Artist, anarchist, drop-out, paperless immigrant: Giovanni Segantini was all of this. He created, usually under the open sky, monumental, idealized alpine landscapes. In the course of his lifetime, he climbed ever higher in search of more light, finally dying at 41 in an Engadin alpine hut at 2700m. The film offers insight into his difficult childhood and boyhood, shares his inner processes and crises as a painter, as well as his contradictory dealings with motherly love and eroticism – and ultimately his desperate struggle against death…
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What makes it different from others?
SERIOUSLY. This is what the crap Hollywood still puts out?
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.