It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

An old-fashioned movie made with new-fashioned finesse.

Who makes the Nazis? I'll tell you who makes the Nazis.All the Os. Lucio. Who makes the Nazis? Not-bad movie.Who makes the Nazis? Mugging Smirk actors. Haunted house antics. All the ghosts. Who makes the Nazis? Fulci's a long gone...long gone breed. Long gone...long gone breed. Remember when I used make great films babe? Before I was laid low with diabetes? Who makes the Nazis? House with Nazi spirits. Who makes the Nazis? Lost tourist in jeeps, laughing. Who makes the Nazis? This film is real weird. Real Johnson Allan, Joe. Joe is as good as gold. And all the ghosts in the Nazi hotel. The real mould.AL CLIVER'S COBWEB EYES!Who needs the Nazis? Bad-ass movie? Rai-Uno, Shirley Jackson, haunted police. Italian directors are a long gone, long gone breed, long gone, long gone breed. Who makes the Nazis? Not bad Movie? Here's a word from Ful-ci:"When you're out of horror, just give them real boobs. Mattei's not your enemy, Argento's your enemy. At least I don't murder bush monkeys (like Umberto Lenzi)."Long gone, long gone breed. Who Makes the Nazis?Di-dit-dit-dit. Dit-dit-dititititit. So - Late eighties Italian horror time again, and the same old premise as Graveyard Disturbance, House of Lost Souls, House of Clocks, Ghosthouse etc etc. Bunch of youngsters end up in haunted house and are terrorised on a really low budget. This is a late era Fulci film too so you can throw logic right out the window.Negatives are the crappy story, crappy pacing, lack of gore and stupid ending. Positives are Al Cliver as a coke snorting Nazi having a chug during the orgy at the start of the film! It's also got Joseph Allan Johnson in it from House of Lost Souls (love that one), Berzerker and Slumber Party Massacre. He gets to act drunk and play Russian roulette in this one, so that's a plus.Other pluses are the avalanche of boobs in just about every scene and Fulci's bizarre take on what constitutes a horror movie that basically plagues his last six or seven films. Doctors recommend that you don't think about the plots of this, Demonia, Cat in the Brain, House of Clocks, Touch of Death and especially Sweet House of Horrors as they will cause permanent brain damage. I've watched all of these and there nothing me watched these all me wrong. You won't catch me with my trousers! This is on YouTube so you can watch it for free anyway. Not sure what the score would have been if I'd forked out cash for this.

Italian director Lucio Fulci is best known for his extreme cult movies like "Zombi", "City Of The Living Dead", "The Beyond", "House By The Cemetery" and "The New York Ripper". Those were the late 70's and the early '80's. After that, a good movie was no longer guaranteed.I recently tracked down a couple of his movies I never even heard of. 1972's "Don't Torture A Duckling" was a surprisingly well done classic. I loved it. Since I never saw it, I was afraid it would be dull and outdated. I was wrong. I also saw 1988's "Touch Of Death" which was certainly OK. "Sodoma's Ghost" was from the same year but it's anything but OK. It starts of with a dull and laughable "nazi-orgy". After decades, 6 young people stay in that same house and are visited by ghosts from the notorious past. The dialog is cheesy, the actors are unconvincing and the story is really boring. It feels like time is standing still, really hard to watch without using the flash forward button. There are boobs around every ten minutes but even that won't help you not to fall asleep. No idea why Fulci directed it, there are a couple of special effects at the end that are (hardly) worth watching 75 minutes of this mess. In conclusion: it's more a (rated PG13) soft-sex haunting-house parody than a horror movie. If you want a decent movie Lucio Fulci made around that time, watch "Touch Of Death" or the better "Nightmare Concert".

1943: A gang of especially dissolute Nazis drink, snort coke, cavort with some unappealing prostitutes and film the entire sick scene until the Allies attack and ruin the party. (The assault consists of stock footage and ONE explosion from a lesser bomb than this movie. I don't know how I stood the excitement!) 1988: Six typically annoying teen-agers, played by poorly-dubbed actors, arrive at a remote villa that--big surprise--turns out to be the site of the shenanigans mentioned above. One of them is battered and seduced by a Nazi ghost, though she has little to say about it to her friends the next day.The youngsters try to leave the house and of course find it impossible to do so. They are further beset by a couple of Nazi specters in between long stretches of nothing happening. There are only two notable set-pieces before the lame, lazy finale: a prolonged eye-candy scene involving a topless, mega-breasted teen and a female succubus, and a murder victim's corpse putrefying before his friends' eyes.Like most of Fulci's later work, this has none of the atmosphere or memorable characters found in his early horrors. The minimal gore is totally uninspired and unenthusiastic this time out. I can't believe this picture was directed by the same guy who gave us ZOMBIE, CITY OF THE LIVING DEAD and THE BEYOND.When it comes to "NW" (Nazi Whorehouse) pot-boilers, this ranks as one of the worst. Next to SODOMA'S GHOST, trash like HELL TRAIN starts to look good, and David Friedman's LOVE CAMP 7 just looks better than ever.

I thought Fulci was a master of Italian horror, or so I heard, therefore I was surprised when I discovered that this was one of his movies. The story lacks in originality. It's full of all the stereotypes of the genre: a haunted house, a group of teenagers, the hysteric girl, the tough guy who always keeps cool and the stupid one who inevitably troubles things up. All these ingredients are mixed without logic, especially at the end. The results are comic, not terrifying. I saw it with a group of friends and we couldn't stop laughing!