Slow pace in the most part of the movie.

Admirable film.

The first must-see film of the year.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

At first I thought that this would be a really bad movie. I tend to ignore what other people have to say. After this one I'll be more careful on how I choose to spend my time. I hope that this review will spare others from this movie.It's just not bad, it is REALLY bad. After the buildup in the first scene, who had all good ingredients to be something good it derailed totally.I lost interest when they used the disgustingly old cliché that coroners is eating their lunch over dead bodies in the morgue. Not that I find it disgusting to eat in the presence of dead bodies. I just find the cliché itself, old, tired and boring.Coroners have access to proper canteens. I have visited a real morgue in my line of work. I never saw as much as a piece of fruit in the autopsy room.Back to this catastrophe of a movie. Somehow Satan have spawned into our world as a snake. The snake keeps biting, as snakes tend to do, its way to some random small town in, yes once again, America, where a priest who's ancestors was cursed by druids battles the snake.One could possible find some symbolic values but this movie should be forgotten and I hope I can spare you from wasting your time on this.The only thing worth mentioning is a young Christina Applegates appearance.

A giant king cobra escapes from a freight train, to stage a biblical war against a town priest (Weaver) whose faith is waning. Numerous deaths occur leading Father Farrow to the conclusion that it is Satan himself, incarnate as the biblical serpent of evil, sent from hell to bring about damnation to human kind. Or, as herpetologist Jon Korkes prefers, "it's just a big snake". Contaminating the plot, is a much anticipated opening of a local dog track that a local businessman – supported by the morally corrupt mayor of course – is determined to see through at any cost. End result, while the punters might have missed an opportunity to flush their hard earned, they are, on the other hand, spared a holy war of biblical proportions thanks to the renewed faith Weaver finds, just in time to save his soul.Technically well constructed, with performances of conviction, and generally well paced, there's nothing ostensibly wrong with this mild shocker – even the make-up effects are generally better than most films of the snake ilk. The church organ inspired score can be irritating at times, and some of the supporting cast rank amateurs, but generally speaking, it's not unlikeable for the first 85 minutes.Disappointingly however, the film peters to the climax and instead of some "Exorcist" or "Omen" style epic fire and brimstone, we're treated to an alter ritual in the catacombs, where "Satan" has abducted the good Dr. Sheridan (Gretchen Corbett) and is holding her captive in wait for the man of the cloth. Add in a couple of conversions to the deal, and what we've got here, is surely a miracle.That's Christina Applegate as the token child victim, while veteran actor/producer Norman Lloyd looks as confused as the audience, trying to explain how Fr Farrow's bloodline is the cause of Satan's return, every three generations (or something like that). So, while not without some justifiable criticisms, this isn't that bad and certainly not the stinker that kept it in the tin for three years, before it was finally released in 1982. If the distributors were hoping for maturity in that time, alas, it didn't quite happen, but still worth a look.

Jaws of Death (1981) 1/2 (out of 4)It's common knowledge that THE EXORCIST and JAWS made a lot of money at the box office. It's common knowledge that both films had countless, needless rips that would follow throughout the decade. What isn't common knowledge is why it took so long for someone to try and take both films and mix them into one. The film starts off on a train as a large snake breaks free and lands in a small Alabama town where it starts to kill people. We then flash forward to a Priest (Fritz Weaver) whose father happened to have been fighting Druids or something and it turns out that Satan himself has taken over the body of this snake. This true excitement leads to a dingy cave where the Priest must perform an exorcism on the snake. I'm fairly convinced that Satan's an evil guy but if The Rolling Stone's Sympathy for the Devil thought me anything, it would be that evil Satan would be ashamed to be associated with this film. There are bad movies then there are movies like this that make no sense at all and will leave you scratching your head every few minutes. It should be noted that Dean Cundy (HALLOWEEN, THE FOG) did the cinematography here and Christina Applegate made her screen debut. With that out of the way, this movie gets off to an incredibly bad start. We're on the train when a number of stupid events take place and not a single one of them makes any sense. The second man the snake goes after has a shot of the snake where we can easily see the glass between it and the man. What's worse is that this piece of glass is not only seen but it's extremely dirty from previous takes The story itself is all over the place as it's never quite clear what's going on as we got Satan taking the body of a snake but then we have the Druid plot thrown in for whatever reason. As in JAWS, we have the evil mayor who wants to keep the story on the quiet side so that a dog track can come to town. The performances are all bland to poor but we don't necessarily come to a movie like this for the performances. For the most part the snake attack scenes are rather tame but there are a few quick shots of blood. We get one stupid scene after another but in the end there's no doubt that this here is one of the worst rips of either JAWS or THE EXORCIST.

During the 1970's and into the early 80's movie viewers were routinely given the opportunity to see the latest "Nature running amok" film where some animal/mammal/fish starts to pester decent folks and when the few courageous people try to stop it they run into bureaucrats who don't want to be bothered. This story is about Satan that has taken the shape of the King Cobra and after getting loose from on board a train it pops up in a small Alabama town where the snake is trying to track down Father Tom Farrow (Fritz Weaver) whose ancestors were druids. The Cobra is able to control the local rattlesnakes and make them start acting aggressively and biting people. Doctor Maggie Sheridan (Gretchen Corbett) who works at the hospital is suspicious of all the snakebite victims and some of the wounds look stranger than usual. She calls a snake expert in to investigate and Dr. Paul Hendricks (Jon Korkes) flies in. *****SPOILER ALERT*****After more victims are found Maggie and Paul try to persuade Mayor Grady Thorpe (Jack Gordon) to let the townsfolk be aware of what is happening but he says no and a successful businessman named Matt Perry (Bob Hannah) who has a new business opening starts to call the shots. This film was directed by Bob Claver who is a very respectable television director but this is the only theatrical film that he directed. As I started to watch this film I started to think that this was made for television but I double checked and it was released in theaters. The whole look of the film has T.V. movie of the week written all over it. No style to the filmmaking at all and in certain scenes as it looks to fade out I kept expecting a commercial to come on. This was trying to capitalize on the successes of films like "Jaws", "Orca", "Food of the Gods" and even "Grizzly" but those at least had an enemy that truly spooked viewers but this fails on that level. I had to laugh at the actor who was obviously separated by glass from the cobra, the glass was dirty. You couldn't miss it. For you trivia buffs out there Christina Applegate makes her film debut here and actress Nancy Priddy who plays her mother is actually her real mother! Silly and unscary film tries to capitalize on the success of this genre but fails on all levels.