A Masterpiece!

The film makes a home in your brain and the only cure is to see it again.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Very good article in today's (Oct. 3, 2008) LA Times re the massacre.The "news peg" is the memorial March held in the capital on Oct 2, 2008.They mention that Marcelo Ebrard ordered flags flown at half-mast, a major recognition of the event.It covers the continuing problem of impunity.It does not, however, mention events in Guadalajara.The article skims through various attempts to investigate and fix culpability over the years.It also mentions calls from Amensty International and other human rights organizations for investigations and justice.

What makes this movie so disturbing as well as impressive, is that it chooses to avoid graphic displays and focuses on the psychological perspective a bit more. This movie demonstrates the effects that took place during the student movement in Mexico city during 1968. A movement that cost the lives of many innocent young people who were trying to gain their rights and fight for what they believed in opposition to the government. Don't expect to see any action packed scenes, any million dollar blowing up scenes, or gore/blood shots in every frame. The setting takes place inside a home, a home with an everyday family that unexpectedly becomes involved with the students and are forced to chose the right way or the human way. The suspense is quite nerve wrecking, although the setting only takes place inside an apartment, it builds up in such a way that you can understand what is going without ever even witnessing the outside. The ending may not be a "complete surprise", maybe it will deceive a bit, but it pays homage to that moment in time and it's not a disappointment in the least. An excellent film that displays the struggles from the different fighting sides, the good and the bad, and the consequences that such actions were capable of.

ROJO AMANECER shows perfectly the situation that blackened the lives of hundreds of Mexicans back in 1968. People who watch the movie should understand the truth about the events and then watch the movie to get the director's point of view. Even if you think that the events happened in another way you should still watch this film.The killings in La Plaza de Las 3 culturas is the most terrible and violent event in Mexican contemporary story. This film showed what really happened in a crude and realistic way. The story is well crafted, the character development is great, and the explaination of how the events ocurred was perfectly narrated through the dramatic plot.The direction is excelent as it's a dramatic film based on real events, instead of a documentary the dramatic plot fit perfect. The acting couldn't have been better. Consolidated and talented actors like Héctor Bonilla, Maria Rojo, Eduardo Palomo, and Demián Bichir, give the best performances in the film. The score is crude but effective, works perfect with the tension of the film. The cinematography gave a documentary feel, still it worked great.ROJO AMANECER is without a doubt, one of the best Mexican films of all time. Not only for being a great produced film, it's a film that has the intention to show how things really happened, and sadly, nowadays the events shown in the movie are the pure reflection of a decadent Mexican society.Excelent film, recommended for everyone. ACTING 10 DIRECTION 10 SCORE 9 FUN FACTOR 109/10

Jorge Fons is one of the best movie directors in Mexico. His filmography is full of excellent stories, like "Caridad" y "El Callejón de los Milagros". But, in this case, the story touches every mexican person. This film was made underground, at a moment when democratic aperture in Mexico was only a dream. Everyone involved in it took a high risk, and won. Tha actors and producers made an excellent work. "Rojo Amanecer" is one of the reasons why we are proud of our weak film industry.