A writer returns to Hollywood after finishing his novel in the wilderness. Still smarting from his girlfriend's suicide and his publisher's criticisms of his novel, he becomes intrigued by the neighbor couple's abusive relationship.
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Reviews
terrible... so disappointed.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
One of the most extraordinary films you will see this year. Take that as you want.
Starts out with Robert Patrick as a struggling writer trying to crank out a novel his agent can sell--ends up becoming overly concerned with the woman living across the way from him whom he can hear getting beat up at night....but this just turns out to be the first of many mistaken impressions on Patrick's part. It turns out that this woman who's played by Teri Hatcher is an actress who like Patrick is also struggling to get her career up and running...as the two characters pursue success (and each other) they kind of become increasingly odd in their behavior. Patrick starts the movie seemingly meek and mild mannered and Hatcher seems to be rather commandeering when they first start interacting with one another....eventually this dynamic reverses, and it does so kind of abruptly---the idea i think was that in success, Patrick's character ends up becoming more and more dominant--there's a couple of references during the course of the movie directed at Patrick's character to "uncage the animal inside" which he seems to take to heart. Anyways in the blink of an eye--Patrick's novel after some adjusting is eventually released and successful enough that a studio wants to buy the movie rights and his agent negotiates it so that he writes the screenplay himself. Hatcher decides that she wants to be the leading actress in the screenplay based on the book (the book was inspired by her, so in essence she'd be playing herself or at least Patrick's lightly fictionalized version of her) This is where the movie falls off the tracks as Patrick almost immediately gets incredibly angry at this idea, and well things escalate from there to the point where things stop making sense. The ending kind of teases us with the idea that Patrick had been down this road before, there's a character who appears at the very beginning who appears again at the very end, and his reappearance made me wonder if he was real or imaginary, but it really doesn't matter because nothing that happens in those last 15-20 minutes fits with the stuff that happened in the first hour or so...except that that that reappearance of the character at the end does kind of suggest that this had all happened before (and presumably will happen again...so maybe it fits too well?) i'm not sure i can recommend this...there's a lot of overheated dialog, and a couple of sex scenes between Patrick and Hatcher that features plenty of nudity and that's all well and good--- I was with the movie the whole way, but it kind of lost me once Patrick started getting irrational and angry and while that may have been the point (The Cool Surface maybe referring to what we show people on the outside versus what's actually happening underneath???) I'm not sure it was one that was well made by the movie.
Such a pity! The Cool Surface is one of those films in which the viewer can tell early on what the filmmaker is trying to do, but it's so clunky it has a paint-by-numbers feel. On any level of honest, objective scrutiny it is uneven and uninteresting. The sum is so much less than the underwhelming parts! Hatcher plays her role as a sultry siren way over the top. Considering her considerable natural talents and attributes, the result is beyond overkill. Robert Patrick alternates between a boring, sulking wimp and an unconvincing psycho. I don't remember seeing Patrick in anything else, but I hope he's better than this. Hatcher sure is. As to Matt McCoy, this is the first role I've seen him in where he isn't downright creepy (also a natural attribute?) - maybe just because he has so little screen time. Oh yeah, there are a few sex scenes, including Hatcher cameoing her bare chest (remember Seinfeld: "Yes, they're real, and they're spectacular!"). Without Hatcher's visibility in these gratuitous sex scenes, this film probably never would have seen the light of day. As it is, The Cool Surface apparently went straight to video and has only resurfaced as Hatcher has recently risen from the ashes like the mythical phoenix. No deep messages here, just glossed-over sleaze - a barely par production to give the otherwise unemployed (and woefully under-utilized) something to do. No great resume builder for anyone involved. A real time waster!
Robert Patrick is very hot in this film. Nice twists of plot but who really cares when you can view for eye candy. He is as always a superb actor, but baby, he sets the screen on fire in this one with his sexuality alone!
Being the goddess that she is, Teri Hatcher makes this movie a must see. Although burdened with a weak story and a poor supporting cast, Teri shines.