Migrations We Are is one of the chapters in a series of twelve poetic essays titled Si, Dodecalogue, which is dedicated to timeless heroes. If the stories of the cities become those of everyone inhabiting them, the only way to build one’s identity remains the Imaginary. Therefore, revealing in filigree her socio-cultural fabric, an Argentinian-Montrealer artist reacts to the brilliance of her time through what she paints, films, and writes in different languages. This chapter is dedicated to Pierre Allard, visual artist, and Marcelin François, beneficiary attendant.
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Don't Believe the Hype
It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Although it has its amusing moments, in eneral the plot does not convince.
This movie feels like it was made purely to piss off people who want good shows
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