The third autobiography in the series deals with modern architecture. For the grand finale, he covers a broad historical spectrum: Parabeton tells of the great Roman concrete buildings from the start of the Common Era and compares them with Pier Luigi Nervi’s work, the Italian master of concrete construction. As concrete can be made into many different shapes, the buildings and the domes, slopes and spiral staircases they contain have an innovative, seminal quality. Those familiar with Emigholz's work will note that the skewed camera angles used in the past are replaced by straight-on views. Moreover, the ancient constructions seem more dynamic than those of the last century. Almost devoid of people, the images we know from his preceding films make the ruins from the 1930s to the 70s, the familiar cement constructions of daily life with their play of light and shadow or even the Pope’s Audience Hall appear more ghostly than the famous sights of the ancient world.
Reviews
A brilliant film that helped define a genre
A bit overrated, but still an amazing film
The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
In other words,this film is a surreal ride.
Heinz Emigholz shows in his film the works of the Italian architect Pier Luigi Nervi who uses Beton as material. Beton was first used by the Romans and Emigholz show us old ancient Roman buildings.Like in his previous films about architecture the filmmaker concentrates his look on the buildings and finds absolutely fascinating perspectives which let the buildings come to life. Visually this is one of the most beautiful shot films you can see. The sound records the atmosphere of the buildings and lets you experience the depths of the rooms. The images and the sound really draw you into the world of Nervi. It is a unique way to experience his art.
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