Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.
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i must have seen a different film!!
Expected more
A movie that not only functions as a solid scarefest but a razor-sharp satire.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.