I like the storyline of this show,it attract me so much

The film makes a home in your brain and the only cure is to see it again.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

I seen many bad reviews for this film and I just do not get it. I love it, it may not be the greatest film ever made but I love it. It is cheesy and I am okay with that. If you watch it without being overly critical it is a fun watch. It has its twists and turns which keep you interested. The plot is pretty decent and for the time original. If you like this genre of film you should really enjoy this one. Mark Stevens does a credible job as the lead and it is the earliest film I believe I saw Jack Klugman in. Ignore the nay sayers and give it go it may not be the best film you have seen but it will keep you entertained and in the end that is all a film is supposed to do. Yes there are some issues with the film but it was not a big budget movie and they do a brilliant job with what they are given. Try it, you won't regret it.

This is a fast paced crime thriller involving a well synchronized heist of $500,000 from a train. Insurance investigator Charlie Norman (Stevens) and railroad detective Joe Armstrong (Calder) are called in to investigate the crime. The gang of thieves seem to have thought of everything and covered their tracks well. But then things start to unravel and the gang's leader kills one of gang members who is on the verge of telling all to the police. Armstrong is a dogged detective who pays attention to the smallest detail and whose motto is "There's no such thing as a perfect crime." That's certainly so in this case. Stevens does an okay job as Charlie Norman but he doesn't have a particularly striking screen presence and often delivers his lines too flatly. Even so, this movie has a couple of great twists and maintains interest throughout

It's remarkable how many actors from the Golden Age of Hollywood began or ended their careers making crime pictures ( or horror movies). Mark Stevens is a case in point. He began promisingly enough with the stylish noir The Dark Corner in 1946 and basically ended it with Timetable ten years later. Was he a classic Marlowesque private eye in the first one, in Timetable the rigors of maintaining a Hollywood career have visibly and morally taken their toll. Directed by Stevens himself, all the glamour of the classic noir is drained from both the look of the film as from the protagonists. Stevens has the look of a man who has seen too much and has basically given up hope that his life will change for the better. Even his last desperate attempt to turn his life around seems doomed from the start. Which is not helped by the strict moral code of the day that is constantly underlined, namely that Crime Doesn't Pay. The plot is a little convoluted, but then that's not what we watch these movies for. Stylistically it has little going for it,and small effort was made to avoid a stage-bound look. But the performances are adequate enough and especially Stevens is totally convincing as the world-weary protagonist. For noir fans this one is certainly worth a look.

This film, starring and directed by Mark Stevens, has more twists and turns than the streets of San Francisco. Stevens plays a seemingly by-the-book insurance investigator called in on a train robbery caper which appears to be the perfect crime. But all is not as it seems and the true character of Stevens is revealed. He is the man, obsessed with sticking to the timetable, who has planned the robbery and now is on his own trail. (This is reminiscent of "The Big Clock" where Ray Milland was put in a similar situation of being the hunter and the hunted). He is romantically involved with one of the perpetrators, played by Felicia Farr, and must avoid detection by misdirecting his partner from the truth and the clues that keep popping up all over the place.The chase leads to Mexico, leaving a trail of bodies, and the game is up. Farr gets killed, Steven's oblivious wife finds him out, and Stevens attempts to escape, forcing his partner to shoot him down.This film packs quite a punch in the short running time of a little over an hour. The plot is complicated but believable and all the players do a good job of making this a stand-out in the realm of the lower budget B film genre.