Fantastic!

Don't listen to the negative reviews

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Blistering performances.

Mark Graver (Lamas) a mild-mannered CIA agent but also a man of action. He won't hesitate to jump into the fray and cut through the red tape. Further evidence that he is cool are his ponytail and constant, well-groomed five o'clock shadow. (Graver's Chief: "I don't approve of your methods, but you certainly get the job done".) Graver gets the assignment of a lifetime when he goes up against a gang of terrorists led by the sadistic Victor Mahler (Cord). These baddies shoot up churches, kill cops and are just plain evil in every regard. And now they want nuclear weapons. To get them, Mahler must get a hold of "The Microchip!" and he will go to any ends to get it.Meanwhile, cops Murphy (Simpson) and Benedetti (Griggs) are also working the case, and they come across Alexa (Kinmont), a ruthless assassin working for Mahler. Soon, Graver realizes he can use Alexa to infiltrate Mahler's compound but he must undo her brainwashing. So he basically kidnaps her young daughter and keeps them both at a massive CIA compound. So now the feds, the cops and Alexa must work together to bring down Mahler because Alexa's daughter, and the fate of the world, are at stake. Will she come through, or revert back to her old ways? A major plus for this PM production is its fast pace. The movie really zooms by, and no wonder, as it has classic Lamas, Kinmont as a very tough cookie (Lamas and Kinmont together once again), Alex Cord, in a very entertaining manner, chews the scenery, a rockin' score by Louis Febre, a CIA command center that has it all from martial arts training to a gun range to an upscale restaurant - all in one room, and, last but...actually least - OJ Simpson. What other movie could claim these things? OJ puts in a mush-mouthed and flat performance, and was seemingly bored. Maybe he had other things on his mind? He does mention how he'd love to "beat the information out of her", referring to Alexa. I'm sure it's just a coincidence.Away from The Juice, this movie actually has some surprise punchfighting. Mahler is so evil, he stages deathfights at his mansion for his, and his guests' amusement. One of the fighters' trunks say the word "kickboxing" on them. Guess who wins the match? The movie has the fun clichés we all love and enjoy, and a climax at an airport you could never do today. That's why people keep coming back to movies like this. They represent a different time, and it wasn't even all that long ago. The world is much more politically correct now, which is a shame. So keep watching 80's and 90's action movies.If you're a fan of the PM style, you will like CIA Code Name: Alexa.for more insanity, please visit: comeuppancereviews.com

PLOT OUTLINE: A gang of thieves break into a government building & steal a valuable computer chip. The group is killed, but not before the leader swallows the chip. His body is stolen by a group of terrorists working for arms dealer Victor Mahler. One of the terrorists, a woman named Alexa, is captured by the CIA. Mark Graver, a CIA agent, decides to try & turn Alexa against her boss.This low budget actioner was one of the first films made by PM Entertainment, one of the major players in the DTV action genre during the 1990s. The film became a cult hit on cable television due to the fact that one of its stars, O. J. Simpson, was put on trial for the murder of his wife & her lover. This success turned PM into a successful B-film studio, enabling them to make dozens of similar films during the decade.The trial has given the film a reputation it does not deserve. In fact, C. I. A. – Codename: Alexa is something of a poster boy for those who decry action films as being nothing but violent garbage. The film's script is poorly written; the action scenes consist of people standing out in the open firing at each other; the dialogue is cheesy & stupid & the plot, despite given a title like "C. I. A.", fails to feature the agency prominently.That said, the film does prove to be something of a guilty pleasure. The action scenes, despite having the characters standing out in the open while shooting their weapons, do have an undeniable energy (the cinematographer for the film, PM honcho Richard Pepin, would later go on to direct a number of sci-fi / action hybrids).The stars are a mixed bunch. Kathleen Kinmont & Lorenzo Lamas make a good pairing (they would later marry), Pamela Dixon gives the impression that she hates the film, judging by the contempt she gives it, while O. J. Simpson gives the usual idiotic surliness that he gave his other film roles.

This is really really bad. Lamas shows just how a second rate actor does his job. But what makes it worth watching is the scene where OJ angrily grabs a fellow cop by the throat as if to kill them while the jukebox plays a song with the lyric "I got the evidence on you!". (Makes me want to hear the rest of the lyrics - attributed to David Gregoli and Leslie Oren but i couldn't find it on iTunes). Talk about seeing into the future...Too funny for words. The rest of the movie is forgettable. The score and songs are more interesting than the script. Ditto the sequel. Which begs the question of why they would do a sequel at all. My understanding was that foreign sales drives a lot of these B movies. Doesn't say much for the world's viewing habits.

Lorenzo Lamas stars as some type of CIA agent, who captures some exotic beauty named Alexa, kidnaps her daughter and forces her to fight her former employers. O.J Simpson is also on board to provide a dash of acting credibility for the not so talented ensemble. I must admit i'm not a fan of Lorenzo Lamas, or his movies. He stinks. However when compared to O.J Simpson and Lamas' comatose wife Kinmont, Lamas seems like ah, Jean-Claude Van Damme. I only saw CIA because of the renewed interest around the O.J Simpson trial, you see because if your parents had cable and the extra channels, you couldn't escape this movie. in 1994 you could go to an Amish community and some moron would have this playing in their portable TV. The movie itself is a collection of lame action sequences and would be intrigue although the shock value of O.J Simpson jumping after fireballs and exchanging would be one liners do provide some unintentional humor. Also where was Bobby Knight and Kobe Bryant to make this a complete camp classic? * out of 4-(Bad)