Who payed the critics

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

A story that's too fascinating to pass by...

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

For a film that starts off so promising, "Ever Since Eve" ends up very disappointing. For the first third, it's quite funny, this story of office sexual harassment where the victim can't go to HR. She simply makes herself into a plain Jane to avoid amorous bosses to whom overtime doesn't include office work. Marian Davies (quite lovely, as Louella would always say!) does what Ginger Rogers did two years ago in "In Person", for different reasons, however. This is confusing for her rowdy roommate (Patsy Kelly) and her boyfriend (Allen Jenkins) and for her new boss, an author of movie stories (Robert Montgomery) who has a really obnoxious socialite fiancée (Marcia Ralston). So far, so good. Montgomery at first finds the plain version of Davies too demanding of him (because of his boss, Louise Fazenda), but when she quits because of accusations made by Ralston, he goes to her apartment where he meets the pretty version of Davies. Thus, he falls instantly in love, but she pretends to leave town so he'll finish his deadline. Montgomery follows her to the place she really didn't intend to go, so Davies must rush there, both as her pretty and plain versions. Confused??? This is where the film goes off the rack, having a sudden group of thieves interrupt, including one woman who looks exactly like Davies and is wearing the exact same costume.As I said, the first 2/3 are really entertaining, not in a "My Man Godfrey" classic sort of way, but still enjoyable. Everyone is doing their best to provide laughs in a ridiculous but still fun plot line. But once they get to the inn, it just gets too much. Poor Ralston, who resembles Merle Oberon, but doesn't get to be as ladylike here, suffers all sorts of indignities with her obnoxious character. Frank McHugh too is around as Montgomery's pal who escorts Ralston when her fiancée is not available. Today, this sort of plot line could never be filmed because of its obvious use of sexual harassment and the way that is handled in the workplace. But in the 30's, the "How to Succeed in Business" song "A Secretary is Not a Toy" hadn't been written yet and as any 30's movie viewer knows, a secretary made many a hard-working businessman very happy. This is one of those films to take with a grain of salt and enjoy mostly for its fine character performances and sometimes witty banter.

In this harmless bit of fluff, MARION DAVIES plays a secretary who is so pressured by men making passes at her that she decides to make herself into a frump in order to get a secretarial job that she can hold based on skill alone. Naturally, she falls in love with her boss (a youthful looking ROBERT MONTGOMERY), and the fun develops in seeing how the relationship between Davies and Montgomery will fare once she becomes his dowdy secretary.Davies is just a little too mature for the role of a fledgling secretary more suitable for a much younger actress. But she's a good sport about donning a "homely" disguise in order to get the secretarial position with the firm interested only in hiring unattractive girls.There's plenty of comedy relief although it's not all that funny. Warner filled the cast with contract players like FRANK McHUGH, PATSY KELLY and ALLEN JENKINS--but the picture's central plot depends on whether you enjoy the repartee between Montgomery and Davies once she turns up as his unlikely secretary.Unfortunately, it soon becomes obvious that the screwball aspect (which had possibilities) is stifled by some absurd dialog and foolish situations that are not only incredible but unfunny as played by Davies especially. Montgomery has the more believable role as the playboy boss and does it with his customary professionalism in light comedy.There's an antique flavor to the script when you hear Allen Jenkins come up with a line like, "Did you know gasoline has gone up to 3 cents a gallon?" Unfortunately, none of the comedy seems spontaneous enough or really works, so it's just as well that Miss Davies made a graceful exit from the screen around this time. Any more films like this and her career would have been over anyway.Neither PATSY KELLY nor ALLEN JENKINS is doing anything more than wasting their time in this silly effort. Montgomery comes off best, but it's certainly not a shining hour for anyone.

I give it a 5 because I liked Marion Davies but on the whole, this really was not a very good movie. For me, Patsy Kelly and Allen Jenkins were horribly annoying. I don't say that often about Patsy as I am a fan but this particular movie was not her best. I admit, though, that she was only annoying when she had to share the screen with Allen Jenkins. HE was the annoying one. I realize that I am filtering everything through modern sensibilities because it is impossible not to to a degree, but I could not see what she (Marion's character) fell in love with. Robert Montgomery's character was bland at best. The lead romantic characters didn't spend any time together...at least not enough to build a movie romance on. Love at first sight (so to speak)was not particularly well played out. Also, I think the premise could have been much more effectively played out. A pair of glasses and a wig does not render someone unrecognizable. Marion deserved so much better than this. Now, this is not the worst film I have ever seen but it is by far not a very good effort. It tried for screwball but didn't quite make it there. See it though, if only to be able to see Marion's last screen performance. She was highly underrated. Don't use this as an example of her best work.

Very underrated comedy stars Marion Davies (in her final film) as a woman who frumps herself up to land a secretarial job. Because the frump is efficient, the boss (Robert Montgomery) continues to chase women: a conniving shrew (Marcia Ralston) and a blonde beauty (Davies!) who he meets at a nightclub. Role-reversal comedy is fun from the start with Davies at her comic peak as the dour frump. She's not afraid to look really bad. Excellent supporting cast includes Patsy Kelly, Allen Jenkins, Frank McHugh, Louise Fazenda, and Mary Treen. Once again Davies proves she had acting talent (given the right roles) and that was was a total delight. Her best comedy performances stand up against those of Carole Lombard, Myrna Loy, Jean Arthur or Irene Dunne. Catch this one.