Must See Movie...

Admirable film.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

1958's "The Bride and the Beast" was a three-time loser on Pittsburgh's Chiller Theater, long before the cult of Edward D. Wood Jr. took shape following his death in 1978. You can tell it's a Wood script, with its angora sweaters and bestiality theme, but any camp value is totally drained off by the interminable stock footage once the picture shifts to Africa 34 minutes in. Before that it's a riot, with a captive gorilla making advances toward Charlotte Austin's newlywed bride, passively taking it regardless of the 'stares' that other commentators have deemed sexy (more indicative of a bored actress given nothing to work with). The stakes get raised when a psychiatrist taps into her inner 'Bridey Murphy,' and deduces by regression that the girl was a hairy gorilla in a past life! Once the action enters safari country, we get endless big game hunting, none of which feature animals in scenes shot with the actual performers, nothing but stock footage of a leopard (referred to as a 'cheetah'), a black leopard, and at least TWO tigers (who find themselves on the wrong continent!) all getting dropped abruptly after 35 minutes for the dreaded climax, when the 'gorilla her dreams' pops up out of the blue to kidnap Miss Austin and take her back to his place for a rendezvous with three of his pals (I kid you not). Admittedly, Lance Fuller (previously victimized by another Bridey Murphy ripoff, "The She-Creature") was never the sturdiest of actors, but knowing how difficult it would be to keep a straight face while walking through a studio jungle, his bemused performance seems understandable (his character certainly did nothing to deserve his fate, even stripping off his shirt at one point). The worst thing an Ed Wood movie can be is boring, and this one pays the price for 78 minutes (even "Orgy of the Dead" is more exciting). Charlotte Austin looked like a decent actress in "Frankenstein-1970," but since that was her final film, she probably picked a good time to throw in the towel (think Virginia Leith in "The Brain That Wouldn't Die"). The three films that were paired with "The Bride and the Beast" on Chiller Theater were "Caltiki the Immortal Monster," "Phantom from Space," and "Doctor of Doom."

Rugged big game hunter Dan Fuller (a solid and likable performance by Lance Fuller) discovers much to his dismay that his lovely new bride Laura (a nicely sexy portrayal by fetching brunette Charlotte Austin) has a most troubling and peculiar affinity for gorillas. Dan is forced to shoot his pet ape Spanky (Steve Calvert in a funky suit) dead after the big brute breaks free from his basement cage and goes after Laura. Dan takes Laura with him on a safari to Africa. The expedition not only runs afoul of two lethal tigers, but also a couple of hulking gorillas who abduct Laura. Director Adrian Weiss milks plenty of compellingly aberrant thrills from the typically outlandish script by the notorious Ed Wood, Jr.: Weiss treats the weird and perverse premise with admirable seriousness, relates the gloriously wacky story at a steady pace, and concludes things on a bravely downbeat note. Naturally, Wood's script features the inevitable reference to angora sweaters and incorporates a pretty far-fetched reincarnation theme into the already heady mix (Laura was a gorilla in a previous life!). Kudos are in order for the surprisingly sound and sincere acting by sterling leads Fuller and Austin; they receive sturdy support from Johnny Roth as loyal native houseboy Taro and William Justine as helpful psychiatrist Dr. Carl Reiner. The scenes with the savage tigers attacking people are staged with rousing aplomb. Roland Price's sharp black and white cinematography and Les Baxter's sweeping orchestral score are both up to par. A pleasingly offbeat and unusual little oddity.

This awful flick offers little scope for screenwriter Ed Wood's unique, uh, "talents," being mostly made up of boring stock footage. There's hardly even a plot, which may be a mercy considering what Ed Wood's plots tend to be like.The whole "queen of the gorillas" thing is introduced early in the film, and then just dropped until about seven minutes from the end, as our protagonists head off to Africa to capture some giraffes and rhinos (Howard Hawks so ripped this off for HATARI!) and hunt panthers and tigers.Yes, tigers. Much of the stock footage they had featured a pair of tigers, so either Adrian Weiss or Ed Wood came up with the notion that a ship carrying a pair of tigers had wrecked on the African coast.Uh, yeah.

This is probably the best (or at least unique) of Edward D. Wood, Jr.'s film.What sets this film apart is that the first third of the film, dealing with reincarnation, is genuinely interesting, with fairly good dialog, acting and a genuine sense of atmospheric strangeness. The dream sequences are unique for their time and are quite effective.Sadly, once the film moves to Africa, the film grinds to a halt. Only the downbeat ending lives up to the promise of the first part of the film, but this film shows that Wood did have his moments.Probably the best part of the film is its unique score by Les Baxter. The music combines Baxter's trademark exotica with a genuine vein of unhealthy, yet bittersweet, romanticism that is truly singular and very effective. It might be interesting to some to know that Baxter used two cues from this film in his landmark exotica album PORTS OF PLEASURE.