Nice effects though.

disgusting, overrated, pointless

Amazing worth wacthing. So good. Biased but well made with many good points.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This is a good documentary but not great. I wish the film had been organized according to chronological order, discussing the relationship between the history of the 1960s and '70s and numerous horror films. What we get,unfortunately, is a discussion with a few directors and a few select horror films ("Night of the Living Dead," "Shivers," "Last House on the Left," "Dawn of the Dead," "Halloween"). Those horror films are related to the decades in question, but I never felt as if we went beyond a surface exploration. I will admit, however, that I have read numerous books on horror film, so most 90-minute docs aren't going to be able to encapsulate my breadth of knowledge. However, if you're a horror fan, you'll probably enjoy this.

i think this documentary may have been the inspiration for danny boyle to use godspeed you black emperor! in "28 days later..." godspeed are used fairly judiciously in this film and "sad mafioso" is used during the clips of "dawn of the dead" which is the heaviest influence on "28 days later..." all that aside...the documentary covers six major horror films (night of the living dead, last house on the left, dawn of the dead, shivers, halloween, and texas chainsaw massacre) of the 60s and 70s. more than just rehashing them or talking about their influence on the genre, the film talks to the filmmakers about their influences and spends a good deal of time examining the cultural climate in which these films took place. everything from the cold war to civil rights to the sexual revolution to vietnam to the gas crisis is discussed by the filmmakers as the climate that facilitated these films. unlike "visions of light" which gave a fairly clinical view of cinematography's art and history, American Nightmare demonstrates a certain intimacy and love of the subject. visions of light certainly had interviewees who showed an immense passion for the subject, but the film itself did not exude that same passion. part of the way american nightmare does this is through its soundtrack (epically scored by godspeed you black emperor! and Karlheinz Stockhausen) and its ambitious style of cutting in source material with voice-overs. it's a good film and, like stone reader or visions of light, does a really good job of getting the audience into the material. after watching this i wanted to break out all my horror films and watch them on end. it's able to do this because the film itself is passionate about the subject, the interviewees are passionate, and the information relayed to the viewer is interesting, funny, moving and intelligent. B+.

This film is amazing in that it manages to feature interview with literally everybody of any importance in the genre of Modern Horror. Adam Simon has put together something very special for fans of the genre. The film traces the origins of Modern Horror through its early classics, featuring films such as Last House On The Left, The Texas Chainsaw Massacre, Night Of The Living Dead and Dawn Of The Dead and through interviews with all the key players and then some. I tend to find that documentary films, while interesting, often fail to be really gripping, thought provoking and at the same time entertaining. This film manages all three. Thoroughly recommended for fans of the genre and also for anyone with a passing interest in horror. And for those of you that bash films such as Last House On The Left for being too extreme, watch this documentary, it might just change your mind.

As my summary states, this great piece highlights the documentary as an art form and not a clip show, or 'greatest-hits' package. The filmmaker takes his primary thesis - North American horror films of the 60's and 70's and how they relate to the events of the time, and builds it beautifully. Using exclusive interviews, great film clips, and wonderful behind-the-scenes photos, the filmmaker paints a stunning, and slightly disturbing, picture. I've seen, heard, and read many things about the featured filmmakers before, but this documentary managed to mine fresh and very interesting anecdotes and insight. My one complaint echoes that of another reviewer in wishing that this was longer. My one hope is that someone makes this available to home video so I can see it again and share it with others.