Very very predictable, including the post credit scene !!!

I'll tell you why so serious

This movie feels like it was made purely to piss off people who want good shows

By the time the dramatic fireworks start popping off, each one feels earned.

Crazy People was a really funny movie. Dudley Moore plays a man who works at an advertising agency and it is his job to come up with ads for companies to run. The problem is that he starts to go nuts and has a huge breakdown because he wrestles with the morals of what he is doing, that is to say he gets tired of lying to everyone through his ads and starts telling the truth. A lot of the ads he makes are really funny and they end up going into magazines and onto television without his bosses knowing, so that when they are discovered he gets fired and sent to live in an insane asylum because they assume he's crazy. While living there he meets Daryl Hannah who he falls for and a lot of other nice people with mental problems, and when his ads are surprisingly a huge hit his company wants him to come back to work, but he wants to take all his new friends along for the ride. "Who here wants to be a fire truck?" Big laughs in this movie!

The most subversive comedy ever to come out of Hollywood. It absolutely torches capitalism and the empty-headed consumerism that is its driving force. The first 20 minutes are easily the film's strongest, taking on the status quo and delivering a hydrogen truth-bomb right on top of Madison Avenue's best and brightest.The main criticism of Crazy People - the unnecessary romantic sub-plot - can easily be overlooked when compared to how solid it is at its core. There is real value to be found here, which is not something that can be said for most pieces of entertainment.Roger Ebert said it "has more really big laughs in it than any other unsuccessful comedy I've seen." Entertainment Weekly gave it a "D-" calling it out for "unintentionally celebrating" advertising. Vincent Canby of the NY Times also hated it to pieces, which really rubbed me the wrong way until I noticed that he felt the same way about both Rain Man and One Flew Over The Cuckoo's Nest. (Whatever, Vince - if you wanted to see people eating their own poop in the quest for realistic depictions of asylums, you were squarely in the minority.) I feel that Variety hit the nail on the head with their brief synopsis: "Crazy People combines a hilarious dissection of advertising with a warm view of so-called insanity." Hollywood's daily V-rag also noted that two weeks into shooting, two big changes were made: Dudley Moore replaced John Malkovich, and writer/director Mitch Markowitz lost the directing gig to Tony Bill. Not really relevant here, but interesting.I know this wasn't the best review, but I'm not a professional writer and don't have an editor. I hope you find it adequate (or even helpful).

Dudley Moore, a man, left short again. Unfortunately for Dud, the writers didn't lose much sleep drafting some of the patchy story lines, in this average advertising/mental home comedy romp (is it still safe to say that? lol).However there are many redeemable appearances, most notably from, Mr George Cartelli.Hello. Hello how you doin? His expertly delivered catchphrases will live on, in my life, and the lives of my many future grandchildren. And how could they not. The man who has said nothing but Hello since 1977, comes alive in what is without question, the funniest 'crazy' character to come out of the silver screen, .er...ever. Are the rumours of TV networks fighting over Cartelli's pilot sitcom true?

[Possible spoilers] The general plot is that an advertiser, Emory (Dudley Moore), is sent to a lunatic asylum. His work is exposed and everyone loves the advertisements, so he does his work with the other patients inside the asylum and is a hit. You have to watch the rest to find out what happens! I like the story, and I find it even sad at some stages. 7/10