It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

The movie is wonderful and true, an act of love in all its contradictions and complexity

Close shines in drama with strong language, adult themes.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Just as with Senna (which I watched with my nineteen-year-old daughter who is left stone cold by cars, let alone Formula 1 - and she was hooked from the get-go) I was gripped from start to finish. You seriously don't need to know the first thing about National Hunt racing or even horses because this film is about what it takes to make a true great - the only difference between A P and Senna is that A P was lucky enough to have faced the decision about when to step down (which is beautifully narrated in the film). Highly recommended.

Just watched this film on BBC 2 and from the perspective of a massive horse racing fan it was a superb insight into the UK's best ever jump jockeys career and final season. The camera-work is top quality,y showing many of the major races that happen in the calendar year. The film captures the stress and strain that being a jockey is all about. I think that this film largely appeals to horse racing fans. A non sports fan is unlikely to love watching this but highly recommended for any horse enthusiast. 8/10 from me

My heart was in my mouth, I was holding my breath, the sheer emotion of the last act of the film had totally captured me. The film maker, Wonke, has carefully and lovingly crafted a beautiful film. Why do I keep referring to 'Being AP' as a film, and not a documentary? Because in every sense of the way, it is filmic, and tells the fascinating story with a classic three act structure you see lacking in many feature films today. Probably some good editing went on also, I would imagine.By the end of the film I had almost forgotten I was watching a documentary, it was like the third wall didn't exist. The film is seamless, and builds to its realistic finale with superlative story telling. The voice over is used sparingly and to good effect. It is only near the end that some of AP's psychology is revealed; the addiction to win, the drive to perform, the fear of failure. As good films do, this film shows not tells, AP's taciturn reserve throughout and almost cruel goading of the host of an awards point towards a life lived in the spotlight and under criticism, particularly of his age and stage. The show don't tell approach may not please all viewers who wanted to know more, or see more highlights of his career depicted, but biopics must slice out a part of a subjects life, and then build the narrative structure with that, not dip in and out of the lifeline of the subject, and the films succeeds because it stays in the present and drives towards its ending like AP with 'the bat out' headed for the finish line and a win. Because that is what an addict needs, their fix.The compassion drawn from us by the film maker towards AP and what he will do when put out to pasture is underpinned by the scene where we cringe as does AP, over the peanut butter ad his publicist wants him to do. In the back of my mind I wondered about AP taking up a trainers role, or an owners role, which is often a logical progression, but this is not mentioned - it would detract from the harsh reality of waking up from the dream of his life...But it is the emotions that really draw you in, the relationship between AP and his wife Chanelle is bare, they allow access to their lives like people who are used to being filmed and watched in the public realm. The ending is bittersweet for both of them - more sweet for Chanelle who gets her husband back alive, bitter for AP, as his life will never be the same.Do watch this film...

Being AP is a interesting insight to the life of twenty time Champion Jockey AP McCoy. The narrative is mostly driven by McCoy himself, his wife Chanelle and his agent Dave Roberts. Shot over his final season, the film looks at whether he was driven by a desire to be successful, or a fear of failure. Going into this I had two fears. My first fear was that the film would only appeal to horse racing fans. I think there is enough in this to appeal to a broad audience. My second fear was that it would not be cinematic. The film certainly feels cinematic. It is visually interesting. Slow motion cameras, helmet cameras and overhead shots are used to show the races. This gives them more detail than the standard television coverage. Overall it is an enjoyable cinema experience. Well worth checking out.