Very disappointed :(

Please don't spend money on this.

Excellent, smart action film.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

I was very fortunate to DVR a pristine copy of this many years ago on TCM and I have watched it probably 30 times since.My dad made several auto trips across the US in the twenties and earlier. Though this was 1934, it provides me with a visual perspective on some of what he may have encountered before there was a national system of highways, or many paved roads for that matter.My enjoyment of this film comes mostly from the glimpses into early motoring. As a kid in the early fifties I made many a trip from California to Iowa with my folks on route 66. Motoring was not all that sophisticated even in the early fifties and that plays into it as well.This review/comment is not so much about the finer points of the movie as it is a statement on how enjoyable it is for me because of the time in which it was made.The fact that there is a great little drama playing out and lots of ventures into quirky personalities and side plots, is just icing on the cake.

Heat Lightning (1934)** 1/2 (out of 4) Sisters Olga (Aline MacMahon) and Myra (Ann Dvorak) run a small gas station in the Arizona desert where they fight about the youngest sisters wants when it comes to a different life. Throughout the day a wide range of people stop by the shop including a couple thugs (Preston Foster, Lyle Talbot) who are wanted for killing a couple men and one of them has a past relationship with Olga. This crime picture from Warner certainly isn't among their best but the nice cast and short 64-minute running time makes it a nice little gem as long as you don't go in expecting too much. The first starts off with quite a bit of innuendo around the older sister Olga and her constantly putting men down. The way she dresses, talks and acts, it really does seem like this could have been shown during TCM's look at gay and lesbian images in early Hollywood. Her behavior is explained as the film goes along but that is certainly one thing that really jumped out. For the most part the characters really aren't all that interesting and the only reason one would pay close attention to them is because the studio cast some very familiar faces and especially to those who enjoy their "B" movies. Both MacMahon and Dvorak are good in their parts of the battling sisters and both Foster and Talbot could play heavies in their sleep. The four have some pretty good scenes together and especially MacMahon and Foster when it comes to talking about their past. The cast also includes Glenda Farrell playing a sexy idiot, Frank McHugh her driver and we even get Ruth Donnelly and Edgar Kennedy in small bits. The screenplay is full of the typical stereotype characters you'd expect in a film like this but the most disappointing thing is that not much happens throughout the running time. The movie is certainly leading up to final showdown but nothing ever really happens and there just aren't enough twists or turns to keep any sort of drama going. The movie does include a terrific looking set as I thought the diner was good enough to offer up some terrific shots and especially those where the camera just looks around the insides and there being windows everywhere. This allows one to get a 360-look around the place. Some pre-Code elements add to the fun but the main draw here are the actors.

Heat Lightning was an early work by George Abbott, written and directed by him in 1933 it had only a run of 44 performances in that anemic Depression Era season on Broadway. It was not the best work Abbott was ever associated with, but I'm sure he was grateful that Warner Brothers bought the screen rights in those cash strapped times.It stars Aline McMahon and Ann Dvorak as a pair of sisters running a filling station, automobile camp out in the American west, very similar to the one Bette Davis and her family was running in The Petrified Forest. They're both a bit antsy being stuck out in the desert without the attention of the male of the species. But McMahon's been around the track a little too often and she tries to steer Dvorak right.The guy who gave her that ride a few times is Preston Foster and he's shown up with pal Lyle Talbot. On the lam as it turns out, but the sisters don't know it. Foster's putting the moves on Dvorak and McMahon ain't having any of that. Truth be told she's got a bit of a yen still left and the desert isolation ain't curing the yen.Some other characters pop up in this drama, a pair of would be divorcées heading for Reno with their 'chauffeur' played by Glenda Farrell, Ruth Donnelly and Frank McHugh. Also at the beginning Edgar Kennedy and Jane Darwell are a married couple going west. I wish we could have seen more of them. In fact I'm surprised that Jack Warner didn't recognize a good potential comic team there and made more films with them.As you can see there are a lot of similarities to The Petrified Forest, but I think that even with the tragedies that befall both Humphrey Bogart and Leslie Howard there, The Petrified Forest is a more optimistic play. Bette Davis does get her chance to leave and see the wider world. Not quite what happens here, but I can't say more.As compared to some of the legendary work George Abbott was associated with on stage Heat Lightning is definitely minor league. Yet it's not a bad piece of work, definitely in keeping with the times. Mervyn LeRoy did a good job in filling the screen and striking a nice balance between the comic and the dramatic. Very typical of what came from the working man's studio.

After reading several reviews that enjoyed the film, I almost did not write a comment.However, after reading the one comparing it to a poor man's Petrified Forest, I wanted to say that's just plain unfair.I, was not around for the New York Times drab review in 1934, like the previous reviewer, but I can form my own opinion. I really liked the movie. Aline McMahon, pulled off the difficult character of playing a woman mechanic/business owner, and Preston Foster played the crook on the lam quite believable for the situation he was in.I personally wish Ann Dvorak had more of a developed part, I always like her, but sadly hers was the least developed of the several interesting characters in the film. Obviously made on a small budget, it's just unfair to compare this to Petrified Forest. They are not the same film at all.