Just perfect...

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

The film Young Aphrodites is loosely based on Daphnis and Chloe , one of the best known early Greek romances, precursors to the modern novel. It has been reinterpreted in music and art by Ravel and Chagall and in cinema by Nikos Koundouros in 1963.Written by Longus in the second century A.D, Daphnis and Chloe is a classical romance involving the adventures of two foundling children raised by adopted parents who are humble shepherds in the idyllic setting of the Isle of Lesbos. It is a famous love story that captures the awakening of a first love between two teenagers who don't know what is happening to them. The novel that was written almost two thousand years ago is surprisingly modern; it is erotic, tender, romantic, sensual, and simply beautiful.The ancient but forever young tale of the sexual awakening as adapted and retold by Nikos Koundouros in Young Aphrodites, takes place on a poetic island that might have came from ancient times. The film it full of symbolism, innocence, and darkness of desire and longing. Young Aphrodites, may and will disturb some or perhaps many viewers who are uncomfortable with the subject of youth sexuality, especially by the very young age of two actors, and by (even if artfully done) nudity of a young actress playing Chloe, Comparing to the novel of Dafnis and Chloe, the film is much darker and its ending can be viewed as dramatic even heartbreaking loss of innocence and first overwhelming love. The film creator, the Greek Director Nikos Koundouros refers to it as a film of desperation - "Desperation which is described in beautiful blue waters of Aegean Sea, with two young kids exploring their bodies. Desperation because we had discredited, abolished, and immobilized ourselves, we who had fought, who had raised our voices, who had demonstrated for a new world. There was nothing for us to do. In my desperation, I decided to work on nothingness. This is a film about ideological nothingness." The reason for making this movie might have been nothingness and desperation but the result nevertheless is sensual, young, and at the same time joyous and sad.Very sadly, the film is almost unknown to the modern audiences. There is no discussions, thoughts, and very few comments on it on on the major film forums. I found it an amazing, beautiful, and one of the most erotic movies ever made. It is a delightful gem which has stayed with me since I had pleasure to watch it.

Okay - I'm a USAian, and not particularly ashamed of it. I like my movies with characters I can care about, a story that interests me, filmed in a visually pleasing fashion.The B&W photography was okay - some good scenery, some solid storytelling, but several shots either poorly framed, or in such close-up that it was hard to tell what was being shown - or why.The characters were, I'm afraid, little more than cardboard cutouts - the young girl who showed much skin, even more indecision about the boy who she fascinated, and a remarkable lack of background or depth. The love/lust-crazed adult shepherd and his paramour, the wife of an absent fisherman - the story they told can be seen in almost any cheap neighborhood bar almost every week - and seeing the couple in the bar will give you more insight into why they're doing this dance than this movie will.The older, bullying boy remained a cipher. The crutch-using leader, the other shepherds, the rest of the fisher-folk village - either didn't get enough screen time to fill out their characters, or too much screen time for the set-dressing they were. The primitive instruments and folk dances were interesting, but took away from the story rather than adding to it - the right television commercials would have fit in better with the story.A side note to European filmmakers - symbology is representative. Symbols can be a marvelous way to enhance storytelling, but they are never, in themselves, the story.I'll give it a 4 for visual interest and the bit of dramatic tension that was achieved, and remain mystified as to why anyone would consider this masterful film-making. I guess I'm just a Philistine.

I have 3 different DVD versions.One is from CMVC which is dubbed in English. The dubbing is very good and non-intrusive. The picture quality lacks punch however and 6 minutes have been cut from the original.From Amazon you can get the Cinema Epoch version. This contains the full uncut movie and uses English subtitles. There is more contrast to the picture. Yet the subtitles really litter up the beautiful images presented in this movie.From EBAY I was able to get a copy from Greece. This version is uncut, with no dubbing or subtitles. It is in the original Greek. Since there is little dialog to begin with, this is really no big deal especially if you have watched it a lot. This version has the best picture quality. But the sound is not that good. There are parts where the actors voices seem to lose volume all of a sudden.I would love to get a version which is uncut, with great audio and video.

Not many people may have seen this film. It's probably almost impossible to get hold of these days. A great pity. I saw it twice in the seventies. Ever since the first viewing it has been in my personal top five. It's a story told in images, full of wonderful symbolism, beautifully photographed in black and white. It plays in a long ago Greece, in a village by the sea. The men are out fishing, the women are waiting for their return, and from the mountains a group of shepherds come down with their flocks. Thus the land meets the see, earth and water, male and female, birds and stones, a stork and a fish, birds captured in fishing nets etc. etc. This archetypical encounter is played out by the young (who remembers the intriguing poster of the prepubescent girl with the fishing net draped over her shoulder?) and the mature. I remember, when the film ended, I did not want it to end. I was feeling melancholic and a little sad that you could not be there as well. This film is like a dream you would wish you could dream every night.