The Golden Buddha

April. 27,1966      
Rating:
5.4
Trailer Synopsis Cast

Paul (Zhang Chong) is a businessman who gets caught up in an international espionage plot when he accidentally switches briefcases with a friend aboard a Singapore-bound plane. The friend turns up dead, and Paul discovers a small Golden Buddha inside the briefcase that contains a set of instructions. The instructions are only one of three parts, the other two being held in similar Golden Buddhas by Lo Wei (doing double duty as actor and director) and Lin Cui. When combined, the three Buddhas will lead the bearers to a buried treasure. But the nefarious Skeleton Gang is after the Buddhas, along with a buxom femme fatale (Fannie Fan) who isn't above showing a little skin to get her way. Luckily, Paul knows kung-fu, so the bad guys had better watch out!

Jeanette Lin Tsui as  Chan Mei-nan
Paul Chang Chung as  Paul Cheung
Lo Wei as  Chan Chung Tai
Fanny Fan Lai as  No.4 of Skeleton Gang
Fung Ngai as  No.1 of Skeleton Gang
Chang Pei-Shan as  Chan Chung Cheung
Tien Shun as  Detective
Wu Ma as  Policeman
Yam Ho as  Tai's servant
Cheung Hei as  Tattoo artist

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Reviews

Ehirerapp
1966/04/27

Waste of time

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Catangro
1966/04/28

After playing with our expectations, this turns out to be a very different sort of film.

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Portia Hilton
1966/04/29

Blistering performances.

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Jenni Devyn
1966/04/30

Worth seeing just to witness how winsome it is.

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omdata
1966/05/01

This movie is terrible. In almost every fashion.Terribly terrific, that is.If you're a fan of bad movies and/or MST3K, seek out this Golden blossom of the orient with all your resources. Mei-Ah has out a very nice edition I'm sure you can find somewhere on the web.There's an "action" hero who's probably an accountant, but is also a karate champion, a scene or two of pointless nudity, and an action sequence whose climactic moment is literally the throwing of a rock. Look out, Hard Boiled!I really don't want to give away any plot-points of the film. I don't want to ruin the experience. What I can tell you is that it strives to be an episode of the old Batman television series with Adam West.And it fails even at that. See it.

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rsoonsa
1966/05/02

Hong Kong's Shaw Brothers utilize their production resources here in a manifest essay to capitalize upon the popularity of the early James Bond films that were so enormously successful during the period that THE GOLDEN BUDDHA was made, even to imitating entire thematic notation from John Barry's scores for the Bond works, but this and techno designing for the principal villain's base of operations are the only like elements, and they blend but mildly and rather dispiritingly into an effort that sorely wants for such essential cinematic requirements as able direction, effective editing, and a well-composed screenplay. A somewhat gossamer plot depicts Paul (Paul Zhang Chung) and his fatuous adventures following an unintended exchange of briefcases with a friend during a flight to Singapore that is delayed due to inclement weather, forcing Paul to spend a night in Bangkok. When Paul attempts to recover his briefcase, he finds that his friend has been murdered and that he himself has come by accident into possession of a small statue of Buddha within which is a set of riddling instructions. He coincidentally meets a brother/sister combination that owns two other similar statues, and the trio determines that if all three coded enclosures will be combined, a treasure of some sort will be found. Unfortunately, The Forces of Evil, in the form of "The Skeleton Gang", covets the Buddhas, and the chase is on with Paul, and comely Jeanette Lin Tsui performing as the sister, being pursued by the Skeleton Gang scoundrels, a rather incompetent group that is handily mastered, in a series of gorgonizing scenes, by Paul's less than impressive and stiffly telescoped karate blows. Patently the most appealing component of the production is based upon its picturesque settings, as action is partially shot in Thailand, including Bangkok International Airport, along with a night club and massage parlour in that city, but most remarkable is a lengthy sequence among verdant ruins of the ancient Siamese capital Ayutthaya. Also noteworthy are the silly and quite bizarre designs adorning the Skeleton Gang's headquarters, a subaqueous establishment overladen with sliding doors, purring elevators, buzzers, chimes, et alia, and all graced with a glut of pastel shades. Director Lo Wei, who also casts himself in a dual role, had been unimpressive at the helm of early Bruce Lee and Jackie Chan movies, and is so here as well, demonstrating very little talent for pacing or handling of his players, his lack of anything resembling style not aided by erratic editing and continual lapses of logic and continuity. Zhang Chung serves as a bland but amiable hero, to an extreme actually, since he often apparently hasn't a clue as to what might be going on about him. While this is not an offensively poor film, it is nonetheless well below the standard established by Shaw Brothers.

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