The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

This movie feels like it was made purely to piss off people who want good shows

Checking up on Ebay for any rare Drive-In flicks that were currently going for a low amount,I was happy to notice this terrific-looking Drive-In Bubblegum Pop movie being one of the last search results,which led to me deciding to see how far this Drive-In could fly!The plot:Barely making it in time for her first flight as a newly appointed stewardess,Toby, (with her protective mother following close behind her) joins fellow stewardesses Andrea and Sherry and gets set for her first ever flight,where despite the attempts of her mum,Toby gets the attention of a "bone doctor" who is very keen on spending more time with Toby after the plane has landed.Despite Toby and the two more experienced stewardesses each expecting to have some time to relax after the plane has completed its destination,they each soon begin to relies that their initial plans will turn out to be a far from smooth flight.View on the film:From the first five minutes of this film,director Cirio H. Santiago makes his three beautiful leading ladies bring a real shine,to an otherwise very disappointing Drive-In movie,with Pat Anderson, (co-star of the terrific,under rated film Dirty'O Neil) Lenore Kasdorf (who later featured in Starship Troppers!) and Lyllah Torena, each being very charismatic and also doing well to bring attention to some moments in Miller Drake's (who has since gone on to do special fx work for some of the all time biggest films!) screenplay that makes each girl pretty distinctive,(From one being a Kung-Fu fighter,to the other having trouble with an over protective mother.)Sadly,despite having a Kung-Fu fighting stewardess and an easy on the eyes cast who seem prepared to turn this movie into pure Power Pop fun,Santiago instead decides to ruin any of the "pop" feel that the film may have had going for it,by making all of the events which take place after the plane's landing move at an annoyingly slow paced,which is matched by Santiago's dull,still camera moves,which only come to life during the short bursts of Kung-Fu action that give hints of what this film could have been.

Reasonably engaging drive-in concoction about three extremely delectable stewardesses - Toby (Pat Anderson), Andrea (Lenore Kasdorf), and Sherry (Lyllah Torena) who have misadventures comedic, dramatic, and action packed in various exotic locales. It starts out as a pretty lightweight romp but gets more serious - well, so to speak - as it goes along, as Sherry is revealed to be part of some criminal activities that soon involve Andrea as well. Meanwhile, sweet and naive Toby tries to have a love life, as she is pursued by a handsome bone specialist doctor (Richard Young) but her enormously overbearing, stereotyped mother (Naomi Stevens) keeps spoiling all of her fun. Now, the mother character is funny for just a bit but wears out her welcome before very long, detracting somewhat from the entertainment value, but overall "Fly Me" is decent, breezy exploitation fare from the prolific Filipino director Cirio Santiago, as it works the element of intrigue into its rather busy story and juggles its assorted story threads for a reasonably well paced 73 minutes. It gets off to a great start with luscious Anderson in a hurry to get to the airport and giving a cab driver (Dick Miller, in a great cameo) an eyeful as she dresses during the (eventful) ride. We all get an eyeful of the lovely ladies along the way, so there are absolutely no complaints in that department. The movie is clunky and crude, but then that actually adds to its charms. The martial arts scenes (credited to David Chow) are amusingly inept. Towards the end, Santiago and company treat us to concurrent scenes of climactic action. The performers - for the most part - are fun to watch, especially the three starring babes. (Anderson and Santiago would work together again on "T.N.T. Jackson".) Young, whom you may recognize as having also been in "Friday the 13th: A New Beginning" and "Indiana Jones and the Last Crusade" is likable enough, and actors Ken Metcalfe and Vic Diaz, familiar faces to fans of Filipino cinema, make brief and welcome contributions. Maybe not particularly memorable, but that doesn't really matter; the movie is perfectly acceptable entertainment while it lasts. Trivia note: Jonathan Demme (credited with "film direction") was the second unit director, and Joe Dante is credited as dialogue director. Seven out of 10.

You get a strong hint early on that this is probably not going to be a good movie when it clearly says (right there in the opening credits) "directed by Ciro Santiago". But compared to the rest of the oeuvre of the infamous Filipino exploitation hack, this is actually not too bad. It's a slight improvement over the similar Santiago film "Cover Girl Models" and it's definitely better than a lot of his other swill like "Vampire Hookers".This is a "stewardess-spolitation" flick focusing on the various misadventures of a trio of sexy American stewardesses in the Far East. The main story, featuring Lenore Kasdorf, is similar to "Cover Girl Models" with a mixture of half-ass spy antics and half-ass kung-fu fighting. The second story is pure comedy as the Italian-stereotype mother of the newest and most virginal stewardess (Pat Anderson)has tagged along on the trip and goes to great lengths to stop her bubble-headed daughter from getting together with a handsome "bone doctor". The third story though is actually quite sleazy, approaching something out of the European "Black Emanuelle' series, as the third stewardess (Lillah Toreno)gets involved in drug trafficking and falls into the hands of a white-slavery group and ends up tied-up naked and even raped at one point (off-screen).The dramatic shifts in tone here may be kind of off-putting to those expecting just a sexy, light-hearted romp, but they also serve to make the film more interesting than the usual "stewardess-spolitation" fare (it's especially interesting the way Santigo eventually manges to tie these three disparate plot-lines together). The female cast here is generally strong. Lenore Kasdorf was a familiar TV actress in the 70's, so it's fun to see her in somewhat racier fare. Lillah Toreno, on the other hand, was pretty much exclusively known for sleazy fare like the Gary Graver softcore porn "roughie", "And When She Was Bad". Pat Anderson appeared mostly in other films like this--the two most famous being Santiago's "Cover Girl Models" and the New World favorite "Summer School Teachers". The male cast is less memorable, but the ubiquitous Dick Miller appears in the early scene as a cab driver who repeatedly runs off the road while Anderson's character changes out of her bikini in the back of his cab, and the ever slimy Victor Diaz plays a corrupt Asian official. On the downside, the movie is even more horribly cheap than usual--we know we're supposedly in the Tokyo Airport at one point only because "Tokyo Airport" is written on a frickin' chalkboard in the background! Still, for the stewardess-sploitation genre, this is slightly above average.

A trio of sexy young stewardesses have all sorts of misadventures as they travel all over the world: klutzy eager beaver rookie Toby (an endearingly daffy performance by busty blonde babe Pat Anderson) romances handsome doctor David (likable Richard Young) while being forced to contend with her meddlesome overbearing shrew of a mother (a hilariously histrionic Naomi Stevens), perky expert martial artist Andrea (the lovely Lenore Kasdorf) searches for her missing boyfriend, and poor Sherry (the cute Lyllah Torena) gets abducted by a nasty narcotics and prostitution ring run by the nefarious Donald (a perfectly slimy Ken Metcalfe). Prolific Filipino exploitation feature director Cirio Santiago, working from a blithely trashy script by Miller Drake, crams the wildly colorful and eventful 71 minute running time with abundant delicious female nudity (the first topless scenes occurs barely a minute into the movie!), seedy subplots, a funky-groovin' prog-rock score, amusingly dumb lowbrow humor, several uproariously inept chopsocky fight scenes (the blind assassin with the cane that fires deadly poison darts is a total riot!), and a rousing all-out action-loaded conclusion. Moreover, Santiago maintains a nonstop zippy pace and a light, bouncy tone from start to finish. The three female leads are all quite attractive and appealing, with Anderson the stand-out of the bunch. Popping up in nifty minor roles are Vic Diaz as crooked cop Enriquez and Dick Miller as a friendly cab driver. Of course, this flick is completely silly and ridiculous, but that's exactly why it ultimately sizes up as an absolute sleazy hoot.