did like that film quite a bit more on a second viewing. Obviously it's nowhere near the wonderful MUSA, but it's a different affair altogether really. SITM will probably get a second viewing within three years, which is perhaps the best indicator of how much I liked it :) 7/10

Nice movie. At the begining, i thought it's a medieve detective kind hi-fi movie, but the ending totally surprised me. I guess, the whole movie covers too many subjects, each of them can be the main subject,e.g. avenge, friendship, and dream. But it mixed all of them without focusing on any of them. I think, it'd be a great movie if it's built around the ending from the very begining.