Pretty Good

A different way of telling a story

Although it has its amusing moments, in eneral the plot does not convince.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Having seen the 1970's TV adaptations of M R James (goodish then; less so now) I was interested to see a couple of the more recent ones. Alas, they managed not only to be as staid as the worst moments of the 1970s ones but so relentlessly unimaginative they do James's ghost stories a real disservice. In 'A View from A Hill', one of James's most chilling stories, the central character explores a haunted hill, site of ancient hangings. In this TV film the director attempts to evoke its morbid atmosphere with serial killer-style subjective camera shots (cf. Black Christmas and a hundred other slashers) and quick-cut half-seen movement - the latter ok for one shot but quickly irritating, rather than frightening. What should have been a creepy sequence is entirely too crude, too literal, and simply doesn't work. I won't belabour the point further - but nothing in the film rises above this level. For those who want to experience a cinema version of M R James's truly creepy slow-burn atmospherics, which no-one has really managed so far, I'd recommend the Italian 'Across the River'. True, it can't supply James's distinctive Englishness, but its central character - a naturalist in search of night-time creatures, using fixed cameras - is a pretty good equivalent to James's peripatetic antiquaries in search of ancient texts. And like in James, the mysterious creatures which haunt abandoned village turn out to be immensely vengeful and vicious.[Note: these remarks exclude Night of the Demon, which although based on a James story, does not reflect the world of his stories - however good it is.]

An archaeologist visits a decaying country estate to survey its artefacts, but the artefacts lead him into a dark history.Another slice of MR James alienation, where intellectual curiosity attracts the attention of distant, menacing figures and ends in nothing good.The opening sequence is a little irritating with its slow focuses, but the rapid editing later on in the woods creates good tension. Music keeps the mood bubbling. Actors all excellent, and in the end nothing is explained.Overall - not the spookiest, but confident enough not to deliver pat answers.

Historian Dr Fanshawe comes to the country home of Squire Richards in order to review the artefacts he is selling off. On his way his luggage falls off his bike and his binoculars break. He borrows those belong to the late father of Richards as the two go for a walk. From the hilltop he believes he can see an abbey but with the naked eye there is nothing. The next day he heads to the spot and finds nothing but ruins, however is there more to the glasses than just magnification? As with other years BBC4 sees in the Christmas period with a season of films that serve as modern versions of the family sitting round the fire telling ghost stories. I have seen one or two of these in the past and decided this year to make more of an effort to see them – after all, one never knows if BBC4 will continue to be protected from tabloids keen to rip it down. The first film of the season I saw was A View From a Hill and it bodes well for the rest of the films if they can be this good.The plot is simple and the film is short but it is a very good idea that uses the common device of having a character stumbling into a mystery that may or may not have claimed the life of the last person who was involved with it. The tone of the film is spot on as it delivers this story with a total lack of answers and never any more than the slightest glimpse of anything that may be a danger. My favourite example of this is a moment where Fanshawe believes he has seen something and flashes back to it; the pause function told me nothing was there but regardless it is still creepy as an effect. While the style is quite old-fashioned, director Watson uses modern camera movements sparingly and wisely – thus we do get "Evil Dead" rushing shots and jump cuts but they are far from overdone and work better for it.Letheren leads the cast well with an innocent "everyman" who guides the audience into the story well as the "eyes". Torrens is quite fun but his performance did come over like the producers wanted to get Hugh Laurie but couldn't afford him post-House. Burke is obvious perhaps but perfectly functional while Linnell is a menacing presence and needs to be no more than that. Delivery from Watson is very effective as he controls what the viewer sees (even letting us see the abbey itself through the excitable glances of Fanshawe) and it is this tone and atmosphere that makes the piece work as well as it does.Overall then a short but effective ghost story that is reassuringly free of cheap shots and gore, delivering a nice sense of creepiness instead.

This adaptation of M.R. James's short story 'A View From A Hill' was first shown on British television in 2005, on the little watched digital channel BBC 4. I saw that it was being repeated again on BBC 4, and decided to give it a go, remembering the BBC's successful 1970's adaptations of other M.R. James stories including 'Whistle And I'll Come To You My Lad' and 'The Signalman'. Though not in the same class as these masterpieces, 'A View From A Hill' is nonetheless an enjoyable and at times suspenseful drama.A historian arrives in a small rural village to look over the collection of a recently deceased collector of antique artifacts. Whilst out in the countryside, he sees an abbey that has been in ruins for hundreds of years. But what does this have in connection with an old pair of binoculars and a gruesome legend about the ominously named Gallows Hill? And what do the brusque country squire and his servant know about the situation? Whilst not scary in any way, I enjoyed this little production, and had the running time been longer than 40 minutes it could have become a truly great adaptation. As it is, it all feels a little rushed and a bit more exposition to set the mood would have been welcome.I give it 7 out of 10.