Thanks for the memories!

Powerful

Great Film overall

The film never slows down or bores, plunging from one harrowing sequence to the next.

A young scientist is trying to carry on his dead father's work on limb regeneration.His overbearing mother has convinced him that he murdered his own father and is monitoring his progress for her own evil purposes.A young doctor uses reptilian DNA he extracts from a large creature and when his arm is conveniently ripped off a few minutes later,he injects himself with his formula and grows a new murderous arm...Admittedly the special effects in "Severed Ties" are pretty good and grotesque,but the rest of the film is awful.The severed arm is behaving like a snake and kills few people.Big deal.The acting is mediocre and the climax is silly.3 out of 10.

While I liked the above mentioned films more, SEVERED TIES was definitely a good horror-comedy. It was not quite as gory as i had expected. This is probably because my brother and his girlfriend put way too much hype on it. Don't get me wrong, it did have some sweet gore, just don't expect it to be on the level of EVIL DEAD II. There was also some pretty funny parts in the movie, especially the extremely creepy preaching bum. Some of the stuff that dude said had me rolling. I also liked how the old time music in this movie was similar to the music playing in THE SHINING when Jack Nicholson is at the bar. The setting was cool too, kinda like a colorful cross between RE-ANIMATOR and STREET TRASH.Basically as far as horror-comedy/splatter flicks go, it was better than EVIL ED but definitely not as good as BAD TASTE or DEAD ALIVE. If you like this be sure to check out BODY MELT, SLIME CITY, and of course the RE-ANIMATOR movies.

Severed Ties starts with an opening narration by the main character who is sitting alone in a room in a wheelchair, Harrison Harrison (Billy Morrissette, yes Harrison x2 is his name!) that goes something like this "red, blood red on white, nothing else would do. I got so desperate for the visions I would look for ways to cut myself. I wasn't always in this chair, there was a time when I could run and play but Mother never let me play. She told me I wasn't like the other boys, that I was special and besides like she always said it was too, too dangerous". He then has a sketchy incomplete flashback to when his Father died in a fire. The main bulk of the film is told in flashback. Harrison is continuing his Fathers work in a laboratory in the basement of his Mothers, Helena Harrison (Elke Sommer) large mansion. Harrison is trying to develop a serum that regenerates organs and skin. He is basing his research on reptile genes as the reptile possesses the ability to regrow parts of it's body, well apparently anyway. Harrison finally succeeds in creating the serum. Helena, along with her accomplice Dr. Hans Vaughan (Oliver Reed, he must have needed beer money badly!) tries to sell the serum to a company called 'Nordkem' for a large sum of money. Harrison is against the idea as the serum should be available for everyone. In a struggle an accident occurs and Harrisons arm is severed. Harrison uses the serum on himself and his arm instantly regenerates, wonderful he thinks at first but soon realises there are strange horrifying side-effects with the serum he hadn't counted on. A homeless man know as 'Stripes' (Garrett Morris) witnesses this and befriends Harrison. Stripes takes Harrison back to where he lives in the sewers with other homeless people. Helena and Vaughan are left with no serum and decide they must find Harrison or they will lose the money. After bribing a corrupt cop they track him down and retake the serum and kidnap his new girlfriend, Eve (Denise Wallace). Together with Stipes and his mutant lizard arm he sets out to rescue Eve and take revenge. Directed by Damon Santostefano I actually quite liked this. It isn't brilliant or any sort of masterpiece but I had a decent enough time watching it. The script by Henry Dominic and John Nystrom is well paced and fairly entertaining. It's very silly but luckily never takes itself seriously. I think it was mean to be a comedy horror but the comedy doesn't quite work which I found to be advantageous as instead of slap-stick silliness I felt it came across more like dark comedy. The twisted 'unhappy' ending was good and felt an appropriate way to round things off. It's just a shame about the middle third which tends to drag a little. The photography is OK and Santostefano has a stab at some style occasionally by lighting certain scenes in a very staged theatrical way that gives the film a slightly surreal feeling. Characters are likable enough and what on Earth is Oliver Redd and Elke Sommer doing in this?! Their fun to watch I guess, I think Santostefano must have a shoe fetish or something because he has Oliver Reed down on his knees cleaning Elke Sommers stilettos on two different occasions and throughout the film in general there are an unusually high amount of feet and shoe shots. The special effects are variable, some very impressive, others less so. The living arm effects aren't the best and they end up looking silly at times. There are a few good gore sequences, a severed arm, a ripped off face and someone has their lungs pulled out! It's a pretty fun low-budget horror film overall that I quite liked but I don't think it's for everyone. Worth a watch if you can catch it on T.V. or find a copy going cheap somewhere.

Take a Barker concept ("Body Politic") & mix it with a dash of latter-day Herbert West - the results would in all probability resemble this dumb gore movie. Perhaps seasoned veterans (in this case Sommer & Reed) need a trash backdrop such as this to really let loose - and do they ever! The kind of film, that if your attention wavered (or you needed to go to the toilet...) , by the time you "came back", you'd swear you're watching a collection of out-takes from SOCIETY, BRIDE OF RE-ANIMATOR & RETURN OF THE LIVING DEAD PART 3 (apologies to Brian Yuzna). What the hell; Sommer is GREAT (a performance that would make Tim Curry look like a master of understatement), Johnny Legend's voice would seem more at home in a DeathMetal outfit - even some bargain-basement Freud thrown in for those of an academic bent. Unfortunate proof that a sincere love of horror movies doesn't automatically = superior product; probably a project that should have been produced by those who actively hate the genre in order to gain a degree of perspective.