I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

This movie was actually made-for-TV; the cast is stellar. Scott and Jacqueline Bissett make a compelling couple, and TV-star Melissa Gilbert ("Little House on the Prairie") hits all the right notes as a strong-willed, insecure college student coming home on Christmas break who discovers she's pregnant by her less-than-committed boyfriend. (No spoiler here; it's on the DVD cover blurb.) This film captures the anger and frustration of both sides of the abortion debate, which had become very ugly by the mid-80's. In particular, the script being written by a woman was a first for this kind of drama, and the lead actors do a fine job of conveying the confusion and heartbreak that so many women were grappling with during that period -- and still are today.

Melissa Gilbert is Terry Granger, the 19 year old law student daughter of 62 year old New York retired judge Evan (George C Scott) and his 38 year old wife former concert pianist Marisa (Jacqueline Bisset). Terry finds she is pregnant to her ex-boyfriend medical student Scott (Steven Flynn) and must face her father's objections to her having an abortion. The issue becomes complicated when Marisa too becomes pregnant. Gilbert wears her wavy brown hair in a short triangle style and gives spunk to Terry as a rebellious teen. We see Terry swimming laps in a one-piece suit, wearing an American Rock Café waitress uniform, and dancing in a low-backed short slinky shiny black dress wearing glitter eye make-up. Although she can't match Scott's intensity, Gilbert tries hard, smiling at one of his jokes, and using an effective pause before answering a question. She is vulnerable when telling Scott about the pregnancy, and touching when crying with Marisa, though later she squeezes her eyes to force the tears. The teleplay by Judith Parker includes pro-choice and the right-to-lifer's via picketing outside a clinic, and the treatment is free of cliché. Director David Lowell Rich uses an odd low angle for Terry's dancing, and presents Bisset unflatteringly. She doesn't embarrass herself opposite Scott, who is gruff and funny, but she does have a stream-of-consciousness monologue in a church that she strains to perform.

For January 1999 it might not be provacitive. But for 1986 it was. It was for that period a gutsy TV movie to make.

This is one of those movies that tries to be provocative. - here the issue is abortion. Don't bother.