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A traumatic event sends a musician back to her hometown in an effort to reunite with the daughters she abandoned. To do so, she must confront her abusive ex-husband, from whom she fled years ago.
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Fresh and Exciting
Admirable film.
Absolutely Fantastic
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
I was engaged by the movie. Thought the plot was believable enough, the direction good and the acting superior. One of my favorite sleeper films. Also the title song has remained with me, many months later.I thought the film dealt well with a number of real human situations involving sibling rivalry, sickness and death, the contrast between rural and urban lifestyles, the breakup of the nuclear family, etc. And I wound up caring about all of the main characters. I don't ask much more of a movie.It does have an indy feel to it, but I thought that added to the charm. I would definitely add it to my library and watch it every now and then.
Oprah should have produced this.-------------------------------- Oh gosh. Turns out I have to add ten lines. OK. Consider what follows a very wordy way of saying the above. (Is concision no longer considered a virtue?) There may be original unexpected parts in Allison's novel, but a story of going home to the South and of escaping an abusive husband needs SOMETHING to make it seem new. The main character has good reasons for the hurtful thing she's done, but the cause of death of her second mate doesn't exactly set her up as someone to sympathize with, and her long-time neglect of her daughters needs more justification than we get. The fervently Christian daughter has one touching reason for her faith that takes her beyond caricature, but only momentarily. Sedgwick's character is so stock it's hard to fault her for not taking it much beyond the obvious. The most compelling acting is by the LA and Christian daughters and the grandparents. Even the music (a rich lode to mine once you're in the South) makes the "Dawson's Creek" soundtracks sound inspired.
Dorothy Allison's excellent novel "Cavedweller" is the source of this film of the same title. Ms. Allison's novels are about real people going through tough times in their lives. This movie was adapted by Anne Meredith from the massive novel and the essence of it comes across under the sure direction of Lisa Cholodenko. Ms. Cholodenko's other films show she has an affinity to present characters that are always at crossroads of their lives.This film though, owes a great deal to the courageous performance of Kyra Sedgwick, who gets under the skin of Delia to show us what makes this woman ticks. We see Delia at the beginning in a desolated beach in Los Angeles. She is lost in thought, but evidently, at that moment she has made up her mind to make amends to her past. When she gets home she decides to leave everything behind and go to Georgia with Cissy, her youngest daughter.In flashbacks we get to see Delia's life go through her mind. We learn about the abusive husband, Clint. Also, we witness her betrayal to him and how she leaves her two young daughters for a musician, Randall. Their attraction is all physical; Randall is a man who can't be true to any woman, or remain in a loving relationship.Delia shows her courage in going back to the small town where everyone knows what she did. Her taciturn father takes her in, reluctantly. She goes to see her two daughters, who by now are teen agers; they reject her, as well as the paternal grandmother. But it's Clint, the dying man she left behind, the one that is able to reunite Delia with her daughters. It takes a lot for anyone to go back to that situation and Delia shows she is a woman that can see now where she went wrong, if only a bit late.The acting is first rate. Ms. Sedgwick, as Delia, has the best opportunity. Young Regan Arnold gives an amazing performance as Cissy, the younger daughter who is too wise for her young age. Aidan Quinn, as Clint, has good moments, but of course, the men in this movie are secondary characters. Kevin Bacon is seen in flashbacks and has little to do. Jackie Burrows, as the grandmother shows us a woman consumed in her hatred of Delia. Vanessa Zima plays Amanda, the oldest daughter who has turned to religion to compensate by what her young mind can't comprehend.This is not a film for everybody. Watch it because Kyra Sedgwick deserves to be seen and because it's a story that is original and unique in that is so anti Hollywood, made by a rising voice in film directing: Lisa Cholodenko.
I saw `Cavedweller' at the Tribeca Film Festival. I haven't read the book, but this movie is only a small part of the book.Kyra Sedgwick once again proves herself to be a very versatile actress, she's amazing in this movie as her character struggles with her emotions. All three daughters do a wonderful job, but Regan Arnold stands out as the fish-out-of-water youngest daughter, moved suddenly from L.A. to small-town Georgia. Aidan Quinn is very strong in a rather ugly role. Kevin Bacon has a bit part but is wonderful, as always. Jill Scott, in what I believe is her acting debut, is wonderful and provides some needed light-hearted moments in the midst of all the heavy drama. Jackie Burroughs is terrific as the tough-as-nails grandmother.If you want to watch a romantic comedy, then this movie is not the one for you. If you want to watch a solid drama with excellent writing and acting, this movie will leave you more than satisfied.
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