In the summer of 1996 Pablo Llorca did a long interview with Guillermo Pérez Villalta on the subject of water and the Mediterranean. They were five hours of recording, faded away immediately due to humidity problems and that had never been seen before. Recovered twenty-five years later, this is the result, where the painter's words are matched by images chosen by the filmmaker, in a descriptive relationship as well as a complementary reading.
Reviews
ridiculous rating
The acting is good, and the firecracker script has some excellent ideas.
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
One of the most extraordinary films you will see this year. Take that as you want.
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